{"title":"Smalltown Supersound","description":"","products":[{"product_id":"royal-blue-mustard","title":"Royal Blue \/ Mustard","description":"","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":32139449335878,"sku":"STS32212","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/r-11508925-1517600213-4488_jpeg.jpg?v=1601932242"},{"product_id":"sallow-pine","title":"Sallow \/ Pine","description":"","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":32139449696326,"sku":"STS32312","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/r-11508984-1517600177-8043_jpeg.jpg?v=1601932242"},{"product_id":"maroon-pink","title":"Maroon \/ Pink","description":"","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":32139450253382,"sku":"STS32412","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/r-11509004-1517600197-7966_jpeg.jpg?v=1601932245"},{"product_id":"how-much-time-it-is-between-you-and-me","title":"How Much Time It Is Between You And Me?","description":"Perila, the moniker of Berlin-based electronic musician Aleksandra Zakharenko, announces her debut album, How Much Time it is Between You and Me?, out June 25th on Smalltown Supersound, and today presents its lead single, “Fallin Into Space,” a track full of levitating synth and pulses of organic noise. With a sound world so specific and transportive, Zakharenko’s ambient music is filled with detail and movement akin to hauntological musique concrète touched by song. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised in St. Petersburg, Russia, Zakharenko moved to Berlin six years ago, finding her place almost immediately at Berlin Community Radio. Regular work with expressionistic field recordings and electronic sound research eventually led Zakharenko to develop her own podcast series, WET (Weird Erotic Tension), combining her evocative, atmospheric music with erotic spoken word poetry. After a handful of early cassette releases as Perila — a project name originally used for her BCR show — Zakharenko has arrived at Smalltown Supersound for her debut full-length, a self-described “immersive experience into self” viewed through a “silence prism” where everyday sounds usually ignored felt amplified. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Fallin Into Space’ is a track about grounding yourself in new places, accepting the surroundings, and opening up to what comes,” explains Zakharenko. “It’s about slowing down and being conscious about what and how your body is in that space. Many new things come to attention when you slow down and observe.”","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":40380070232246,"sku":"STS383LP","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/a3669737048_16.jpg?v=1629206963"},{"product_id":"frijazz-mot-rasisme","title":"Frijazz Mot Rasisme","description":"The second release on Smalltown Supersound's highly promising offside jazz label, 'Le Jazz Non Series' follows Bendik Giske and Buttechno’s mighty label opener with a killer compilation bursting with contemporary\/outsider Norwegian free music as a show of solidarity against racism in the scene, with a title that translates to \"Freejazz against racism“. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStitched and compiled by Anja Lauvdal and Tine Hvidsten, the set features 18 outsider Jazz burners centered around a varied and diverse cast of characters from the young Norwegian scene. While Norway has long had a positive relationship with free music, its players have invariably looked remarkably similar. \"Frijazz mot rasisme\" aims to address that by expressing the diversity of Oslo's contemporary scene and show its commitment to anti-racism; of the players featured on the record, many are regulars at Norwegian demonstrations against local anti-Muslim organization SIAN - with the compilation designed to collect funds for local anti-racist work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusically, \"Frijazz mot rasism\" is a fractal head-fry of the highest order, dilating a fertile movement thru spiraling outsider-jazz. If musical nodes are needed for a point of reference, it flexes from Don Cherry-inspired communal psychedelia sprawlers to fiery shredders, modal percussive cyclones and lushly expressive instrumental virtuosity of a sort we can only imagine would short-circuit and frazzle a pack of bleating Viking gammons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith well over half the tracks originating from female artists, the set also represents a phase shift in perception, wickedly reprising the form’s historic function as fire music and a soundtrack to civil unrest, but with a decided female energy that’s more agitant than aggressive, in a way that might just calm and enlighten the xenophobes. