{"title":"Funk \/ Soul","description":"","products":[{"product_id":"just-one-dance-before-you-go","title":"Just One Dance Before You Go","description":"\u003cp\u003eMelodies International is honoured to bring forward its latest disco 12″ reissue single \u003c\/p\u003e","brand":"Melodies International","offers":[{"title":"Default Title","offer_id":32139497308230,"sku":"MEL015","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/r-13129178-1548571237-4212_jpeg.jpg?v=1601934132"},{"product_id":"kolida-babo","title":"Kolida Babo","description":"\u003cp\u003eKolida Babo is the collaboration between two woodwind musicians from separate regions of Greece - Socratis Votskos is from Pella and Harris P is from Athens. This, their debut album, was recorded in improvised, live-take sessions beginning on the night of the “Kolida Babo” folk rituals of music and dance in northern Greece. The sessions proceeding over three years, explore the ancient music of Armenia and the folk traditions of Greece’s Epirus and Thrace regions, alongside abstract electronics and free jazz.\u003c\/p\u003e","brand":"MIC","offers":[{"title":"Default Title","offer_id":32139498750022,"sku":"MIC004LP","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/kolidababo_lpcover.jpg?v=1601934212"},{"product_id":"phase-alternating-lines","title":"Phase Alternating Lines","description":"\u003cp\u003eThe illusive Nelson of the East reappears with his forthcoming EP Phase Alternating Lines – a first class two-tracker.\u003c\/p\u003e\n\n\u003cp\u003eThe Swiss-born, Milanese artist released his first EP Night Frames just last year, making a strong entrance on Tartelet Records. This time around, N.O.T.E explores 80s electro boogie with ‘Phase Alternating Lines’ on the A side, and delivers his very own take on obscure tribal house with “Burning Palm” on the B side.\u003c\/p\u003e\n\n\u003cp\u003eN.O.T.E is young, thirsty, and dead serious about his music. His admirable work ethic shows off not only in his own releases but also in his collaborations with other artists. In the past year alone, he has produced for Wayne Snow and several others that are keeping their work under wraps – while simultaneously creating music as N.O.T.E and under his Verner moniker. All the hard work seems to be paying off on this new 12’, where he comes through with two outstanding dance-floor bombshells.\u003c\/p\u003e\n\n\u003cp\u003eIf you’re into the 80s, Beverly Hills Cop, or just sad that you missed out on Studio 54, you’re going to love EP opener, “Phase Alternating Lines”. It’s got it all: hot drum programming, an electric boogie bassline and a cheeky melody that sticks. “Burning Palm” takes us into obscure tribal-meets-afro-house territory, utilizing percussion, synth marimba and hypnotic melodies – all held together in a tight, driving groove. This track is exotic at its root and perfect for any late night outdoor activity. Both tracks come as extended edits for the vinyl release.\u003c\/p\u003e\n\n\u003cp\u003eThis is a limited-edition release of 400 copies, written and produced by N.O.T.E, arranged by N.O.T.E in close collaboration with Tartelet Records’ label head Dirk 81 and mixed at Panalama Studios in Copenhagen on the Neve 5088 Shelford console for good measure.\u003c\/p\u003e","brand":"Tartelet","offers":[{"title":"Default Title","offer_id":32139516772422,"sku":"TART047","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-33_1.jpg?v=1601934916"},{"product_id":"no-more-crying-treat-yourself-right","title":"No More Crying \/ Treat Yourself Right","description":"\u003cp\u003eCrafted blend of soul, blues and rock by Finnish Marjo Leinonen on Jimi Tenor's Ronet imprint. A-sides \"No More Crying\" is classic and time certain, radio quality from the AM times. 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What I have always admired most about Sassy J is her unwavering commitment to a musical vision. The music she invokes belongs to a Space Age of astral jazz explorations and sonic paths that lead to a higher state of consciousness. It is music that is born out of pain but which offers redemption; both serious and supremely uplifting.\n\u003cbr\u003eIn the act of curation, Sassy J is proposing an alternative history, one where style isn't as important as leveraging meditative states and the spirit behind the sounds. Because Sassy J refuses to stay in one place and treats music as a set of recurring melodic shapes, the very texture of this mix is defined by transition, process, and flow. It seems to say that art is the only thing that exists beyond death. As a beam of sunshine floods through my window the music glistens out to the street beyond. 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Singles and Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer Johnny Brantley. As for the unreleased recordings – much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart. 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He developed this sound to fill a gap he saw in popular music.\u003c\/p\u003e\n\n\u003cp\u003eHe was fortunate to marry into a family that gave him unlimited access to work in the legendary studio on Freeport, G.B.I. Recordings, run by Frank Penn. Always more of a passion project, he would come up with these in the evenings after work, finding a way to blend all his different influences (Bob Marley, George Duke, Teddy Riley, Journey...). 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The exact dates are uncertain. All the musicians were present in Rome as early as January 2nd, when they recorded New Steps for Horo; they were still in Italy on January 23rd, when a concert in Milan resulted in the Saturn LP Disco 3000. Indeed, Sun Ra himself may have remained in Italy throughout the closing weeks of the previous year, after performing solo in Rome and Venice during November 1977 - music from which has since appeared on the albums In Some Far Place: Roma '77 (Strut) and Piano Recital – Teatro La Fenice, Venezia (Golden Years of New Jazz).\u003c\/p\u003e\n\n\u003cp\u003eThe January 1978 recordings, of which Media Dream is a great example, feature an instrument newly added to Sun Ra's arsenal: the Crumar Mainman. It's a rare keyboard, probably made in small numbers by Crumar, which manufactured synths from the late 1960s until 1984. Sun Ra plays it on recordings made in 1978. (Why not afterwards?) Martin O'Cuthbert also played the Mainman – he uses it on several recordings from 1979 and 1980: it's described in that context as a \"string synthesizer.\" After that, it seems to disappear from view. It was reportedly the first keyboard to provide preprogrammed beats – Sun Ra certainly uses of that feature on Media Dream.\u003c\/p\u003e\n\n\u003cp\u003eThe album opens with Sun Ra building dark organ tonalities at the start of Saturn Research, creating an ominous barrage in the lower register. Luqman Ali contributes a subdued accompaniment. Ra's is an orchestral concept here, a depiction of an ominous, portentous scene. Unlike some of his other explorations in this musical territory (Atlantis, Hiroshima) the piece is not developed here into a large scale structure, but presented as a short sketch, satisfying and complete in itself. Applause separates it from the next track on the album: these are two pieces were clearly played one after the other in concert.