https://rubadub.co.uk Catalog feed containing only products with Product type = "Records". 53579397595509 14679822270837 DJ Nature – "Versions” Part Two | NATURE003HBR https://rubadub.co.uk/products/versions-part-two-1 https://rubadub.co.uk/cdn/shop/files/unnamed-5_b6061606-734a-477a-9176-a399a2a1503a_1024x1024.jpg?v=1727463278 28.00 GBP out of stock new Hot Biscuit Recordings NATURE003HBR 43799959077123 8023930863875 EQD – #010 | EQD010 "Impactful Techno strikes" https://rubadub.co.uk/products/copy-of-010 https://rubadub.co.uk/cdn/shop/products/unnamed-4_31bb3cb3-7683-4702-8f7d-631503b3428c_1024x1024.jpg?v=1678361649 14.00 GBP in stock new Equalized EQD010 37810148540598 6176198557878 Format – #2 | BTL005C Another Classic reissue by Back To Life !!! This time Orlando Voorn with his unmistakable touch. The 2020 official license release include: The Todd Terry like 'Damn Right' with funky drums and samples. The real killer- dancefloors track 'Dance' and two others cuts with off strings and Herbie Hancock approach 'Reckless' and 'Soundclash'. Originally released on E.S.P. this EP can satisfy any Detroit House and Techno lover. Blue Vinyl https://rubadub.co.uk/products/2-13082 https://rubadub.co.uk/cdn/shop/products/unnamed-208_1_1024x1024.jpg?v=1609678395 14.00 GBP out of stock new Back To Life BTL005C 44359047872771 8194858254595 Avalon Emerson – & The Charm | DOVE1 Avalon Emerson & The Charm is an evolution.Created during an extended break from the hectic blur of her life as a touring DJ, the album is a personal statement of intent from an artist who’s long looked beyond the club for inspiration. It’s also the first time that Emerson has put herself, her emotions and, most notably, her voice fully into the spotlight.Having spent her entire career working more or less alone, Emerson purposely sought out a small cast of like-minded artists to help bring the album to life. Chief among them was UK avant-pop savant Bullion, who executive produced the record and, most importantly, shares both Emerson’s predilection for shimmering pop melodies and her boundaryless approach to music-making.Working together, they cracked open her head and heart alike, creating a space where she could intimately reflect on the people and places she’s loved and left behind.Set for release on Another Dove—a new label that Emerson has launched alongside AD 93 founder Nic Tasker—Avalon Emerson & The Charm places lyrics and emotion at the forefront of its identity. https://rubadub.co.uk/products/the-charm https://rubadub.co.uk/cdn/shop/files/a3192598176_10_1024x1024.jpg?v=1699028957 23.00 GBP out of stock new Another Dove DOVE1 43872418005251 8045964329219 Bhasmantan – '96 | UTAN-C002 Bhasmantan - as this body is turned to ash - is the moniker of elusive artist Giuseppe Piol.In the mid 90s the Italian dance scene was evolving, steering away from the usual Dream House formula, changing and adapting to new sounds and new ideas. Like other fellow electronic music producers, Piol at the time was going through a “psychonautic” period of his life, experimenting simultaneously with new hardware in the studio and psychoactive substances at illegal rave parties. This whirlpool of stimulating experiences gave light to one of the most sophisticated and esoteric Italian techno records, the namesake Bhasmantan #3 (published originally by Spock in 1996).We are happy to give light again to this extremely sought-after treasure, a transcendent journey from hard stomping acid techno to introspective dreamy downtempo that has no similar. https://rubadub.co.uk/products/96 https://rubadub.co.uk/cdn/shop/products/a2777332195_10_1024x1024.jpg?v=1681484600 10.67 GBP 10.67 GBP out of stock new Ultimo Tango UTAN-C002 43463156564227 7917061931267 Paula Temple – 'Live from the Mill' Summer of 1995 | NSRTAPE004 Never Sleep present Paula Temple 'Live from the Mill".Recorded live in the UK's oldest rave capital Preston in the beautiful summer of 1995.One of Paula Temple's earliest gigs, this mix was recorded at a rave in Preston 27 years ago when she was 18 years old.Vinyl only at the time, this mixtape embodies the style she is consistently known for, a mix of raw relentless techno and rave.In 1995 making mixtapes was the only way to go, so Paula would make mixtapes to give to her friends at clubs around the North of England such as Bugged Out (Manchester), The Orbit (Morley) and Voodoo (Liverpool).Paula submitted this mixtape to MUZIK magazine to spend a day with techno artist Dave Angel.Triumphantly she spent the day with Dave in his studio, was featured in the magazine and was just a young girl chasing her dream.When we