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s a tonne to get down with; Sanskriti Shrestha \u0026amp; Andreas Wildhagen’s modal tabla groover ‘Eight hands’ is a real standout, with subtle treats in the liminal thizz of ‘Up There’ by Propan, and a strikingly stark solo performance by Inga Aas, held in balance with tussling razz-outs like ‘One out of town’ feat. Brian Sandstrom, and scatting, Dadaist mischief by Agnes Hvizdalek that’s sure to pique interest along with the chaotic swarm of its shred-out finale ‘Primary Antibody’.","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":42553048006915,"sku":"STSLJN385LP","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/coverrrrr.jpg?v=1646739718"},{"product_id":"half-a-dove-in-new-york-half-a-dove-in-buenos-aires","title":"Half a Dove in New York, Half a Dove in Buenos Aires","description":"Recorded back in 1999, 'Half a Dove in New York, Half a Dove in Buenos Aires' is the recorded debut of a NetCast improv between deep listening pioneer Pauline Oliveros and Argentinian free music trio Reynols \u0026gt;\u0026gt; a fascinating early example of the internet’s capacity to foster remote creativity in-the-moment that deploys the slowest electronics, accordion, voice, trombone and computer sounds on a next level ritual drone incantation recorded in another era, but made for our time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the story goes, Oliveros first met Reynols in the mid ‘90s at a Deep Listening workshop she held in their home city, Buenos Aires, where they impressed her with an improvised brass serenade. Years later, in 1999, they met again via NetCast - a series of very early online live improvisations - to explore the Internet’s potential for collaborations between artists thousands of miles apart. Finally mixed down in 2021 and mastered by Helge Sten (aka Deathprod) after marinating in the archive for 22 years, the album resonates with the late, great Oliveros’ legendary work in exploring alternate tunings, spatial dynamics and methods of intuitive performance - a remarkable slab of omnidirectional drone bearing traces of Miguel Tomasin's vox and Oliveros’ just-intoned accordion embedded in its cosmic roil.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBroadcasting from fabled record shop The Thing in NYC, with Oliveros (Accordion) joined by Jennifer McCoy (ICR), Kevin McCoy (Computer processing), and Monique Buzzarté (Trombone), and Reynols revolving Miguel Tomasin (Electronics, subliminal voice \u0026amp; Alclorse drums), Rob Conlazo electronics, leather gloves \u0026amp; e-gtr), and Anla Courtis (electronics, rubber foot \u0026amp; e-gtr) and dialling-in from Florida 943 in Buenos Aires, the results are an incredibly absorbing and consistently surprising testament to vanguard, experimental spirits prizing the internet’s nascent, unprecedented ability to connect minds and art across continents, language barriers, and modalities. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's first side, titled 'Micro Macro Wind Dance', puts Oliveros' accordion under a microscope, enhancing it with lower case rumble and noise from Reynolds' arsenal. Shifting glacially over 22-minutes, Oliveros plays subtly and slowly at first, letting the accordion breathe in-and-out like a sleeping mythical beast, before she transitions to fluttering bird-like phrases by the end of the side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Astral Netcast Pigeon' expands the dissonant drones to widescreen, submerging Oliveros' trills and drones beneath layers of dirt and grit. It's time-altering music that dissasembles yr head before you've completely worked out what's happening \u0026gt;\u0026gt; basically the perfect mid-point between Oliveros' deep listening practices and Reynols' wildly inspirational free-noise-drone freakouts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProps to Smalltown Supersound's superb Le Jazz Non Series for bringing this incredible, life-affirming recording (back) to life.","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":42777868861699,"sku":"STSLJN407LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/coverrrrr-2_ef8586bd-cec9-4f9f-a31a-dd62a969629b.jpg?v=1651677197"},{"product_id":"electro-nova","title":"Electro Nova","description":"Like a rediscovered Viking burial ship, Electro Nova compiles near-mythical drone recordings produced in 1998 and described by Helge Sten aka Deathprod as some of the most important music to ever come out of Norway. It's the work of Kåre Dehlie Thorstad and compiles two of the earliest releases on Smalltown Supersound, back when it was basically no more than a bedroom operation. It’s taken over two decades, but finally the label have given the material a first ever proper release on vinyl, complete with mixing and mastering by Deathprod. If you’re into the ice cold swells of anyone from Thomas Köner to Harley Gaber, Biosphere, Kali Malone or, of course, Deathprod - this one's as essential as they come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKaare Dehlie Thorstad's Elektro Nova produced just two releases during the late ‘90s that have since slipped into drone lore - Trans-Inter-Ference and Elektro Nova\/Electro Nova. Admired not only by Deathprod and Joakim Haugland of Smalltown, but also by his contemporaries Lasse Marhaug and Biosphere, his work has evaded pretty much any attention outside of Norway these last two decades. Following a chance meeting with Thorstad at Oslo airport a few years back, Smalltown were prompted to give the recordings a second wind, presenting what is essentially a captivating new release, and crucial addition to the Norsk drone canon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the story goes, Thorstad was studying photography in the late 90’s in Scotland, but instead of delivering a photo for his final exam he made a record - a double album (2CDs) and a 10” to be precise. That should provide some idea of the textural synaesthetic and landscaping qualities evoked by his music, which he ended up sending to a then-young