\u003c\/p\u003e\n\n\u003cp\u003eAs Constellation gets under way after the applause, Sun Ra lightens the mood, laying down rhythmic patterns with the Crumar Mainman, Michael Ray's is the first musical statement over the top of these. Ra adds other keyboard layers above the rhythm to take the music in a different direction. There's almost a hint of minimalism as performed by others here, but the way Sun Ra bends and deconstructs the mechanical patterns are all his own. John Gilmore follows with a solo which develops mellow moods out of tempo, before going into the high register as Sun Ra reintroduces the Crumar, elaborating on organ over the beats. Other musicans (Michael Ray, Luqman Ali) provide a backdrop as the piece draws to a close and the rhythm finally falters.\u003c\/p\u003e\n\n\u003cp\u003eSun Ra's solo keyboards are featured at the start of Yera Of The Sun launching an 'outside' improvisation. Luqman Ali enters as as improvising partner, rather than accompananist. Shouts of \"Calling Planet Earth\" follow, followed by more restrained (but still 'outside') keboard and a drum finale.\u003c\/p\u003e\n\n\u003cp\u003eSun Ra's keyboards start the title track Media Dream, the long original opening track of side B. Ra is joined eventually by Michael Ray's trumpet: Ray developing the same thematic material. The piece draws nearer in mood and tempo to Constellation (or for that matter Disco 3000,) as Sun Ra uses the Crumar Mainman to build rhythmic layers under Michael Ray's trumpet solo, they continue as a substory to his own keyboard improvisations, which take the energy levels higher. As the keyboard section ends, Luqman Ali and John Gilmore take centre stage, with a fine, pensive tenor sax statement from Gilmore to close the piece.\u003c\/p\u003e\n\n\u003cp\u003eTwigs At Twilight is simply beautiful, a mid-tempo piece which fades in mid-performance as John Gilmore commences a swinging tenor saxophone solo, over piano and drums. Piano and then drums drop out, Gilmore's improvisation carrying on completely unaccompanied. Sun Ra reenters on piano, and provides a solo in his turn. The piece is closed out by a drum solo from Luqman Ali. This is a live excerpt which perfectly captures the creative imagination of these musicians at its best.\u003c\/p\u003e\n\n\u003cp\u003eSun Ra begins An Unknowneth Love with balladic piano, unaccompanied at first. Luqman Ali contributes percussion accompaniment. Sun Ra's piano improvisation develops strongly and gains energy. A dramatic passage leads to a duo exchange between Ra and Ali, before the drummer take the piece out in a stately finale.\u003c\/p\u003e\n\n\u003cp\u003eIn their original context, these Italian concert recordings served to document Sun Ra's musical activity – his music was a cosmic newspaper, he once said. They emerged at a time when it was difficult to keep up with his releases (there was a peak in the output of new Sun Ra LPs between 1977 and 1980) but they still caught and held the attention of those lucky or determined enough to seek out these records. Media Dream came from the Philadelphia side of Saturn Records, without the involvement of the original Chicago operation, and had different production values, a more informal style than most of Sun Ra's previous records, with many variants of cover and label artwork. With Philadelphia Saturns there's still a definite emphasis on album architecture – Sun Ra had a strong instinct for what would make a dramatic statement in terms of track selection – but they increasingly trace the live performances of his working groups rather than focus on studio sessions. These 1978 recordings have stood the test of time. Media Dream still offers surprises and lets you experience some great music created in the moment.\u003c\/p\u003e","brand":"Art Yard","offers":[{"title":"Default Title","offer_id":32139549245510,"sku":"AYOOT002","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/r-13641151-1558103749-9184_png.jpg?v=1601936580"},{"product_id":"grey-doubt","title":"Grey Doubt","description":"\u003cp\u003eOn a collision course with earth from the furthest reaches of the universe, The Colours That Rise announce their debut album “Grey Doubt’ on the inimitable Rhythm Section International. Comprised of producer duo Simeon Jones and Nathanael Williams, The Colours That Rise have previously turned heads with 2017’s “2020” EP released on Breaker Breaker (the label credited with breaking Ross From Friends).\u003c\/p\u003e\n\n\u003cp\u003eReturning with their most accomplished offering to date, “Grey Doubt” features acclaimed guests such as Yazmin Lacey, Yussef Dayes and Andrew Ashong, each respectively complementing the incredible musicianship on display here, capturing the true zeitgeist of present day UK. Combining live instrumentation and analogue synths, intricate, intertwining textures and melodies run deep throughout this beautifully crafted afrofuturist voyage, exploring the darkest recesses of the galaxy, through weatherbeaten and asteroid damaged synth waves and broken drum patterns reverberating out into the vastness of space.\u003c\/p\u003e","brand":"Rhythm Section International","offers":[{"title":"Default Title","offer_id":32139559534662,"sku":"RS029LP","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-8_4.jpg?v=1601937032"},{"product_id":"street-soul","title":"Street Soul","description":"\u003cp\u003eInvisible City Editions reissues a selection of classic street soul tunes from the legendary duo Soul Connection (Toyin Agbetu and Earl Myers). A mix of well loved tracks from Soul Connection's 1988 \"Rough \u0026amp; Ready\" and 1990 \"Raw Street Soul\", remastered from the original master reels. This one has been a long time in the making and we are really excited to finally put it out!\u003c\/p\u003e\n\n\u003cp\u003eYou’d be hard pressed to find a more central figure to the story of ’80s UK Street Soul than Toyin Agbetu. A former computer programming prodigy turned musician\/artist\/producer, Agbetu was one of the principals in the development of a sound that merged the playful romance of soul music with the DIY ethos and raw, drum machine-driven beats of hip-hop and other burgeoning underground movements of the time. With his London-based independent record label, Unyque Artists, and a studio HQ-ed out of his Hackney bedroom, Toyin would embark on a remarkably prolific run as a producer and artist under a myriad of aliases and pseudonyms on associated spin-off labels. One such project was Soul Connection – a collaboration with friend and fellow indie label head Earl Myers that, despite its low-key bordering on phantom profile, yielded two albums, Rough and Ready (1988) and Raw Street Soul (1990) released on UA affiliate Intrigue Records. Though both LPs were well received upon initial release, the years since have only increased their stature amongst fans of elusive grooves. As evidenced by the six beloved tracks collected on Invisible City Editions’ Street Soul EP, Soul Connection’s addictively simple hooks, punchy mid-tempo rhythms, and forays into breakbeat and house remain as easy to appreciate as ever.