asked for this possible collaboration she dug deep and found a forgotten tape from long ago that had been lost but recently found, Archivio has brought it back to life for you to hear the younger Paula Temple's passion for the underground.All proceeds go the amazing www.womenonweb.org charity which supports women rights across the globe and provides abortion care for the most in need.We are truly honoured to put out a small testament in time and help those in the future.LISTEN HERE https://rubadub.co.uk/products/live-from-the-mill-summer-of-1995 https://rubadub.co.uk/cdn/shop/products/unnamed_655d194a-0640-4952-a483-38d54bd4987c_1024x1024.png?v=1666861402 16.00 GBP out of stock new Never Sleep NSRTAPE004 39955132383414 6795405557942 Mark Leckey – 'O' Magic Power Of Bleakness | RAVE033 Mark Leckey presents the soundtrack to his autobiographical allegory ‘O’ Magic Power of Bleakness’, a mind sluicing fantasy inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths and levitating ambience that sounds like nowt else.Following his seminal, hauntological trips ‘Fiorucci Made me Hardcore’ (2012) and ‘Dream English Kid 1964 - 1999AD’ (2016); the 3-part accompaniment to ‘O' Magic Power Of Bleakness’ captures the Turner Prize-winning artist moving beyond signature collage tekkers to create an entirely original arrangement for his latest audio-visual installation at Tate Britain in 2019 - a life-size replica of a motorway bridge on the M53 on the Wirral, Merseyside. In situ, the soundtrack is a vital component of the installation, livicating its liminal space with a narrative arc that magically turns familiar, popular and folkwise tropes into an occultural tale about provenance and a reminder of the supernatural in the modern world.Leckey approaches the piece as "an autobiographical allegory” in an attempt to locate the enduring enigma of sub/urban British life with uncanny insight. Alongside his own narration, a plethora of Scouse-kids play out the story of an aspirational kid who escapes the Wirral not to London, but to the faerie realm spoken of in Northern European folklore. When he crashes down to earth, his friends don't understand who, or what, he's become. It ultimately concludes in a symphonic supernatural riot, culminating a sort of metaphysical transformation common to Traditional Ballads and reminding us of the angel/redemption sequence at the end of Lynch’s ‘Fire Walk With Me’.'O' Magic Power Of Bleakness’ is a well-worn story that's brutally familiar to anyone who's escaped the clutches of one of Britain's forgotten, Tory-scoured battlefields. But Leckey's treatment is transformative; he offsets observed reality with the surreal verve of folklore like a theme park ride thru a Britain the country prefers not to remember, decorated with themes that have been looped around our collective consciousness for thousands of years. Leckey’s art has essentially come to reflect the psyche of a generation, divining the poetic and occult from the seeming banality of British life by tapping into leylines that riddle the concrete landscape to the imagination. Specifically (if allegorically) it’s Leckey’s life in focus but, on the broadest level, the work speaks to the politics of big town parochiality vs. the elusive lure of big city glitter, in a way that’s bound to resonate with many listeners who’ve made that same transition and questioned their place in-between worlds in the process. https://rubadub.co.uk/products/o-magic-power-of-bleakness https://rubadub.co.uk/cdn/shop/products/R-19080634-1623266179-9890_jpeg_1024x1024.jpg?v=1623933668 24.00 GBP out of stock new The Death Of Rave RAVE033 44759926440195 8307032916227 Samson A.K – 'Tape 1' | MAL007 'Tape 1' is a cut & paste collection of original productions & edits by London's Samson A.K that navigates the gamut of outsider sounds whilst somehow managing to hang together.Apart from the rawness of the music the common thread seems to be its slightly unhinged quality and its irreverent take on the dystopia of modern times through the lens of someone who's escape route was via zines & tapes.There's plenty of nods to some of the sub cultures that have informed Samson A.K along the way but the sample palette goes way broader and as moody as it is in places, it's certainly not taking itself too seriously.The genre thing doesn't really work here but if you like skewed electronics / beats, and also go for antisocial guitar music this will probably connect.Mastering by Miles Whittaker / Design by Jon K https://rubadub.co.uk/products/tape-1 https://rubadub.co.uk/cdn/shop/files/SAMSON-AK_Cover_1024x1024.jpg?v=1709132522 