Smalltown label, who were mostly issuing tapes at the time. With no proper distribution the records largely bypassed wider attention, and become a personal favourite of Smalltown’s Joakim Haugland, as well as avowed fan Helge Sten (Deathprod), who helped render its diaphanous scale in mix down, and Lasse Marhaug who describes them as \"two perfect records that deserved much bigger attention”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBetween its jaw-dropping opener; the post-apocalyptic vision of its untitled part; and the cinematic white-out of the 10” tracks; Thorstad comes as close as we’ve ever heard to evoking the inhospitable nature and stark beauty of the wild far north. We can hear those landscapes palpably internalised and alchemically transmuted into its coarse grained textural swells and a reverberating multi-dimensionality, variously sustained to extents that evoke an abandonment of the senses, or likewise squashed and isolated to imply the relative anxiety relief of atmospheric flux, where a few degrees temperature rise or a drop in the wind speed can make the difference between life and death. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImpressively, Thorstad realised after the release of Elektro Nova and just two live shows that he couldn’t really follow up the work and instead pursued a career as professional cyclist, eventually combining his visual skills to become a pro cycling photographer. In that sense, he’s a bit like composer-turned-tennis coach Harley Gaber, whose almighty ‘The Winds Rise In The North’ (1976) is in some ways richly prescient of this work. Like Gaber, Thorstad can remain safe in the knowledge that his contribution to the drone sphere will endure for the ages, especially with this important, impressive new edition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":42931012305155,"sku":"STSLJN365LP","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/cover-20.jpg?v=1655295697"},{"product_id":"sequential-stream","title":"Sequential Stream","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDebut album collaboration with the brilliant Norwegian musician and composer \u003c\/span\u003e\u003ca href=\"https:\/\/arvehenriksen.bandzoogle.com\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/arvehenriksen.bandzoogle.com\/\"\u003eArve Henriksen\u003c\/a\u003e and \u003cstrong\u003e\u003c\/strong\u003epianist Kjetil Husebø.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArve Henriksen: Trumpet, Synthesizers, Vocal, Electronics. Edits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKjetil Husebø: Grand Piano, Synthesizers, Samplers, Live Sampling, Electronics. Edits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComposed and produced by Arve Henriksen \u0026amp; Kjetil Husebø.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded and mixed by Kjetil Husebø (Grandis Studios, Oslo, Norway) \u0026amp; Arve Henriksen (Mölnlycke, Sweden). \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGrand piano on \u003cem data-mce-fragment=\"1\"\u003eSyntax \u003c\/em\u003erecorded by Audun Kleive (Audio Pool, Skien, Norway). Mixed by Reidar Skår (Oslo, Norway). Grand piano on \u003cem data-mce-fragment=\"1\"\u003eSeeding \u003c\/em\u003erecorded by Mike Hartung (Propeller Music Division, Oslo). Mixed by Reidar Skår (Oslo). \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered by Helge Sten (Audio Virus Lab, Oslo). Cut by SST.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtwork\/design by Kim Hiorthøy.\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":43107720265987,"sku":"STSLJN387LP","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/products\/STSLJN387LP.jpg?v=1659367596"},{"product_id":"pmxper","title":"Pmxper","description":"Pavel Milyakov (Buttechno) \u0026amp; Aleksandra Zakharenko (Perila) unveil their collaborative debut as pmxper with a genius act of atmospheric conjuring, full of lilting guitar, curled jazz and brushed drums, wrapped around Perila’s distinctive spoken word and poetry. Whatever you’re expecting, this probably ain’t it - a gently screwed set of sunstroke\/desert songs like some Nico x AC Marias x Leslie Winer session; out of body, sleep deprived, somewhere between delirium and bliss. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded (mostly) remotely between 2020-2022, but mired in a mutual interiority, their sublimely smoky venture bridges strains of spoken word, strung-out country folk, jazz and etheric kosmische with a timeless control of mood and atmosphere that amounts to one of the finest episodes in either’s oeuvre. In a properly enchanted blurring of identity, they almost entirely dispense with digital tools in favour of more pastoral and timeless energies; guitar, sax, jazzy brush drums and a Rhythm Ace FR-3 drum machine, a sort of precursor to Roland’s simmering CR-78. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s that sax that takes you places though, daubing accents of blushed romance over walls of guitar in various formations, all of which sidestep the widescreen cliché in favour of something more nuanced and unusual. This ain’t the open road of Lynch and Badalamenti, more the careening trailblaze of Conny Plank \u0026amp; Holger Czukay, Angela Conway \u0026amp; Bruce Gilbert, The Jesus \u0026amp; Mary Chain and Hope Sandoval’s Stoned \u0026amp; Dethroned, like a melted Venus in Furs, soft, and fritzed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt just under 30 minutes, it’s a short and perfectly formed daydream, hard to describe, and exceptionally easy to get fully lost in.","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":44237500809475,"sku":"STSLJN355LP","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/7072822355005.jpg?v=1695394732"},{"product_id":"unfixed","title":"Unfixed","description":"Sam Barker returns with his first solo EP since 2020’s BARKER002, this time on Oslo’s Smalltown Supersound. While Barker’s previous releases (2018’s Debiasing EP, 2019’s Utility LP) explored the possibilities of kickless dancefloor tracks, Unfixed sees him inverting the musical equation and exploring both the variability and sonic possibilities of a kick-drum – though the final result is not a concept EP. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe four tracks emerged from a session that started out as both a technical study in bass drum design and cognition, specifically problem of “functional fixedness”, which describes a mental block that restricts the use of an object to its traditional application. Exploring the so-called “generic parts technique”, whereby an object is broken down into its component parts to help reveal novel solutions, the typical bass drum elements of waveform, transient, and noise were re-combined through modular synthesis to become fluid, expressive and dynamic. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowever, what began as a rule-based experiment was overtaken by a more organic music making process without specific conceptual constraints, which allowed the music to live and breathe. Tracks were started and then left unfinished, only to be approached again and again over lengthy intervals. Stylistically the result a mix of raw, stuttering, psychedelic growl, kosmische techno, and infinite iterations and of a single groove. In this regard, Unfixed sees Barker not only deeply invested in musical experimentation but also exploring his own biases in both composition and sound design. The result is, once again, a sound and musical framework all of his own.","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":44243585532163,"sku":"STS419LP","price":19.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a0001611855_16.jpg?v=1695813983"},{"product_id":"slay-tracks","title":"Slay Tracks","description":"","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":44899129753859,"sku":"STSLJN427LP","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/STSLJN427LP.jpg?v=1711049389"},{"product_id":"statik","title":"Statik","description":"\u003cp\u003eActress’ tenth studio album, the celestial and expansive Statik.\u003cbr\u003e\u003cbr\u003eThe collaboration between Darren Cunningham and the esteemed Oslo-based purveyors of elevated sonics evolved organically following Actress’ remix of a Carmen Villain cut for the 12” of her Only Love From Now On LP.\u003c\/p\u003e\n\u003cp\u003eIn this vein, the entire Statik project, from conception through creation and release, has been blessed with an almost unnatural ease. For Actress, who wrote the majority of his subtly majestic new record in an extensive flow state, the project serves as a cohesive testament to artistic liberation.\u003c\/p\u003e\n\u003cp\u003eResultantly, Cunningham’s new album is imbued with a sense of freedom. And of stillness. The kind of stillness within artistic motion that arises via the deepest states of flow. Once ‘inside’ the Statik experience, listeners may well find themselves newly calm and meditative.\u003c\/p\u003e\n\u003cp\u003eOf course, those well-versed in Actress’s works are well-travelled when it comes to fantastical flights of the mind. Transportive sonics that spark inner-voyages – whether through nocturnal cityscapes, or far above and beyond, through Saturn’s rings and past Pluto’s moons – are prime Cunningham terrain. Yet while Statik is unmistakably an Actress LP, it’s also distinctly aquatic and subtly primordial, and so offers his audience novel elemental atmospheres to flow through. Listening closely, influential visions of aqueous realms, such as the mythic Atlantis, and evocations of ancient ceremonies as well as flying birds (and, perhaps, humans) may reveal themselves.\u003c\/p\u003e\n\u003cp\u003eNo matter if Statik inspires you to soar above or below the horizon, Actress and Smalltown Supersound promise you a safe and transcendent journey. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReleased June 7th\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Smalltown Supersound","offers":[{"title":"Clear","offer_id":45762209120515,"sku":"STS428LPC1","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a2711438831_16.jpg?v=1717497382"},{"product_id":"read-round-city","title":"Read Round City","description":"\u003cp\u003e\"DJ Plead and rRoxymore with a sick debut collab of rhythmelodically restless productions, infusing limber, freewheeling styles with subtly psychedelic balearic melodics - a big one for followers of CCL, Batu, Nick León, Olof Dreijer, Joe, Nídia \u0026amp; Valentina Magaletti.