\u003c\/p\u003e\n\n\u003cp\u003eIncludes 8 page booklet with an interview from Jeff “Chairman” Mao.\u003c\/p\u003e","brand":"Invisible City","offers":[{"title":"Default Title","offer_id":32139560190022,"sku":"ICE016","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/soul_connection_-_street_soul_ice_016.jpg?v=1601937102"},{"product_id":"tell-me-its-not-too-late","title":"Tell Me Its Not Too Late","description":"\u003cp\u003eCriminally unavailable, home-recorded fully digital soul JAM from 1990.\u003c\/p\u003e\n\n\u003cp\u003eEd and Joe Wartts, the rowdy younger brothers of acclaimed gospel singer, Andrew Wartts, go hard here with a conscious approach to love and politics; a passionate plea for a more compassionate world. Agitated bass tones cascade only to vanish under a supernatural synth lead that floats somewhere between neo soul and phantom G-funk. Ed's idiosyncratic playing and Joe's raw, emotional vocals deliver an earnest commandment for any era. Electronic instrumentation and voice mingle in a noble and metallic way, giving the track a kind of tough, sophisticated, griminess. 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FYI: “Someone would have to spend close to $5k to get the 4 original records and there are currently none available even on discogs for any of the originals.”\u003c\/p\u003e","brand":"Star Creature","offers":[{"title":"Default Title","offer_id":32139573919814,"sku":"SC1227","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-86_1.jpg?v=1601938065"},{"product_id":"love-is-so-funny","title":"Love Is So Funny","description":"\u003cp\u003eMulti-instrumentalist, songwriter and producer with a discography of vast proportions and spanning three decades, Mr. Pete Warner has contributed to the works of and collaborated with the likes of Patrick Adams, Herbie Mann, Wah Wah Watson, Tramaine Hawkins, The Temptations lead singer David Ruffin, Eddie Kendricks, to name just a few, with a total of over 22 million records sold to date.\u003c\/p\u003e\n\n\u003cp\u003eWith Thunderbolt, one of his own secret projects, he apparently signed only this single, which today is one of the rarest and most requested boogie-funk classics of the early 80s, played by some of the best DJs in the world, including Red Greg who selected it in the 2011 Z Records compilation \"Under The Influence\". According to Mr. Pete Warner the drums and percussion, bass and guitars, horn section, and vocals were recorded live in the studio and were actual musicians. The reissue is fully restored from the original source.\u003c\/p\u003e","brand":"Omaggio","offers":[{"title":"Default Title","offer_id":32139581128774,"sku":"OMAGGIO-012","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-120_1.jpg?v=1601938506"},{"product_id":"don-t-treat-me-so-bad","title":"Don’t Treat Me So Bad","description":"\u003cp\u003eLinda “Babe” Majika’s insanely brilliant Don’t Treat Me So Bad is a tight six tracks of blistering electro-flavoured bubblegum and synth-drizzled solar-powered machine-funk. It has become increasingly hard to find, with copies currently moving for over £200. But this is definitely a case of eye-watering price equalling heart-thumping quality. Once of the Hot Soul Singers, Don’t Treat Me So Bad was Linda’s debut LP as a solo artist. It was produced by Ace Mbuyisa of boogie-funk maestros Freeway and was originally released on Umkhonto Records in South Africa in 1988. The enormous “Let’s Make A Deal” is probably the best known track here, and it’s definitely the best one if you ask us. Linda’s vocals drip with attitude over warm, breezy synths and an urgent, edgy electro beat to create a timeless club-ready bomb that sounds as fresh as ever. But the rest of the album is far from filler. Opening track “Kunzima (Tabalaza Mjita)” instantly brings the sunshine vibes, strutting out the gate with that unmistakable South African steppers groove. It’s a deceptively simple song, with multiple instrumental elements arriving and taking leave with admirable restraint. “It’s Our Home” is a powerful showcase for Linda’s vocals, enhanced by some life-affirming call and response backing vocals throughout. In fact they’re a joyous presence on the whole album. The insistent pipes and swirling, bubbling synths of title track “Don’t Treat Me So Bad” follow. A spacious proto-piano house banger that closes out the first side in phenomenal fashion. Arriving as track two on the second side, “Unga B’Omthemba Umuntu” has the unenviable task of following the huge “Let’s Mak\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":32139583029318,"sku":"BEWITH088LP","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/121210.jpg?v=1601938648"},{"product_id":"in-colour","title":"In Colour","description":"\u003cp\u003eBuilding on the foundations built over years of mutual understanding and musical endeavours as part of the Young Echo team, the London-via-Bristol rapper has been climbing that MC Escher type lyrical ladder for years now, painting pictures with word-sound in the coolest \u0026amp; deadliest ways, and forming his very own style. Somehow he makes it sound easy when these intricate rhymes and words spill across O$VMV$M’s skewed symphonies, dropping slapdash punchlines in the midst of highly real observations about life in the city, lights off, lights on. Manonmars, to us, depicts a lens of someone who isn’t about to conform to any stream, not about to give in to the relentless pace of capitalism, not up for the rat-race, more up for slowing time, and seeing things for what they are, a surrealist take on what could otherwise be a mundane world. Highest recommendations!\u003c\/p\u003e","brand":"Young Echo","offers":[{"title":"Default Title","offer_id":32139583717446,"sku":"YE005","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/ye005.jpg?v=1601938713"},{"product_id":"hakodate-lady","title":"Hakodate Lady","description":"\u003cp\u003eTo mark their 25th release, Left Ear revisits the work of singular Japanese musician Minoru ‘Hoodoo’ Fushimi. In 1983, a young Minoru was working from his home studio in Japan’s Kanagawa prefecture and determined his first release would be an ode to Japan’s musical heritage. Minoru had noticed the younger generation become increasingly disillusioned with traditional Enka songs and decided to breathe new life into the sentimental ballads of old. The multi-talented artist laid down the beat using a TR-606 and played all the additional instruments himself. \u003c\/p\u003e\n\n\u003cp\u003eThe resulting tracks are two mutations from the energetic style of the originals into much darker and abstract versions, albeit managing to maintain the passion and spirit of the Enka genre. Minoru utilised a number of vocal distortions to honour the original vibrato singing style, executing the tracks in a way that was more of a mesh between early punk squelching of the late 70’s and Troutman’s funk-fuelled voice-box of the early 80’s. In true Minoru style, his vision overshadowed the accessibility and ironically the tracks fell short of their appeal to the younger generation he was aiming to inspire, yet resulted in two timeless renditions.