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Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda's “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d'Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on \"borrowed\" studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the  B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.\u003c\/p\u003e\n\n\u003cp\u003eBoth songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. 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It sets the tone for upcoming Jamaican talent Blvk H3ro to step up on the soulful party number ‘Can’t Wait’ (recorded at Equiknoxx’s studios in Vineyard Town in 2016), which has been a staple in Swing Ting sets over the last 18 months.\u003c\/p\u003e\n\u003cp\u003eSlowing the pace is ‘Addiction’, a link up with Irish artist and frequent Murlo collaborator Gemma Dunleavy who lays down an impressive vocal over the skittering drums, muted guitar and glistening keys. The listen is interrupted momentarily for an interlude from Gavsborg whose moving voicemail is accompanied by a poignant piano line from JP aka Without Understanding. 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His growing interest in Tao\u003cbr\u003ephilosophy and the meditative music that accompanied it provided a fertile environment for his audio\u003cbr\u003eimagination. 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A welcome release that brings the two nicest tunes from the LP to 12'' format for that LOUD DJ play.\n\u003cbr\u003e.\n\u003cbr\u003eOriginally from Martinique, Clem Marise Voltine aka Mac Gregor moved to Abidjan in 1979 searching for, what she called, her “negritude quest”. 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Barbatuques, a well-known Brazilian group of body percussionists, adapted \"Baianá\" back in 2005 (first released on the \"O Seguinte É Esse\" album) and since then it became a staple of their concerts, getting crazy reactions from the children to the elder, being featured on soundtracks and sampled by trap duo Tropkillaz. The original is a modern folk song from Bahia composed by Maria do Carmo Barbosa, but it was the mouth harp sound and the stomping beat on the Barbatuques' arrangement that imprinted its trademark sound - like the first lightning strikes before the storm.\u003c\/p\u003e\n\u003cp\u003eA couple of years ago, Jan Schulte, the german producer known for his taste for tropical drums (and also for using a few different aliases), heard the song and decided to add an extra punch to it for his DJ sets: more drums, taken from a library record of \"drumdrops\" (hence the title). 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She has released a variety of tracks on labels such as Arachnidiscs, Architextures, Toy Tonics from Berlin, Secret Jams from Bulgaria, and her solo EP on Toronto’s Mikita Skyy.\u003c\/p\u003e","brand":"Cosmic Resonance","offers":[{"title":"Default Title","offer_id":32139464540230,"sku":"CR-003","price":10.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed_13_-min.jpg?v=1601932971"},{"product_id":"seremunia-ep","title":"Seremunia EP","description":"\u003cp\u003eBoomarm Nation welcomes Tunisian producer Lokal Affair to their family. His debut Seremunia EP, 3 tracks of deep percussive jams, is inspired by life in the Sahara desert, evening fire rituals, and ecstatic drumming styles from across the globe. Lush, mid-tempo spiritual sounds for your sound system. 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Late night conversations - these are just some of the elements that combine to make 'Elixir Of Immortality' one of the most compelling records you will hear all year. It's 'ambient', it's 'jazz', it's 'electronic' - but not as we know it. In fact, it's everything all at once, in one huge psychedelic, synthesised burst of colour and sound. Distant rhythms jostle for position in the dense fogs of melody and dub, dislocated voices and instruments weave in and out of the mix and we eventually find ourselves surrendering to the sheer sonic beauty and complexity that greets us when the smoke clears. There's no point in trying to studiously navigate the verdant, psycho-geographic terrain that the cosmonaut Mårble is busy terraforming with his unique blend of musical expressionism, it's better to let the winds carry you further downstream and open yourself to possibilities. Dip your toes in. A truly special collection of music from the furthest reaches of the other side of St.Petersburg, curated with love and care by the ears and minds behind Nummer. Artwork and design courtesy of Atelier Superplus. 2018.