\u003c\/p\u003e\n\u003cp\u003eAfter meeting for the first time in 2019, Hermione Frank and Jarred Beeler got together at Frank's Berlin studio, slowly sculpting fractal geometries before finally adding the finishing spit and polish at Beeler's parents’ house in Sydney. Marking some of the first original material from either in a minute, the EP knits the duo’s rhythmic fascinations in three ways. \u003c\/p\u003e\n\u003cp\u003e‘Celestial’ splices a rolling 4\/4 with quicksilver polyrhythms and zippy melodic motifs swept into hand-clap trills, imagining something like Olof Dreijer re-shaping Joe’s angular syncopations. ‘Read Wrong’ follows to foreground a thumb piano on a more pendulous, sub-weighted flex, inflected with DJ Plead’s signature palette of drum sounds and canny orchestral flashes at the right moments, dipping like D1’s more melodic works or that forthcoming Nídia \u0026amp; Valentina Magaletti pearl. \u003c\/p\u003e\n\u003cp\u003eThe duo save their most hard-hitting for last, sliding speedy, dembow-inspired geometries through green-tinted clouds of electronics on a UKF-compatible offbeat threaded with swooping subs and flighty flutes. The momentum never lets up, but the two producers manage to evoke a mood that's as suited to a late-nite solo thing as it is to peak time wreckage. In other words; deceptively effortless gear that hits harder the louder it gets.\"\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":53578998972789,"sku":"STSLJN433LP","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/7072822433000.jpg?v=1728418886"},{"product_id":"nutrition-ep","title":"Nutrition EP","description":"\u003cp\u003e\"Carmen's new 3 track EP gives a sense of where she might be heading next on her musical journey. On Nutrition, the submerged influence of dub seen in a lot of her earlier work has risen more prominently to the surface. Carmen describes the tracks as \"some dub studies born out of my continued fascination with the form. I’m in a period where I just keep going back to experimenting with beats and rhythms\". Nutrition is set for release on 25 October 2024 through Smalltown Supersound.\u003c\/p\u003e\n\u003cp\u003e“Carmen Villain descends deeper into the mutant dub vortex on 'Nutrition', infusing the residue of classic Pole\/~Scape, Mark Ernestus and vintage Chain Reaction with a mossy potency that surprisingly and rather brilliantly lines up next to recent work by Carrier and the flickering embers of T++. (Boomkat)\"\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":53609157656949,"sku":"STSLJN440LP","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a1496426102_16.jpg?v=1730550679"},{"product_id":"provoke","title":"Provoke","description":"\u003cp\u003e\"Producer, designer, publisher, filmmaker, all-round scene phenom - Lasse Marhaug returns with his first album since relocating from Oslo to the Arctic Circle, surveying his 35-year career for a set of grizzled, doom-pocked rhythms and foghorn drones pulled from the aether. Expansive and hard to categorise, it's a precision-tooled set of ice-cold tonal productions that heavily lean into Mika Vainio’s rhythm experiments, with extra levels of growling bass and curious noises to send us deep into the uncanny. Deviant, exceptionally visceral gear from one of the greats - consider it required listening if you’re anywhere on the Pan Sonic, Deathprod x Dilloway spectrum.\u003c\/p\u003e\n\u003cp\u003eLasse Marhaug has put his mark on literally hundreds of albums - working with artists like Jenny Hval, Merzbow, Jim O'Rourke, Kevin Drumm, Hilary Woods -  so many others - yet he still regards himself as a primarily visual artist who got diverted into an occasionally different path. If his last album 'Context' was a kiss goodbye to decades of life in Oslo, 'Provoke' turns a new page, but one that draws heavily from memories of the distant past, reflecting on the way the topographies of Norway's frozen north helped shape his creative worldview. Weaving electronics into environmental recordings captured in the bleak Arctic winter, the album was mixed during the Polar night season, when, for two straight months, the sun never rose past the horizon. Somehow, even at its bleakest, Marhaug avoids the usual aesthetic signifiers for this kinda thing, finding elements of queered beauty in all the severity, juxtaposing elements that shine a bright light on all the odd spaces in-between.\u003c\/p\u003e\n\u003cp\u003eA consideration of noise music's place in 2024, and whether it can still be a tool for subversion when its aesthetics have been so commodified, ‘Provoke’ also refernces an experimental '70s Japanese art magazine that attempted to define a new language for photography. Operating somewhere between these two guiding poles, Lasse feels his way through a subtly altered mode of expression, a new approach to familiar concepts. Album opener ‘Plates’, for example, gives it the full Ø treatment, like some exceptional ‘Oleva’-outtake, but , eventually, shards of interference start to exhale like horses blowing, creating uncanny sensations that hit through ambiguous feeling rather than sheer noise terror. Ritualistic, corporeal - hard to know what you’re listening to and why it makes you feel that certain way - so much more than just machine cycles optimised for their ultimately hollow brutalist aesthetic.