\u003c\/p\u003e\n\n\u003cp\u003e250 copies.\u003c\/p\u003e","brand":"Left Ear Records","offers":[{"title":"Default Title","offer_id":32139585650758,"sku":"LER1025","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/minoru_front_cover_for_promo.jpg?v=1601938876"},{"product_id":"suzie-super-groupie","title":"Suzie Super Groupie","description":"\u003cp\u003eWalter ‘Junie’ Morrison released his third solo LP, Suzie Super Groupie, in 1976. A slick, smooth and soulful record, it’s a genre-melting tour de force with rich elements of proto-boogie, funk and jazz. In short, this is yet another essential album reissue from Be With. The sublime “Suzie Thundertussy”, is a favourite of Harvey and Theo, and was brilliantly sampled by Madlib for Kanye West’s “No More Parties In LA”. The track opens with a sinuous synth and combines Junie’s storytelling abilities with an emphatic vocal style and funky arrangements. The powerful bass and sinister chords create an undeniable groove, and the explosive chorus is full of ambition and joy. “If You Love Him” is a great, mid-tempo soul song. With a swinging jazz-infused middle-eight, it demonstrates Junie was much more than a mercurial funkateer. The laconic groove of “What Am I Gonna Do” recalls “Fresh”-era Sly Stone, whilst the frantic “Super Groupie” showcases his sharp imagination and sense of fun. The lyrics range from humorous to dirty, all fuelled by an infectious groove and tight horn arrangements. The P-Funk of B-side opener “Surrender” bounces and sparkles, with a strutting Junie backed by great harmony vocals and joyous horns. “Suzie” is a sleek, softer affair albeit with a disco pulse; a beautiful combination of bright, funky horns, fluid basslines and vigorous rhythms. “Stone Face Joe” is another character song, this time one that chugs along on a sweet boogie rhythm. The winner for us, however, is the closing piece. An extended funk-rock jam, “Spirit” has a heart-rending spoken-word intro and, as a nod to Jimi Hendrix, creates a live con\u003c\/p\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":37161439494326,"sku":"BEWITH063LP","price":22.5,"currency_code":"GBP","in_stock":false}]},{"product_id":"transmissions-the-music-of-beverly-glenn-copeland","title":"Transmissions: The Music Of Beverly Glenn-Copeland","description":"\u003cp\u003eA career retrospective release featuring music released over the last 50 years. \u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Default Title","offer_id":37161442082998,"sku":"TRANS463X","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/bgc_transmissions-4000px.jpg?v=1606751647"},{"product_id":"a-stranger-i-may-be-savoy-gospel-1954-1966","title":"A Stranger I May Be: Savoy Gospel 1954-1966","description":"\u003cp\u003eThe first of three volumes: stomping, rollicking gospel music, intermingling with raw soul, searing blues, hard-rocking doo-wop and jazz, and storming r\u0026amp;b.\u003c\/p\u003e\n\n\u003cp\u003eInfused and incandescent with the hurting, surging indignation of the Civil Rights movement, here are twenty-four precious scorchers by giants like the Staple Singers and Jimmy Scott, alongside devastating sides by less celebrated names like the Harmonising Five of Burlington, North Carolina, and teen-group the North Philadelphia Juniors, culminating triumphantly with slamming, sanctified versions of Hit The Road Jack and Wade In The Water.\u003c\/p\u003e\n\n\u003cp\u003eGatefold sleeve, with full-size booklet; beautifully designed, with stunning, rare photographs and original Savoy artwork.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Default Title","offer_id":37161442115766,"sku":"HJRLP079","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-169_1.jpg?v=1606751649"},{"product_id":"turn-it-loose-ain-t-no-good-savoy-gospel-1970-1979","title":"Turn It Loose, Ain’t No Good: Savoy Gospel 1970-1979","description":"\u003cp\u003eThe second volume brings sublime crossings of gospel with the soul, funk and jazz of the Black Power era. Twenty rapturous cuts dot dazzlingly between Muscle Shoals soul, screwed breakbeat, Mizells-style fusion, disco and proto-house. Triumphant re-workings of Sly Stone, Donny Hathaway and Herbie Hancock’s Head Hunters will have listeners throwing their pew cushions into the air.\u003c\/p\u003e\n\n\u003cp\u003eFull-size booklet; beautifully designed, with stunning, rare photographs and original Savoy artwork.\n\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Default Title","offer_id":37161442148534,"sku":"HJRLP080","price":13.33,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-170_1.jpg?v=1606751650"},{"product_id":"you-better-get-ready-savoy-gospel-1978-1986","title":"You Better Get Ready: Savoy Gospel 1978-1986","description":"\u003cp\u003eVolume three: seventeen gems of fierce funk, rapturous soul and transcendent disco and boogie, super-charged with celebration and affirmativeness, loaded with roaring choirs, rocking horns and popping bass guitars, from the years leading up to Savoy’s acquisition by Malaco.\u003c\/p\u003e\n\n\u003cp\u003eSome seriously rare cuts here; for instance, the stupendous opener by Edith Moreno only appeared as a blank-label promo, in a tiny run.\u003c\/p\u003e\n\n\u003cp\u003eSpot-glossed, gatefold sleeve, with gorgeous printed inners.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Default Title","offer_id":37161442181302,"sku":"HJRLP081","price":13.33,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-171_1.jpg?v=1606751652"},{"product_id":"pretty-face","title":"Pretty Face","description":"\u003cp\u003eOriginally released in 1987 ‘Pretty Face’ by Stinger J has become highly sought after in recent years,\u003c\/p\u003e\n\n\u003cp\u003eStinger J was a one time alias used by Detroit Producer Kevin McCord, formerly of legendary American R n B and funk band One Way. As a writer \u0026amp; producer Kevin has had an illustrious musical career working with Alicia Myers (‘I Want To Thank You’), Oliver Cheatham (‘Get Down Saturday Night’) and Mariah Carey (‘Make It Happen’). Featuring the vocals of Jonathan Haywood, ‘Pretty Face’ is a melting pot of Soul, Disco, Garage and Detroit house. B Side ‘Wonder Land’ pairs the vocals of Jonathan Haywood with Kevin himself, a soulful ballad with classic 80’s production and live keys, strings and percussion. ‘Pretty Face’ is a unique example of an intended crossover record from a mainstream producer who soaked up the influences of his home town Detroit around the birth of House \u0026amp; Techno. Self released at the time on Kevin’s own Chance label, it was hard to get momentum without major label backing so the project fell by the wayside. Now officially reissued for the first time in partnership with Kevin McCord with Artwork by Bradley Pinkerton.