https://rubadub.co.uk/cdn/shop/files/TapelineTester_1_031ac0cb-a973-47c4-8f68-b8cd3c165606_1024x1024.jpg?v=1709132520 https://rubadub.co.uk/cdn/shop/files/SamTape1_f0e92bf4-c991-42ef-a201-3068435f024d_1024x1024.jpg?v=1709132520 https://rubadub.co.uk/cdn/shop/files/SamTape3_4a46d198-693d-4ed6-a699-ba605fb6b9f6_1024x1024.jpg?v=1709132520 13.00 GBP out of stock new MAL MAL007 43559533052163 7953463378179 Hiroshi Matsui a.k.a. Royal Mirrorball – (Earth In) Blue | RH-STOREJPN9 ‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental. Comes with obi.While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.” https://rubadub.co.uk/products/earth-in-blue https://rubadub.co.uk/cdn/shop/products/rh-store_jpn_09_0_1024x1024.jpg?v=1669805217 12.00 GBP out of stock new Rush Hour RH-STOREJPN9 32139474829382 4715672764486 Mary Jane Leach – (f)lute songs | LOVE109 Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur Russell, Ellen Fullman, Peter Zummo, Philip Corner and Arnold Dreyblatt, as well as devoting years to the preservation of Julius Eastman’s legacy since his death in 1990. Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint and completely blew us away, and '(f)lute songs’ is only her second vinyl release in over five decades, feeding and expanding our obsession with her work. In the late 1970’s Mary Jane Leach was triggered by an interview she heard with Steve Reich in which he implored artists to figure out ways of becoming more self sufficient when it came to performance rather than relying on traditional group structures. At the time Leach had already began to experiment with recordings she had made of herself performing long sustained tones made on instruments she could play; mostly voice and bass clarinet, and gradually became fascinated by the sound phenomena resulting from layering tones on her multi-track tape machine. Reich’s thoughts, however, made Leach realise that she didn't have to restrict herself to instruments she could play and, in an indirect way, were the foundation for this album. Trio for Duo (1985), was Mary Jane's first attempt at creating work for instruments she couldn't play; revolving around alto flute and voice. She explains "I had noticed that my voice matched the sound of the bottom fifth of the alto flute, and so the voice in this piece is sung to sound as much like an alto flute as possible. There are four parts, but only three play at the same time, one part passing off its last note to the next entering part, weaving a tapestry of matching and contrasting timbres. By using glissandos, more “extra-notated” sounds are created than appear on the page. I originally conceived of it with each part coming from four separate speakers placed in the four corners of a hall, but I realised that it sounds best on tape with a stereo mix.” The result is an incredible, highly engrossing study in phasing, the voice sung to sound as much like an alto flute as possible to the the extent that it becomes almost impossible to discern which parts are which. Bruckstück (1989) was originally written for eight sopranos, but is played on flutes on this recording - using the same pitches, but sounding very different. It was commissioned by the Kulturamt in Köln to coincide with the opening of an exhibition of paintings by Jack Ox that were organised using an analysis of Bruckner’s Eighth Symphony. Mary Jane explains "The lowest parts (relatively speaking) represent the string section, using the same basic rhythm as Bruckner’s to set up the tonality throughout the piece. The rest of the voices represent the wind instruments. The piece is polyphonic, with a lot of closely resolving intervals - primarily major and minor seconds. Rather than writing linear melodies for one voice, I wrote melodies that are passed from one voice to another.” Dowland’s Tears (2011) was written for for nine flutes, thinking of it as a recording project and not a concert piece (it now has a “solo” tenth part added), while Semper Dolens (2018) is for solo and six taped flutes, with sustained harmony and dissonance in mind. These recordings feature noted Roman flutist Manuel Zurria, who has worked with some of the most important composers around the world. In 1990 he founded Alter Ego, a leading group for contemporary music in Italy. Numerous composers have written pieces for him, and he has expanded the repertoire even further by re-orchestrating compositions into pieces for multiple flutes, as heard on almost forty albums. If you're interested in sound phenomena or just looking for some of the most beautiful, avant garde music you'll hear this year; we reckon (f)lute songs is a bit of a