\u003c\/p\u003e","brand":"Natural Selection","offers":[{"title":"Default Title","offer_id":32139467620422,"sku":"NASE01","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/nase01.jpg?v=1601933117"},{"product_id":"buari","title":"Buari","description":"\u003cp\u003eA surefire Afro-Funk classic, long treasured by collectors across the globe, the fantastic self-titled LP from Ghanaian singing\/percussion sensation Sidiku Buari nevertheless remains a criminally hard-to find gem. We're honoured to present the first ever officially licensed vinyl reissue of this undoubted masterpiece. Limited to just 500 copies.\u003c\/p\u003e\n\n\u003cp\u003eOriginally released on RCA in 1975, this is, quite simply, a ridiculous record. This super-rare album boasts an all-star cast of top funk instrumentalists playing alongside Buari as he blends heavy African rhythms with American soul-funk grooves. The arrangements and the playing are incredibly tight and the album is stacked with killer tracks including Advice From Father (sampled brilliantly by Kenny Dope) and Ku Ka Maria, with its intense, neck-snapping breaks and funky drumming from legend Bernard 'Pretty' Purdie. Purdie is in the pocket for the entirety of this stunning LP - the drumming is just straight out of hand; so varied yet so precise.\u003c\/p\u003e\n\n\u003cp\u003eIt's not hard to fathom why these tracks have always been huge on the b-boy\/breaking scene. 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Their electronic psychedelia and bass flows from their roots in Lima, Perú upstream to global dancefloors. The duo are constant in their evolution, exploring rhythms and sounds native to Peru and from the world over. Their focus is in recreating them in electronic form, mixing the old with the new, analog and with digital.\u003c\/p\u003e\n\n\u003cp\u003eIn owning their unique sound and visual identity they share a common quest in their pairing with London-Global label On the Corner. Already deemed ‘Label of The Year’ at the Worldwide Awards On the Corner are crossing more borders and breaking down the silo of left-field sounds having now been nominated for the ‘Best Small Label’ gong at the prestigious AIM Awards. \u003c\/p\u003e\n\n\u003cp\u003eGilles Peterson's 'Worldwide Premieres' called it back in summer 2016 saying that the label is “On a never-ending quest to support and expose far-off musical cultures around the world”. 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A place to keep, nurture and grow the seeds of the future.\u003c\/p\u003e","brand":"On the Corner Records","offers":[{"title":"Default Title","offer_id":32139472928838,"sku":"OtCR12010","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/unnamed_25_-min_1.jpg?v=1601933374"},{"product_id":"kadodi","title":"Kadodi","description":"\u003cp\u003eUganda’s immense Nyege Nyege Tapes return with an Incredible collection of percussive ritual music from Mbale; a unique document of ancient tradition meets modern electronics from the pearl of Africa and another precious eye-opener from this important label.\u003c\/p\u003e\n\n\u003cp\u003eAfter almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege Nyege Tapes crew, pairing a transfixing percussive soundtrack with modern electronic contributions from Bamba Pana and Sun C.\u003c\/p\u003e\n\n\u003cp\u003eExtending privileged insight to the way ancient practices meet modernism near the Equator in East Africa, Kadodi renders a set of mesmerising, rhythmelodic percussion and crowd hollers, along with electrifying reinterpretations by local, East Ugandan producer Sun C and Dar Es Salaam, Tanzania’s Bamba Pana. Placing ageless ritual music alongside its club antecedents, the results find tradition frictionlessly reconciled with modernism, drawing bridges between tribal identities and ancient belief systems, and clubs as contemporary sites of ritual enactment.\u003c\/p\u003e\n\n\u003cp\u003eThe musical aspect of the ceremony is intended to induce initiates to a trance state, readying them to transcend from boyhood (basinde) into men (basani). The twice yearly rites of passage are such an occasion that their soundtrack has now transcended from original ritual use to find its ways into nightclubs, thanks to producers such as DMX, Papas and Sun C - the pioneer of Kadodi music’s shift into electronic spheres.\u003c\/p\u003e\n\n\u003cp\u003eOn this set the ceremony starts on side A and continues into side B, documenting the Domadana Kadodi Performers brewing a bristling frenzy of polymetric percussion with hypnotic intensity coming as a result of their natural complexity. 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Unless you’re a bit wadded or simply helpless to the charms of early ‘80s Japambient records and bought a dead expensive original, it’s maybe likely that you’ll only get to hear this one via YouTube otherwise, so the opportunity to hear this beauty in full fidelity, at a reasonable price, is not to be missed!\u003c\/p\u003e\n\n\u003cp\u003e\"Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura remains tragically under-known outside of his home country. 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