\u003c\/p\u003e","brand":"Isle of Jura","offers":[{"title":"Default Title","offer_id":37641071296694,"sku":"ISLE010","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/192641555657.jpg?v=1606751749"},{"product_id":"danse-cette-zik","title":"Danse Cette Zik","description":"\u003cp\u003eEquatorial groove excursions by Parbleu on this new Periodica release. A multi-cultural fever dream of imagined sonic exotica, one featuring both evocative instrumentals and breathtaking vocal performances and where energized expanses of dynamic disco, futuristic funk, and cinematic jazz fusion are colored over by warming vibes of Caribbean dub, Latin tropicalia, and sunshine Afrobeat. 'Danse Cette Zik!' is the debut LP from this enigmatic group of musicians and has been expertly captured and magically crafted by the sorcerers of sound at the West Hill Studio.\u003c\/p\u003e","brand":"Periodica","offers":[{"title":"Default Title","offer_id":37641071558838,"sku":"PRD1018","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/artworks-jxv8fbkdazwbz0ex-yzrwyg-t500x500.jpg?v=1606751751"},{"product_id":"small-moments","title":"Small Moments","description":"\u003cp\u003eDan Kye is the mysteriously evoked moniker from multi-instrumentalist, producer, and vocal sensation Jordan Rakei. The New Zealand-born artist - who now resides in London - presents his first long-player from Dan Kye, ‘Small Moments’, on Bradley Zero’s Rhythm Section INTL. An ode to the dancefloor, the musical project was born out of Jordan’s lockdown experience, created from the comfort of his own home. Recorded with just a laptop, extra live instruments and guest musicians, ‘Small Moments’ seamlessly transcends across electronica, jazz and funk, with each genre being effortlessly fused with Jordan’s melancholy vocals. Allowing himself to push the boundaries, Jordan’s Dan Kye moniker draws on the energetic and uplifting elements of house and techno and perfectly mixes it with the sultry vocals and emotion that come with the live elements we know and love from Jordan Rakei. The record offers listeners a journey through more floor-heavy tracks such as ‘Mogeri’ and ‘Raro’ to more groove infused offerings such as ‘Rainbow Road’ (which is named after one of the maps in Mario Kart and inspired by the energy of Prince’s iconic live concert at The Aladdin in Las Vegas), whilst tracks, like ‘Sober’, take on a more lyrical and anthemic feel.\u003c\/p\u003e\n\n\u003cp\u003eJordan Rakei: “Rhythm Section INTL was my entry point into dancefloor orientated music, and it was Bradley who asked me whether I could head in that direction so he could play my music out in the clubs. Dan Kye has still got melodies, but the main focus is to keep it high energy.”\u003c\/p\u003e\n\n\u003cp\u003eAfter meeting Bradley Zero online whilst living in Australia, Jordan eventually moved to London in 2014. The same day he landed, he went straight to a Rhythm Section party to meet Bradley, and it was here that he first got a taste for house music. He enjoyed Rhythm Section INTL’s ability to draw on both live and electronic talent; and thus, after Bradley asked him for some productions for the parties, the idea for Dan Kye was born. ‘Small Moments’ is a musical masterpiece that can be enjoyed as much on the dancefloor as it can in the comfort of your own home and is a perfect step into Jordan’s landscape and idealism of dance orientated music.\u003c\/p\u003e\n\n\u003cp\u003eBradley Zero - “In around 2014 the proprietor of the famous Northside Records in Melbourne handed me a self released 12” from a new, unknown artist based in Brisbane. It was Jordan Rakei - Franklin’s Room. I’d been home almost a year before I actually got round to listening to it and I remember that moment like it was yesterday. I lay down on the sofa, put the record on and was transported! The Dan Kye project is a testament to the experimental and independent ethos Jordan lives by and is a product of an artist reaching full stride but not afraid to still try something new. This ‘Small Moments’ LP was conceived in a record store, born in a club on Rye Lane and is now flying the nest, throwing caution to the wind and making a bold statement.”\u003c\/p\u003e","brand":"Rhythm Section International","offers":[{"title":"Default Title","offer_id":37641076900022,"sku":"RS036","price":12.67,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-188_1.jpg?v=1606751824"},{"product_id":"crying-for-love","title":"Crying For Love","description":"\u003cp\u003eBridge - Hailing from Oakland\/Berkeley, California.. in 1981 they spent four weeks in Boulder, Colorado cutting an album for the Bang label that never saw the light of day.\n\u003cbr\u003eThis Double LP is a collection of the demos that helped the group land the Bang deal. Never released until 2000 on First Experience Records, it became an instant Modern Soul classic and highly sought after. 16 beautiful tracks featuring incredible vocal performances from Debravon Lewis \u0026amp; Derick Hughes. No fillers. One of the best and most beloved records in its genre. A must have!\u003c\/p\u003e\n\n\u003cp\u003eProduced by Paul Tillman Smith \u0026amp; Jon Bendich for Drawbridge Productions.\u003c\/p\u003e","brand":"High Jazz","offers":[{"title":"Default Title","offer_id":37810139103414,"sku":"HJLP008","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/artworks-mttbvkcodqylvw1i-falnsq-t500x500.jpg?v=1609678316"},{"product_id":"you-ve-gone","title":"You've Gone","description":"\u003cp\u003eIn the late ‘80s, a wave of British musicians raised on ‘70s UK pop, Caribbean sound system culture, reggae, lovers rock and Motown\/Philly soul music fell in love with synthesisers, drum machines and 8-track recorders. The street soul generation had arrived.\u003c\/p\u003e\n\n\u003cp\u003eOriginally released as a white label 12” in 1989, ‘You’ve Gone’ is the sole release from Bassline, the studio project of Southeast London-raised musician Tony Henry, not to be confused with Tony Henry from Manchester jazz-funk\/R\u0026amp;B band 52nd Street. Featuring the singer Lorraine Chambers, it’s one of the true jewels of the UK Street Soul scene. As Lorraine’s heartsick soul vocal glides over sunrise synths, dusty drums, elegant electric piano figures and a reggae indebted bassline, ‘You’ve Gone’ captures the optimism and strength of the era perfectly.\u003c\/p\u003e\n\n\u003cp\u003e‘You’ve Gone’ was championed by Choice FM UK (now Capital XTRA), Kiss FM, and DJ Trevor Nelson. Tony went from selling white labels out the trunk to booking in Live PAs for Lorraine with London sound systems like Rampage and up north in the street soul loving cities of Manchester and Birmingham. “When Lorraine did PAs up there, she went out on stage like she was Beyoncé.”