masterpiece. https://rubadub.co.uk/products/f-lute-songs https://rubadub.co.uk/cdn/shop/products/love10-min_1024x1024.jpg?v=1601933453 17.00 GBP out of stock new Modern Love LOVE109 56913137009013 15802952319349 Tristan Arp – (re)weave | KAPS005 The fifth release on Objekt’s Kapsela imprint is (re)weave, an EP of crystalline club tracks from Detroit-born, London-based producer Tristan Arp. (re)weave was written during a prolonged period of flux for the artist. “When I started making this record, my life and the world felt like a maze,” he recounts. As he routed and re-routed through past and future homes – Mexico to New York to Detroit to Mexico and finally to London – his output bore the marks of this repeated uprooting. “I was thinking about making music that reflected these twists and turns, and the knotty pathways through them. I was also re-reading Borges around this time, which must have influenced my interest in labyrinths.” Accordingly, the EP is a mycelial puzzle, a tangle of spidery, undulating ostinatos and earthy percussion, stitched through with syncopated kicks. Employing the sounds of multitudinous critters and kin – whales, insects, thunder, water, forests – the arrangements sum to a sentient mesh of organic matter, the compositions living and breathing like earthly beings. Kaleidoscopic tendrils explore in every direction but are always underpinned by a driving, percussive backbone. It’s not easily classifiable: it’s bass-driven, but to simply call it “bass music” would sell it short. In keeping with the winding geographical paths traced over the EP’s creation, (re)weave saw Tristan Arp revisiting and reinterpreting unfinished sessions and incorporating them into newer ideas. Rhythms and sounds have been transplanted and self-recycled from previous projects and woven into the fabric of the record. In this way, (re)weave also describes a looping back over time, a recalibration of the self from past to present through interlocking rhythms, channeling and communing with versions of oneself from times gone by.  The closing track, Wish Server, slows the EP to walking pace and hints at tentatively emerging from the deepest jungle into a delicate, innocent light. Tristan Arp imagines it as a dialog with a baby-self. “Some of my earliest memories are of sitting at my mother’s loom,” he offers. “The sequence of these tracks traces these feelings and follows the thread back to the primordial soup… through mazes… to a feeling of levitation.” https://rubadub.co.uk/products/reweave https://rubadub.co.uk/cdn/shop/files/re-weave_1024x1024.jpg?v=1773840412 https://rubadub.co.uk/cdn/shop/files/javXR_VQ_1024x1024.jpg?v=1773840493 https://rubadub.co.uk/cdn/shop/files/FhelIjOA_1024x1024.jpg?v=1773841000 https://rubadub.co.uk/cdn/shop/files/fKmMsdBg_1024x1024.jpg?v=1773840999 15.00 GBP out of stock new Kapsela KAPS005 44321494270211 8177772593411 The Greatest Pleasure – (Sharing) Ecstasy | JOY1 Hand stamped, limited edit and beats dub from TT.  https://rubadub.co.uk/products/sharing-ecstasy https://rubadub.co.uk/cdn/shop/files/img_8473_large_large_0afe5418-18e5-4039-9fca-537158758877_1024x1024.jpg?v=1698145160 14.00 GBP out of stock new The Greatest Pleasure JOY1 45842847760643 8721370874115 Adiel – (What You Want) Is Music EP | SPAZIO030 Fellow Rome techno figurehead Adiel debuts on Spazio Disponibile with some heavy heavy low frequency cuts. Exploring bass weight in multiple tempo's, it's one of the most experimental releases on the label to date, still the main focus here is making dancefloors move. With Bristol icon Pinch contributing to the mix it's made sure these steppers are soundsystem proof and will wiggle both mind and body. https://rubadub.co.uk/products/what-you-want-is-music-ep https://rubadub.co.uk/cdn/shop/files/unnamed_15_5201a984-58be-4000-bc80-f4dc615c9a6a_1024x1024.jpg?v=1719396902 13.00 GBP out of stock new Spazio Disponibile SPAZIO030 39888506355894 6768727523510 Tera Octe – + | PRR011 "The pioneer of Dusselcore is back!"Mentalist dance music from Tera Octe on PRR! PRR! https://rubadub.co.uk/products/product-1 https://rubadub.co.uk/cdn/shop/products/unnamed-3_4e589c63-5c6e-4123-b6cc-2b66cf576bfd_1024x1024.jpg?v=1623167092 15.00 GBP in stock new PRR! PRR! PRR011 42490814562563 7600799580419 Houz' Moon – -3- Ghetto Houz EP | CCE019 Houz'Mon grew up on the West Side of Chicago where he was exposed at an early age to Chicago, New York & Detroit dance music. Befor Houzmon, or rickkiqhouz was born I went by the name Slick Master Rick in 1987 sign my first record deal with dj international records. The name of my trax "Brother's and sister's house on 13th