\u003c\/p\u003e\n\u003cp\u003eMarhaug paints vivid pictures from a carefully chosen palette, drawing us into a soundworld that's rich with contradictions and contrasts. Even the relatively deafening 'New Topographics' offsets its wall of distortion with a muffled, perforating kick drum, cutting into the noise like a knife through butter. And all of this preparation makes the album's lengthy centrepiece 'Monochrome Head' even more impactful; hinging on a Pan Sonic-like alloy of bass and drums, the track snowballs through tempered feedback and improv scrapes and whistles that pick up into an orchestral din. Marhaug accents the bluster with rhythmic hums that gather in momentum until they're almost oppressively heavy, as if everything's about to collapse. \u003c\/p\u003e\n\u003cp\u003eA masterclass in quietly subversive world-building, 'Provoke' invites us to peer at an expansive sonic landscape and marvel at its intricacies, but this time around there's a Lovecraftian behemoth lurking somewhere beneath its icy surface. \"\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":54823136166261,"sku":"STSLJN432LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/cover-12.jpg?v=1732193097"},{"product_id":"intrinsic-rhythm","title":"Intrinsic Rhythm","description":"\u003cp\u003eA personal note is insights and thoughts from the label:\u003c\/p\u003e\n\u003cp\u003ePerila is very special to me, she is an artist I have followed almost since day one when I heard her first couple of tracks on Soundcloud, I immediately understood that here we have music coming out of someone who is very special.\u003c\/p\u003e\n\u003cp\u003eShe has a very strong vision and we as a label dont have to interfere or help with anything - she just knows what she wants - her vision is complete. Because it is all her.\u003c\/p\u003e\n\u003cp\u003eFor me this album is a what I would refer to as an outsider double, with this I mean it has the same feel and approach as the great outsider double albums of the early 90s: Royal Trux’s Twin Infinitives, Dead C’s Harsh 70s Reality and Lake by R!!!S. These albums gave the middle finger to the classic double albums of the 70s rock megalomania, and they made their own weird version of, and a new definition, of what a double album could be. In all fairness it has to be said that Minutemen, Hüsker Dü and Sonic Youth all build a bridge between the big\/epic 70s dinosaurs and the 90s outsider doubles. Anyway, Intrinsic Rhythm has the same feel. Its 64 minutes long and 21 tracks spread over 4 sides with each side having its own title and theme.\u003c\/p\u003e\n\u003cp\u003eFor me this is the definitive Perila release, here it all coming together: her art, her body movements, her influence of nature. This album is the sonic personification of who Alexandra Zakharenko aka Perila is as a human. For me this music is Perila. Like an imaginary soundtrack to Tarkovsky’s The Mirror. Deep and hauntingly beautiful.\u003c\/p\u003e\n\u003cp\u003eJoakim Haugland, Smalltown Supersound\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":54882866659701,"sku":"STS409","price":34.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a2292005129_16.jpg?v=1734443613"},{"product_id":"дарен-дж-каннінгем","title":"ДАРЕН ДЖ. КАННІНГЕМ","description":"\u003cp\u003eNEW ACTRESS\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":54909532176757,"sku":"STS439LP","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a2733212600_16.jpg?v=1736247394"},{"product_id":"grey-interiors","title":"Grey Interiors","description":"\u003cp\u003e\"An imperial phase Actress commits a lushly amorphous installation piece made for the Berliner Festspiele to vinyl, rendering a post-industrial symphony full of iridescent shifts in gyring, OOBE-like spatial coordinates landing somewhere between nutopian ambient, kankyō ongaku and sawn-off bass science. \u003c\/p\u003e\n\u003cp\u003e‘Grey Interiors’ was made in collaboration with Actual Objects and is an absorbing animation and navigation of those post-human ideals that have prompted Darren J. Cunningham to his best work across the preceding two decades. In its hypnagogic symphony of the elements, he short-circuits distinctions of classical music’s metric freedoms and the hyperspatial sensuality of concrète\/electro-acoustic and ambient musics with an artistic license that has come to distinguish his work in the contemporary field, and arguably identified him as this generation’s most vital electronic abstractionist. \u003c\/p\u003e\n\u003cp\u003eThe first half of the album is bewitchingly airless, materialised in a twinkling vacuum. Naturalistic environmental recordings and a half-heard piano swirl around nauseous airlock whooshes and eerie bass drones. It's all pulverised to a powdery, shimmering residue; if Actress's music is defined by its character and texture - that sweet spot between the bedroom and the soundsystem - then this one advances the narrative without losing its backbone. And like a lot of his best work, it comes into its own on the back of zonked eyelids, conjuring a play of shifting geometric patterns within its imaginary physics and nuanced narration of ephemeral melodic phrasing and vaporous textures.