\u003c\/p\u003e\n\n\u003cp\u003eThe son of a Jamaican father and an English mother, Tony grew up around the London sound system scene. He taught himself bass guitar, keyboards, and production, before playing in the reggae band Chakwanza (Swahili for “the first”). In Chakwanza, Tony rubbed shoulders with Aswad, Barry Boom, Steel Pulse, Maxi Priest, Gregory Issacs, Dennis Brown, Ghettotone and Saxon Sound, before focusing on a career in banking over music. “Music was my first love, but it couldn’t have afforded me the sort of level of - let’s be blunt and pragmatic about it - financial success that would have allowed me to support my family.”\u003c\/p\u003e\n\n\u003cp\u003eOutside of office hours, Tony continued to work on music at home, sometimes serving as a session bassist with local bands. In the late 80s, a work colleague mentioned her sister Lorraine Chambers was a singer. Tony and Lorraine recorded “You’ve Gone” over two sessions. “Lorraine went into the booth, put her headphones on and got into the song. My daughter turned to me and said, ‘Daddy, she can really sing!’”\u003c\/p\u003e\n\n\u003cp\u003eDespite the success of ‘You’ve Gone’, they never recorded together again. “The world changed, and for me, it changed as well. My younger kids were born, and work started getting more intense. I got a bit more successful and was living a mad, kind of crazy life.”\u003c\/p\u003e\n\n\u003cp\u003eThirty-two years on, ‘You’ve Gone’ finally receives an official reissue comprising the lauded original mix, an alternate version and Tony’s Back to Bass-ics remix. Fittingly, in recent months, Tony and Lorraine have re-connected in the studio writing new material.\u003c\/p\u003e","brand":"rubadubltd","offers":[{"title":"Default Title","offer_id":39441695834294,"sku":"ISLE011","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/a1554085052_16.jpg?v=1616763960"},{"product_id":"sassy-style","title":"Sassy Style","description":"Dreamt in 1982 by two best friends at a Disco in Dallas and released in 1984, Chazz’s Sassy Style has everything to please funk aficionados : stellar arrangement, catchy refrain and modern groove. With Red Greg’s 45 edit on the B side, Reach Out reissuing this gem is more than a gift to record lovers! Pressed with love by Mother Tongue in Italy, it will be the best homage we can have to uphold their legacy in music.","brand":"Reach Out","offers":[{"title":"Default Title","offer_id":39768952340662,"sku":"RO001","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/ro001_chazz-sassystyle_sidea.jpg?v=1623170312"},{"product_id":"aor-global-sounds-1977-1984-volume-5","title":"AOR Global Sounds 1977-1984 (Volume 5)","description":"8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world, deeply infused with Disco and Soul flavors !\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStarted in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHalf of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOften, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry \u0026amp; Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie \u0026amp; Pop singer, arranger \u0026amp; composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. 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On the music front, things were changing too; At the beginning of the decade, the main music style of black South Africans was the jazzy indigenous jive of mbaqanga, a provincial style that had held its place as the sound of South Africa since Mandela was first imprisoned. By the end of the decade, South African music stars were making international waves with bubblegum, a flashy variety of Afro-techno-pop. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn SATURDAY NIGHT: SOUTH AFRICAN DISCO POP HITS, Cultures of Soul explores this period of change, and the intermediary forms that filled the gap between mbaqanga and bubblegum. The years when South African musicians and producers wrestled with the incursion of foreign disco and formulated their own style of homegrown disco-pop. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStarting from the early 80s, when bands like Varikweru, Black Five and Soundburger essayed local attempts at boogie and jazz-fusion, through experiments like the Madonna-cloned diva Margino, who domesticized the burgeoning Italo-disco and NYC electro sounds, up through the massive breakthrough of Brenda and the Big Dudes, who arrived at the right mix between native and international influences to point the way forward for South African pop. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sound on these records is ostensibly familiar, drawing heavily on models from the 1980s dance culture in Europe and America, but if you listen closely enough you can hear the distinct South African-ness of it all—from the deep, burbling basslines, the brightly hypnotic melodies, and chant-like lyrics—and with sounds as intoxicating as these, you will sure want to listen closely. 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Sweet dreems.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e • Quaid 2020","brand":"Apron","offers":[{"title":"Default Title","offer_id":39785443229878,"sku":"APRON43","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/0022281139_10.jpg?v=1623170364"},{"product_id":"wisp000","title":"wisp000","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA three track 12” running at 45 rpm throughout.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited 300 copy run pressed to 180g (+\/- 5%) virgin vinyl, clear outer bags, cover and label, deluxe antistatic sleeve.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCustom special marble vinyl.\u003c\/span\u003e","brand":"No Label","offers":[{"title":"Default Title","offer_id":40567340564662,"sku":"WISP00","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/wisp000.jpg?v=1631617811"},{"product_id":"garden-of-light","title":"Garden of Light","description":"Reissue from this impossible UK Street Soul album from 1991 !\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you talk about UK Street Soul, and the sounds that define it, it’s impossible to look past Special Touch’s first and only album, Garden of Life. A shining example of this often retrospectively termed genre, which loosely categorised black, soul-inspired music with a DIY, bass-driven aesthetic from the late ‘80s to early-mid ‘90s, this impossibly rare record from cult label Top Secret Recordings weaves a unique brand of positivity and musicality across nine uplifting tracks\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith original copies never having traded hands for below £100 on Discogs, this fully licensed, remastered reissue for Heels \u0026amp; Souls Recordings debut release will be a welcome sight for many.