street! Aka halloween house this trax lunched the foundation and planted the seed of "GHETTO HOUZ" https://rubadub.co.uk/products/3-ghetto-houz-ep https://rubadub.co.uk/cdn/shop/products/unnamed-3_0c0d8241-bd70-4c3b-b310-3cc83e250632_1024x1024.jpg?v=1645283141 10.00 GBP out of stock new Chiwax Classic Edition CCE019 43594874290435 7966084661507 Various Artists – ...it wasn't really me | KH044 Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly. https://rubadub.co.uk/products/it-wasnt-really-me https://rubadub.co.uk/cdn/shop/products/kh044-itwasntreallyme-sleeve-3000_1024x1024.jpg?v=1671108564 14.67 GBP 14.67 GBP out of stock new Knekelhuis KH044 45096007139587 8417876410627 A Visiting Link – 0-9 | VISI2 The Emergency Declaration has been issued, so... past iron up... between iron chan... it is commonly known as the limited express... the chill system (Red Belt) + (Blue Belt) formation crab-crab. Limited operation @ Sultan Al Sham, Magnetic Dress, and Dedicated Computer Realm. https://rubadub.co.uk/products/0-9 https://rubadub.co.uk/cdn/shop/files/R-26821796-1686588498-5858_1024x1024.jpg?v=1712826714 13.00 GBP out of stock new A Visiting Link VISI2 32139466440774 4715663982662 Simple Elements – 0.092 | POSR001 The 1990's was an incredible decade for Techno - especially if you bought the releases being pressed and then shipped globally on a weekly basis out of Birmingham in the UK. Simple Elements "9.2%" originally came out on Ideal Trax in 1997 and over the years has become a holy grail among underground DJ`s and record collectors. Nicky B, the artist behind the Simple Elements moniker and resident DJ from long running Techno mecca, The House Of God, has decided to re:release the original double pack on his new label, Prisoner Of Sound Records. This double pack is a collection of the first tracks Nicky ever wrote and is an insightful glimpse into the mind of an artist drawing upon a pool of influences, taking in Jazz, Funk, Soul, Electro, Chicago House and Detroit Techno - you can listen to the influences at work throughout the six tracks, transporting your senses off world, into the deep realms and forgotten worlds of a vintage future. https://rubadub.co.uk/products/2020-02-09-00-00-00-0000 20.00 GBP out of stock new Prisoner Of Sound Records POSR001 32139383799878 4715587338310 Omar S – 002 | AOS-002 https://rubadub.co.uk/products/alex-o-smith-002 https://rubadub.co.uk/cdn/shop/products/omars002_1024x1024.jpg?v=1601929809 14.00 GBP out of stock new FXHE AOS-002 44288269910275 8165401854211 Omar S – 002 (20 Year Anniversary Pack) | AOS-002LP Omar-S celebrates 20 years with an expanded edition of AOS-002. Now pressed as a double pack with two new versions of 'U' and 'Set It Out' https://rubadub.co.uk/products/002-20-year-anniversary-pack https://rubadub.co.uk/cdn/shop/files/unnamed-13_d8c3e146-d9df-4908-9598-d97482100882_1024x1024.jpg?v=1697533491 28.00 GBP out of stock new FXHE AOS-002LP 55575809130869 15115604656501 Lapalace – 006: Lapalace (Lavender) | WatchSeeds006 Manchester-based producer Lily Mumby, the creative force behind Lapalace, has chosen Lavender as her botanical muse for this sixth instalment. Like the aromatic herb that grows from tiny seeds to fragrant purple stalks, her compositions unfold with a similar patience and elegance. Her synthesisers breathe with a natural rhythm, creating textures that emerge and recede like morning dew on lavender buds waiting to bloom. The standout track ‘new age night’ – a stunning love child of William Basinski's decaying tape loops and Aphex Twin's intricate programming—carries subtle lavender-inspired tones, balancing the plant's calming essence with hypnotic rhythms. Just as lavender requires thoughtful tending before rewarding the gardener with its distinctive aroma, Lapalace's landscapes reveal deeper complexities with each listen. Much like gardening itself, Mumby demonstrates an innate understanding of when to intervene and when to allow natural development. This approach echoes throughout her career, from her debut EP "Ephemera" which caught the attention of Insult to Injury Records' Timothy Clerkin, through to her contributions to Chez De Milo's "So It Goes" Remix EP and Manchester label Skiptrace's various artists compilation. Her work across BBC Introducing and fossil.radio reflects this same philosophy – creating environments where sound, space, and organic movement find their natural harmony. But this composition really feels that Mumby has come of age. "Music To Watch Seeds Grow By Vol. 6" represents the continued cultivation of Lapalace's distinctive sound and demonstrates the maturity of an artist