\u003c\/p\u003e\n\u003cp\u003eAt about the halfway point, that dissociated piano finds its groove, coalescing into a jerky drum machine rhythm popping like bubbles in the stifling atmosphere. We can draw some intersecting lines here thru electronic music lore - traces of vintage AE, Push Button Objects, UR - but Actress always leaves an indelible fingerprint on anything he touches. Even when he's rubbing against the gallery-industrial complex, he manages to fill a stagnant space with electricity and wit; look at the title itself: is it a reference to the \"landscape beyond man\" as the installation's press release might have us believe, or the institutions themselves? \u003c\/p\u003e\n\u003cp\u003eProper high grade brain food; if you peeped Deathprod's stunning 'Dark Transit', 'Grey Interiors' makes it an epic double-bill. \"\u003cbr\u003e\u003cbr\u003e- Boomkat\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":55061734654325,"sku":"STSLJN434LP","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/cover-22.jpg?v=1739539150"},{"product_id":"stochastic-drift","title":"Stochastic Drift","description":"\u003cp\u003eFollowing 2023’s Unfixed EP and his first full-length release since his 2019 debut album Utility, Stochastic Drift builds on Barker’s singular process to capture life’s chaos and reflect on just how much has changed. If his previous records showcased the artist “using ambient materials to remake techno” (Pitchfork), Stochastic Drift pushes Barker’s approach even further into harmonic chaos and dreamy freeform float.\u003c\/p\u003e\n\u003cp\u003eUtility, the fullest expression of the beatless techno experimentation Barker excavated on his cult classic Debiasing EP, arrived to critical fanfare from The Quietus, DJ Mag, Resident Advisor, and Mixmag (who named it their Album Of The Year). The years since the release of Utility have been marked by intense unpredictability: Barker’s own shifting attitudes towards production, moments of professional transition and, not least, a global pandemic, necessitated somewhat of a reinvention.\u003c\/p\u003e\n\u003cp\u003eStochastic Drift sees Barker creating tracks with a fresh deftness and appreciation for the unexpected. “I’d been working with an approach that was quite deliberate and goal-oriented before, but I realised this wasn’t so helpful in the context of uncertainty. Being suddenly unemployed and stuck at home for an indefinite amount of time, with one disruption after another, it was like the target kept moving and I didn’t know what to aim at.” Barker reflects. “I noticed this unpredictability starting to creep into what I was making, and tracks were ending up a long way from the intentions they started with. So the challenge for this record was to try to embrace that process, to let go of expectations.” The serotonin-spiking lead single “Reframing,” titled after psychological technique for reinterpreting a situation in a positive way, unfolds like a brittle reimagining of Sasha’s eternal prog trance standard “Xpander” until it begins to drift through uncharted territory.\u003c\/p\u003e\n\u003cp\u003eThroughout Stochastic Drift, Barker dives deeper into the world of mechanical instrumentation. Barker explains: “My interest in mechanical instruments is not to replace a human performer, but to explore the tool in a different way, maybe dehumanize it a little bit and look for the potential outside of what humans have already perfected.” Addressing anxiety about the influence of automation in music making head on, Barker emphasises that, regardless of the technology implemented and how this might enable the artist, machines of all sorts, be they robots, synths or instruments, are simply tools. It’s the creative act that remains resolutely human.\u003c\/p\u003e\n\u003cp\u003e“I wanted to explore the link between my internal and external realities, between the chaos of the time and how that was manifesting in my music and ideas,” Barker says of Stochastic Drift. “It’s a transition between lots of shifting realities, describing a process in a window of time that was full of change.” As though finding comfort in unpredictability, the artist pieces together a new sound and in so doing finds a salve for uncertainty. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Black","offer_id":55219629130101,"sku":"STS425LP","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"Transparent","offer_id":55219629162869,"sku":"STS425LPC","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/c1e9680a-df30-64b6-803c-5eb5996c3bfa.png?v=1741208508"},{"product_id":"dance-music-4-bad-people","title":"Dance Music 4 Bad People","description":"\u003cp\u003e“I’ve been partying since 1984,” says Jamal Moss, the living Chicago legend known by his dedicated cult following as the one, the only, Hieroglyphic Being. “40 years later, it’s drastically different - everybody’s angry!” So sets the stage for Dance Music 4 Bad People, the artist’s first album for Smalltown Supersound. Tapping back into the same cosmic frequencies responsible for the prolific house virtuoso’s most vital work, the album sees Moss coaxing nine anthems for those up to no good from out of the ether. With driving drum machine workouts and low-slung synth sexuality, Hieroglyphic Being pays homage to human fallibility, drawing focus on the revolutionary potential of house music and club culture that is so often lost to the chaos of the present. “I have yet to walk into a club and see everybody hug and say: Let’s forgive each other, let’s move forward and make the world a better place,” he levels. “With all these conversations about sexuality, ethnicity, politics, whatever, when you walk into an environment with the music, you are supposed to celebrate all of that. Let it be and come together.” \u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":55307832066421,"sku":"STS431LP","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a3763092586_10.jpg?v=1745419415"},{"product_id":"remixed","title":"Remixed","description":"\u003cp\u003e\"Bendik Giske's killer Beatrice