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA family affair through and through, producer and TSR founder Robert Charles Roper and his vocalist brother Duval created an LP that effortlessly married the rawness of underground hip-hop, R\u0026amp;B, reggae and early house with the sentiment and warmth of soul music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe continuous thread over the nine tracks is a sense of optimism, whether on the house-flecked ‘It’s Your Life’, the slung-back ‘Tonight’ or the breakbeat-punctuated ‘Music’. And few, if any, street soul tracks hit the same sublime heights as the title track ‘Garden of Life’, a consummate encapsulation of the Special Touch sound, decorated with breathtaking synth melodies layered over crunchy drum machine hits and Duval’s soaring vocals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA high-point of an underground street soul scene that caused vibrations throughout UK dancefloors, blues parties, soundsystems and pirate stations from Manchester, London, Leeds, Bradford, Birmingham and beyond, Heels \u0026amp; Souls Recordings are delighted to be working alongside Robert to present a relicensed version of Garden of Life for their debut release, remastering the record from the original DAT tape at The Bakehouse Studio.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComplete with a printed inner sleeve detailing the history of Special Touch and the record’s significance, label co-founders Ben Croft and Patrick Forrester, will also be donating their profits to The Black Curriculum, a social enterprise delivering Black British history programmes and teacher training to facilitate both national curriculum and wider societal changes.","brand":"Heels \u0026 Souls Recordings","offers":[{"title":"Default Title","offer_id":40625001136310,"sku":"HSREC001","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/R-15853286-1598995427-4845_jpeg.jpg?v=1632304127"},{"product_id":"the-first-one-hundred-dance-your-blues-away-ft-amp-fiddler","title":"The First One Hundred \/ Dance Your Blues Away ft Amp Fiddler","description":"Omar S, Andre Foxxe and Amp Fiddler...","brand":"FXHE","offers":[{"title":"Default Title","offer_id":40625348477110,"sku":"FXHE-OAJ","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed-7_05ca8c85-06ca-4421-8d6f-533edb373aec.jpg?v=1632309563"},{"product_id":"do-our-thing-with-pride","title":"Do Our Thing With Pride","description":"Kalita are proud to unveil the Greenville, South Carolina-based Al-Dos Band’s unreleased 1976 gospel soul and disco album ‘Doing Our Thing With Pride’. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing one of the most beautiful, sought-after and expensive gospel soul singles in existence (from which the album title takes its name), as well as seven unreleased gospel soul, funk and disco gems such as ‘Confusion’, ‘Look To The Sky’ and ‘Love Jones Coming Down’, Kalita deliver the goods once again. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaken from the original analogue master tapes and released in partnership with band founders Mary and William Robinson. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied by never-before-seen archival photos and extensive interview-based liner notes, this truly is a no-brainer.","brand":"Kalita","offers":[{"title":"Default Title","offer_id":40716823036086,"sku":"KALITALP6","price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/a2129719508_16.jpg?v=1633706447"},{"product_id":"be-worthy","title":"Be Worthy","description":"Soul singer Gloria Ann Taylor (GAT) released only a small amount of music during her brief career. 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Both tracks have previously been unreleased.","brand":"Papaya Records","offers":[{"title":"Default Title","offer_id":42238745018627,"sku":"PRD-004","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/a2390072695_16.jpg?v=1640167652"},{"product_id":"dont-bug-me-vocal-instrumental","title":"Don't Bug Me Vocal \/ Instrumental","description":"Don't Bug Me was originally released on 12'' in 1987 it was the only record American Chocolate put out .","brand":"Papaya Records","offers":[{"title":"Default Title","offer_id":42238806262019,"sku":"PRD-005","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/a0509087915_16.jpg?v=1640168360"},{"product_id":"spaced-outta-place","title":"Spaced Outta Place","description":"Sound Signature is proud to present a re-issue of the 7-inch single from Sundown titled \"Spaced Outta Place\".\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eComposed by Amp Fiddler, Spaced Outta Place was originally released in 1981 on Parkside Records.","brand":"Sound Signature","offers":[{"title":"Default Title","offer_id":42557493117187,"sku":"SSPK","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed_2f7e66e0-770d-48ef-8e3f-3ea873dc849f.png?v=1646831966"},{"product_id":"holy-ghost-zone-ii","title":"Holy Ghost Zone II","description":"Digging yet deeper and more devastatingly in the gospel bins of the Black Atlantic, HGZII has its genesis in work undertaken for Kanye West and the Sunday Service in Wyoming, before enfleshment and fine-tuning back at home in the City of Angels.","brand":"Not On Label","offers":[{"title":"Default Title","offer_id":42654481088771,"sku":"HGZ200","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/59569_0.jpg?v=1649167246"},{"product_id":"tonights-the-night","title":"Tonight's the Night","description":"Freestyle digs deep to reissue this rare UK boogie 12\" by Take Three, originally released back in 1983. Forming the first drop in a new reissue directive from the label, focused primarily on unearthing rare and classic UK funk, soul \u0026amp; boogie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie \u0026amp; Jean Heron and Marlene Richardson), Take Three was the brain-child of writer\/producer trio \"S.H.E.\" - Steve Sinclair, Peter Hinds \u0026amp; Kevin Ellis.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve \u0026amp; Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar \u0026amp; Co, and player with Incognito, Imagination \u0026amp; Loose Ends - to complete the circle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Tonight's the Night 12\" was pressed up on their own label Fast Forward with distribution provided by Andy Sojka's Blackmarketing, and would be the first commercial outing for a creative partnership that would spawn multiple projects\/aliases spanning the UK soul, funk \u0026amp; dance scenes, and still continues to this day.","brand":"Freestyle Records","offers":[{"title":"Default Title","offer_id":42798070432003,"sku":"FSR107","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/cover.ki_7f0f246b-ee48-4a2d-b664-42fa8f615164.jpg?v=1652176154"},{"product_id":"dreams","title":"Dreams","description":"Dark Entries presents a reissue of Shawn Pittman’s 1989 Dreams, an obscure and highly sought-after private press gem produced and written by Art Forest. An undersung figure in the development of the late 80’s Detroit techno sound, Forest collaborated with, produced, or penned material for many of the key players in the movement, including Inner City, Suburban Knight, and the Belleville Three themselves (on Kreem’s “Triangle of Love”). This reissue gives Forest’s own productions some shine while providing a thrill for both dancers and collectors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDreams features two songs, both written and produced by Art Forest and featuring Shawn Pittman on vocals. The A-side contains two mixes of “Dreams”, a smooth R\u0026amp;B\/modern soul number driven by Pittman’s vocal. While the song is undeniably radio-friendly, it contains some of the hallmarks of the Detroit techno sound – sparse arrangement, lush reverb, and booming bass. On the B-side, we are treated to two different versions of the clubbier “I’m Losing Control”. The original mix leans towards boogie\/freestyle, with syncopated 909 beats and sassy synth vamps, and wouldn’t sound out of place next to Forest’s work with Inner City. The Extended-Bass-ment Club Mix strips things down and dubs them out, leaving us with shards of bass synth, brooding strings, and Pittman’s vocals eerily warped to the edge of recognition; a perfect late-night warehouse anthem.