way beyond her years. This music stands as a lighthouse through a thick fog of nostalgia, much like lavender standing tall amidst an English cottage garden. https://rubadub.co.uk/products/music-to-watch-seeds-grow-by-006-lapalace-lavender https://rubadub.co.uk/cdn/shop/files/unnamed-006_1024x1024.jpg?v=1751456386 10.00 GBP out of stock new Music To Watch Seeds Grow By WatchSeeds006 43778921365763 8018638504195 0 – 01 | 0-01 New release on 0 Records by hashman and c3d-e - deeply recycled full record length electronic outings of all formats - a lot of music to listen to. I mean, I know that there is a lot of shit out there on this stuff. The only thing that sucks is how easy it is. I mean, you look at a bunch of new music, we're just so small, so… shit. Anyway, the thing that actually sucks is there are so few tracks in this song that don't have the right mix, I mean, listen to every single thing! So, there are so many different things out there. https://rubadub.co.uk/products/copy-of-01 https://rubadub.co.uk/cdn/shop/products/img-cZTjrNBqba_1024x1024.png?v=1677580452 16.00 GBP out of stock new 01 0-01 56118476472693 15563596693877 CVE 122 – 01 | MM01 Transmissions from a lost tape by the enigmatic Italian producer CVE, recorded in Naples, 1996. Hypnotic 303 acid lines ripple through the mix — a raw, Rephlex-era pulse bridging UK and Italy. No frills, just pure, unshakable dancefloor heat. Big hit for Aphex Twin fans plus all those who remember early Leo Anibaldi, Kosmik Kommando and Lory D.  https://rubadub.co.uk/products/01 https://rubadub.co.uk/cdn/shop/files/unnamed_8edbc674-355f-448e-a528-7270f93434ee_1024x1024.jpg?v=1760783855 13.00 GBP out of stock new MENTI MALATE MM01 43729089134851 8003067707651 Amorphic – 01/02 | AMORPHIC0102V Amorphic returns with his final release of 2022. Punishing polyrhythmic designs and upfront beats and brutal subs. https://rubadub.co.uk/products/01-02 https://rubadub.co.uk/cdn/shop/products/AMORPHIC0102V_1024x1024.jpg?v=1676027048 12.00 GBP out of stock new Amorphic AMORPHIC0102V 43769783451907 8016543678723 Jasper James – 0141 / E-Maniac | ESP111 As stated on the cover, James 'fights for what he wants to be cuz function is the key. These two songs will ping your pong and pong your ping'. On the A side you have the playful and swing-fuelled stomper '0141' that's certainly geared for the peak of the evening ,followed over on the flip with the heady minimal funk of 'E-Maniac'. https://rubadub.co.uk/products/0141-e-maniac https://rubadub.co.uk/cdn/shop/products/a0978783223_10_1024x1024.jpg?v=1677255682 13.00 GBP out of stock new ESP Institute ESP111 43847920746755 8038627508483 0 – 02 | 0-02 The situation is overwhelming.The house is smaller, and there's so much shit to consider and not enough time. The second release on 0 this time from hashman c3d-e and hotspring is dub and house reduced into overdrive with both sides maxed out https://rubadub.co.uk/products/0-02 https://rubadub.co.uk/cdn/shop/products/img-CPipF5WgHs_1024x1024.png?v=1680268882 https://rubadub.co.uk/cdn/shop/products/img-FDMs5FXGui_1024x1024.jpg?v=1680268882 16.00 GBP out of stock new 01 0-02 44022420046083 8100879827203 0 – 03 | 0-03 The house is invisible at this point and the music turns out the side on an axis.Look around, everything seems a bit off .. the colours are distorted but something seems different, it’s as if everything has shifted slightly or moved a few inches to the left. There’s static, I blink and I can see the house again, but it’s not the same. The third release on 0 produced by c3d-e and hashman is disorienting liquid art - warped and provocative, spread again across two full sides. https://rubadub.co.uk/products/03 https://rubadub.co.uk/cdn/shop/files/img-di36wuhv0e_1024x1024.png?v=1687261329 16.00 GBP out of stock new 01 0-03 45490720735491 8593393484035 Various Artists – 030313 | TRESOR360 030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. https://rubadub.co.uk/products/030313 https://rubadub.co.uk/cdn/shop/files/150953_D5455C4D_1024x1024.jpg?v=1716991679 15.00 GBP out of stock new Tresor TRESOR360 40678004719798 7070106714294 Christoph De Babalon – 044 (Hilf Dir Selbst!) | WHYT044 Still here? Further lamentations from a dead city.Silent Mantras and hectic Movements. Delicate depression. Post hope.