Dillon-produced 2023 album gets a well-deserved addendum with this suite of all-killer-no-filler reworks from Carmen Villain, aya, Hanne Lippard, Hieroglyphic Being, Wacław Zimpel and Dillon herself. \u003c\/p\u003e\n\u003cp\u003eGiske's clearly got his ear to the ground; his last remix record was an invitation for Laurel Halo to put her stamp on 'Cruising', while 2018's 'Adjust EP' roped in Deathprod, Total Freedom, Lotic and Rezzett. Now comes this new LP of remixes and it's one of the best we've heard in aeons. Carmen Villain boots things off with a remix of 'Slipping', following her excellent (and way, way too underrated) 'Nutrition EP' with a giddy, subtle roller that sounds as if it's been constructed using only Giske's raw stems. His breaths and leathery key presses - already amped up by Dillon's detailed recording - are magicked into a dubby concrète groove that’s enhanced with the sparest melodic elements: echoing rainforest-at-night horn blasts and lopped off decay trails that help fuel the momentum. \u003c\/p\u003e\n\u003cp\u003eaya's revision of the same track takes a different approach, forming forceful overlapping polyrhythms from Giske's clanks, using the gamelan-like arpeggios for melodic weight and repetition. The result is a constantly shifting, hypnotic trancer that's achingly organic - more Raja Kirik than Paul Van Dyke. Polish clarinetist and producer Wacław Zimpel, meanwhile, supplements his trippy recent collaboration with James Holden on a similarly levitational wrinkle of 'Slipping' that twists Giske's quivering sequences with microtonal synth prangs and gusty echoes. But it's Jamal Moss who plays fastest and loosest with Giske's source material, calling back to April's psy-house stunner 'Dance Music 4 Bad People' with a powdery, sexualised banger that buries the breathy 'Start' stems underneath neon synths and brittle drum loops. \u003c\/p\u003e\n\u003cp\u003e\"I'm a digital nomad,\" Lippard deadpans over Giske's 'Not Yet'. \"I'm addicted you know that.\" It's a typically dry treatment from the conceptual artist that unexpectedly amps up the hypnotic qualities of Giske's original, adding her circuitous charm to his concertina-ing sax sequences. And to tie things up perfectly, Beatrice Dillon returns with her diaphanous remix of 'Rise and Fall', built to emphasise the radically different approaches of each artist. \"\u003cbr\u003e\u003cbr\u003e- Boomkat\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":55831274324341,"sku":"STSLJN444LP","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/unnamed_385763ee-37a9-4b4f-bc05-c2e47435f17c.jpg?v=1755955360"},{"product_id":"a-series-of-actions-in-a-sphere-of-forever","title":"A Series of Actions in a Sphere of Forever","description":"\u003cp\u003eKara-Lis Coverdale returns to Smalltown Supersound with her fourth full-length album, A Series of Actions in a Sphere of Forever, a collection of nine pieces, dedicated to solo piano. Known for her musical innovations at the intersection of experimental electronics and minimalist traditions, Coverdale’s previous albums Aftertouches, Grafts and, most recently, From Where You Came (Smalltown Supersound) garnered special acclaim for their deep exploration of timbre. On A Series of Actions in a Sphere of Forever, Coverdale deepens her investigation of tonal quality by focusing instrumentally on acoustic piano nocturnes. \u003c\/p\u003e\n\u003cp\u003eThe album’s nine pieces are in a way classic nocturnes (i.e. inspired by night), but also evoke tangential, abstract associations: an animation of melodic webs; moving through a thick substance; sound objects in space. Written and recorded during winter in a small rural studio in Ontario, they also reflect Coverdale’s retreat from maximal sound and a return to acoustic fundamentals. \u003c\/p\u003e\n\u003cp\u003eThe piano’s natural resonance guides the structure of the works, with Coverdale applying subtle electronic processing only to lightly blur the edges of melody and blend harmonics. Additionally, audible breaths underscore the album’s connection to the body’s inherent rhythms and multiple sonorities: the piano’s timbre and natural harmonics, as well as its effect in creating an elusive state of semi-consciousness. Unlike Satie, Debussy or Chopin, Coverdale’s nocturnes are for an even later hour, with a heightened sensitivity to “noise” – or more broadly: anything extraneous to the core harmonic and timbral structure of the piece; and anything that might interfere with clarity, slowness, or perception of space. \u003c\/p\u003e\n\u003cp\u003eA Series of Actions in a Sphere of Forever is slow and focuses as much on the decay of piano melody as on its attack. Mood emerges from deceleration and restraint; emerging melodies, inspired by modal influences from the late Renaissance, post-war minimalism, and Coverdale’s idiosyncratic sense of musical ecology, bloom at their own pace. \u003c\/p\u003e\n\u003cp\u003eIn her own words: “This album is an exploration of harmony in space, music as an antithesis to silence. A silence that does not exist.” \u003cbr\u003ecredits\u003cbr\u003e\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":55948867567989,"sku":"STS413LP","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/6952\/2736\/files\/a1263138547_16.jpg?v=1757938227"}],"url":"https:\/\/rubadub.co.uk\/collections\/smalltown-supersound.oembed","provider":"Rubadub","version":"1.0","type":"link"}