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs were remastered by George Horn at Fantasy Studios. The sleeve is a replica of the original cover art. 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But all respun for the post-pandemic hyper-real craziness of today.” The sci-fi element also fits into Quaid’s incredibly strong visual aesthetic, namely his futuristic and very distinct eye glasses. “The glasses are a Quaid trademark for sure,” he says. “I got the LED lights custom made by a guy in the US who worked on the Cylon outfits for the original Battlestar Galactica.”","brand":"Apron","offers":[{"title":"Default Title","offer_id":43013206671619,"sku":"APRON47","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/apron-algor.jpg?v=1657102795"},{"product_id":"dancin-in-the-flames-of-love","title":"Dancin’ In The Flames of Love","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you’re in the middle of a soul searching effort, we’re more than willing to point you in the right direction! ReGrooved has taken it upon itself to rerelease an otherwise lost treasure called\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDancin’ in the Flames of Love\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eby Regina James. This record first saw the light of day back in 1978 and was never reissued on vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNot only was this album the only one ever released by the singer, it seems that security has claimed her ever since. Only three singles under her name have come forth, one standalone 7” called ‘Gee Wiz Boy – backed with ‘My Man Is Coming Home’ - followed by ‘Alfie\/Dancin’ in the Name of Love’ in support of her album. After the Maxi-Single ‘My Love (Ain't Gonna Never Let You Get Away)’ – again using ‘Dancin’ in the Name of Love’ for the B-side – she has literally vanished from any and all charts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer legacy lives on, though. Apart from the obscurity that surrounds both the record and its performer, another important detail makes this disc an important collector’s item. For it seems that Regina James was a protégé of none other than legendary songwriter, producer and vocalist Clarence Reid, who actually became (in)famous through his controversial XXX- rated stage persona Blowfly!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMany of the songs on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDancin’ in the Name of Love\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ewere written by him – including the title track. 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Features the great Nkono Teles on clavinet and electric piano and Jojo Kuo, drummer who played with Manu Dibango and Fela Kuti among others.","brand":"Mondo Groove","offers":[{"title":"Default Title","offer_id":43179844337923,"sku":"MGLP112","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed_a0afcbfd-3e7d-4e4d-a41c-86406c9fc8ac.jpg?v=1660904656"},{"product_id":"five-x-five","title":"Five X Five","description":"Invisible City continues to celebrate its 10th anniversary as a record label by reissuing the overlooked 1994 UK LP Accura - Five x Five!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe best records make you want to grab the steering wheel and feel the sunny coastal drive. Frank Ed’s unique blend of genres on his LP “Five x Five” does exactly this, melting G-funk, smoothie Rnb and NYC Disco a la Larry Levan, a genre he coined “Street Jazz”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Ghana expat inspired by the endearing levity of the sounds of Hilife along the Gold Coast, Frank Ed fuses downtempo keys and throbbing basslines on the opener “The Vibe”. “Groove Control” is a euphoric minimal disco gem teasing the padlocked grooves of Gwen Guthrie and the West End setting sun into a fiery Loleatta sample that sparks into a fiery vocal “You got me burning up”. Dervish vibraphones, inspired by the Jazz-Funk renaissance, mesmerize the interlude “Ghetto Strings”. The punchy sampledelic psychedelia of conscious hip hop continue with the car sounds of “Jazz Maiden” opening with a screeching car halt, alongside MCs Cap D and Darkstorm rapping about a girl on the town, before being snapped and interjected by a female vocal chiming in“Excuse Me!” “Freestylin” is a top down portamento G-funk glider, a nod to everything from the West Coast hip hop highway. “The Good Times'' - a CD-hidden only cut - is the real jewel here, emblematic of Frank Eds distinctive style. Expect low slung, nasal rapping and sine wave G funk grooves paired with lyrics about baggy jeans and Kangol kits that land with the chorus: “ I walk the walk I pay the price of this hip hop rhyme.” The pacific highway drive continues with “Summer Jazz” a breezy cruiser with the line, “Just move your body and slow…Summer Jazz.” You can feel the sun and wind in your hair as the keys trill along the reverb vocals of “I Feeeel It.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis pressing Includes two other CD-only releases featuring the NHB remixes of “Feelin Jazzy” and “Summer Jazz.” An essential LP, lovingly remastered and adjacent to the African diaspora genre UK Street Soul and the fervent UK RnB explosion of the early 90s. Glimmering with the disco ball of The Paradise Garage and the simmering smoothness of bumpin’ West Coast hip hop. \u003cbr\u003e\u003cbr\u003eOfficial Limited Pressing made in collaboration with Frank Ed and Toronto local selector Matt Stein. \u003cbr\u003e\u003cbr\u003eNot to be missed!","brand":"Invisible City","offers":[{"title":"Default Title","offer_id":43215241740547,"sku":"ICE019","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/accura_-_five_x_five_ice_019.jpg?v=1661519996"},{"product_id":"chicago-boogie-vol-3","title":"Chicago Boogie Vol.3","description":"Rare private press soul, boogie and disco selected by Chicago's Boogie Munster Crew for Star Creature\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Star Creature","offers":[{"title":"Default Title","offer_id":43240588083459,"sku":"SC1235","price":21.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/R-24023975-1659011933-8820.jpg?v=1661942868"}],"url":"https:\/\/rubadub.co.uk\/collections\/funk-soul.oembed?page=8","provider":"Rubadub","version":"1.0","type":"link"}