How to get out?Inner emigration? Inner conflict. Escape? Give me a light. https://rubadub.co.uk/products/044-hilf-dir-selbst https://rubadub.co.uk/cdn/shop/products/front_18_rgb_2_1024x1024.jpg?v=1633004016 11.00 GBP out of stock new AD 93 WHYT044 56316278374773 15630647918965 Alarico – 049.2 | KEY049-2 The missing part of the LP "Sweaty Techniques" https://rubadub.co.uk/products/049-2 https://rubadub.co.uk/cdn/shop/files/KEY049-2_1024x1024.jpg?v=1762862190 15.00 GBP out of stock new Key Vinyl KEY049-2 44331049713923 8181737488643 0 – 05 | 0-05 Exposed power has a wider and deeper presence in our transmission, clearly any compromise is severe. No static is the same. The fifth release on 0 confirms this. https://rubadub.co.uk/products/05 https://rubadub.co.uk/cdn/shop/files/unnamed_1_5edd7115-b0b1-47b3-bb6f-7fe2a9019c40_1024x1024.jpg?v=1698329529 18.00 GBP out of stock new 0 0-05 42833089855747 7693745062147 TSVI & Loraine James – 053 | WHYT053 Specific States of Mind https://rubadub.co.uk/products/053 https://rubadub.co.uk/cdn/shop/products/ad93_053_digital_cover_front_211014_1024x1024.jpg?v=1652962145 8.67 GBP 8.67 GBP out of stock new AD 93 WHYT053 43082416488707 7780226334979 Placid Angles – 056 (The Lotus) | WHYT056 Placid Angles, alias of seminal electronic artist John Beltran. Back to is roots on this one. https://rubadub.co.uk/products/056-the-lotus https://rubadub.co.uk/cdn/shop/products/whyt_056_ad93_placid_angles_front_digital_1024x1024.jpg?v=1658836818 8.00 GBP 8.00 GBP out of stock new AD 93 WHYT056 42934211248387 7722552492291 Luis – 057 (Schwyn) | WHYT057 NYC deep reggaeton sensation DJ Python revives his cult alias, Luis, with this reflective ode to his best friend.The five tracks here represent the inscrutable mix of detachment and contentment that made DJ Python's Mas Amable a modern touchstone, but the 057 (Schwyn) EP also possesses the heartfelt '90s sheen that is Luis's sonic signature. Idiosyncratic rhythms and twinkling ambience build patiently before arriving at the blissed breakbeat closer."missen and loven. schwyn and i go into each others lives here and there quiet and present. always missen and loven. to know he is on the earth is to know that it is beautiful." - Brian PiñeyroDedicated to Matthew Schnipper https://rubadub.co.uk/products/057-schwyn https://rubadub.co.uk/cdn/shop/products/front_1024x1024.png?v=1655370732 14.00 GBP out of stock new AD 93 WHYT057 44467344310531 8236994396419 0 – 06 | 0-06 I can’t explain the pulse but the system is wide and resonant, the house is open again - advanced in dynamics, more and pure electricity.. the sixth release on 0, produced by C3D-E and Hashman. https://rubadub.co.uk/products/06 https://rubadub.co.uk/cdn/shop/files/unnamed_15_23c8766a-da36-4b0d-bfde-534c0543521a_1024x1024.jpg?v=1701859732 17.00 GBP out of stock new 0 Records 0-06 43380321419523 7890099831043 A+A – 060 | WHYT060 A+A is Anunaku and Avalon Emerson.Their first EP features four tracks of melodic club music, made together while in London and on tour. https://rubadub.co.uk/products/060 https://rubadub.co.uk/cdn/shop/products/hires_a_1024x1024.jpg?v=1664961619 14.00 GBP out of stock new AD 93 WHYT060 56246041772405 15601740448117 0203983A – 0A | R005 0203983A, aka Ferdinand Domes, returns to Routes with a four-track 12” EP. Following the project’s distinct sound, the record hovers between excess and reduction, focusing on sound processing through hypnotic percussion-heavy forms, while positioning itself between dancefloor functionality and sonic exploration. Available on vinyl only, with digital files accessible via a link included. Plain black label in an antistatic inner sleeve, covered by a white outer sleeve. Track titles can be found in the run-outs.Mastered by Mike Grinser at Manmade Mastering. https://rubadub.co.uk/products/0a https://rubadub.co.uk/cdn/shop/files/unnamed_ad04786b-ad05-4f1c-a0e5-085df626185d_1024x1024.jpg?v=1762360560 15.00 GBP in stock new Routes R005 44011472748803 8098065121539 Mob – 1 | VR024 Hailing from Athens, MOb is a three-piece group, simulating an avant-garde/jazz-punk sound, using synthesisers, effects, loops, and drones that lacerate with tonal discrepancies to create their iconic soundscape. 'MOb' - powered by the crowd, harbours a dynamical system and wave of musical disorder that characterises their compositions. Their music is carved into a world of melodious electronic jazz, kraut, filmic and exploratory post-punk. The compositions are mainly based on open forms of tonal and non-tonal linear material, while improvisation lends a balance to the production of melodic material and the creation of multifaceted sonic atmospheres. https://rubadub.co.uk/products/1-1 https://rubadub.co.uk/cdn/shop/files/lFB287480_1024x1024.webp?v=1686737518 25.00 GBP out of stock new Veego VR024 44384066208003 8208202694915 Various Artists – 10 Compilation | MFM066 2023 marks the tenth year of Music From Memory; a decade of groundbreaking archival releases, cross-generational collaborations and long-standing creative partnerships with our ever-expanding community of artists.To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”.Featuring work from artists who were present during the formation of the label, such as Gigi Masin, Joan Bibiloni and Michal Turtle, as well as artists like The Zenmenn, RAMZi and Dea, who have helped the label expand over subsequent years, “10” serves as a natural bookmark of where we are musically, whilst simultaneously reflecting on the label's rich musical past.In keeping with the Music From Memory ethos, the music of “10” spans both time and space, with submissions ranging from Vito Ricci's 'Da Hamptons' (1985) to Yu Su & J. Wilson's 'Mitti Atar' (2023). It crosses the globe, with a total of 10 countries represented across 17 tracks. The final result is an immersive musical compilation that flows perfectly from start to finish.Tragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. “10” was always intended to be a way to reflect on the journey of Music From Memory. The fact that it is now also one of the last releases that the team all worked on together adds a whole other level of reflection and makes it all the more special.* incl. insert liner notes by John Gómez) Artwork by Bráulio Amado. Design by David McFarline. https://rubadub.co.uk/products/10 https://rubadub.co.uk/cdn/shop/files/mfm066_10_cover_1024x1024.jpg?v=1699534103 29.00 GBP out of stock new Music From Memory MFM066 44472731566339 8239029321987 DJ Narciso – 10 Minutos | P045 "A Príncipe special, one-sided bullet from DJ Narciso ov RS Produções, with a deep and tripped out 10 minute kuduro excursion that arcs from widescreen contemplation to a real emotional, bare-boned banger.Previously hailed for his rangy, curiously emotive contributions to the RS Produções group shows ‘Saúde Em 1º Lugar’ and ‘Bagdad Style’, DJ Narciso answers the call to soundtrack choreography by Catarina Miranda with 10 minutes of sci-fi style tension-building and syncopated propulsion. Like DJ N Fox’s ’15 Barras’, Narciso takes the opportunity to stretch out, stealthily raising adrenaline levels with panic alarm squawks and a gargling acidic synth that passes out into skeletal percussion and a haunted warehouse throb in a way that you might compare to a starry-eyed Mala production for a John Carpenter score. Cop while u can." https://rubadub.co.uk/products/10-minutos https://rubadub.co.uk/cdn/shop/files/880918265353_1024x1024.jpg?v=1701959436 16.00 GBP in stock new Principe P045 42097899176195 7465036579075 Various Artists – 10 Yahre | AVA.XL002 AVA. Records celebrates its 10th anniversary with 52 artists. “10 Yahre” is a 4LP compilation housing 22 tracks, a printed 30 pages magazine and a mixed CD. All wrapped in a custom made silkscreen sleeve, also including a textile keychain and stickers. Sonically spanning from ambient to techno, 10 Yahre carries new and exclusive material, all woven around the label’s decade focus on dance floor culture, started 2011 in Cologne, Germany.The 4LP vinyl includes music by: Am Kinem, Andy Hart, Axel Boman, Cinthie, Damiano von Erckert, Dman, Dogpatrol, форм, Jürgen Ratan, Jus-Ed, Lauer, Lowtec, Move D, Paingel, Paradise Grey, Retrogott, Robi, Ron Trent, Sinoesin, Tito Wun, U-I, Will Saul and Wolfey.The mixed version of the entire compilation is contributed by Sally C.The full color magazin and video includes works by: Alina Bader, Andy Kassier, Angel, Anna Beil, Ata Macias, Bailey Keogh, Damiano von Erckert, Dirk Jeans & Lou de Bètoly, Funkycan, Guido, Jana Marei, Jana Maria Dohmann, Joana Pratschke, Johannes Wohnseifer, Juri Bader, Kuchenbaum, Manuel Fischer, Maria Sécio, Martin Fengel & Public Possession, Mathias Schmitt, Maximilian Schweizer, Michael Satter, Naum Hirsl, Nicolas Wenz, Peter Wolff, Rein Vollenga, Rucksack Leer, Stelan Mergenthaler, Suzanne Caroline de Carrasco, Twit One and Yves Taron HaroucheCompiled by Juri Bader and Damiano von Erckert, mastered by Enyang Urbiks. Design and concept by DVE 1989. https://rubadub.co.uk/products/10-yahre https://rubadub.co.uk/cdn/shop/products/unnamed_12_1024x1024.jpg?v=1637769257 https://rubadub.co.uk/cdn/shop/products/0026927577_10_1024x1024.jpg?v=1640867277 50.00 GBP in stock new AVA. RECORDS AVA.XL002 42407217168643 7577868632323 Various Artists – 10 Years Of Acid Test | ATLP-014 Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns. https://rubadub.co.uk/products/10-years-of-acid-test https://rubadub.co.uk/cdn/shop/products/129195_0-Various-10-Years-Of-Acid-Test-3LP_1024x1024.jpg?v=1643639011 32.00 GBP out of stock new Acid Test ATLP-014 43559535051011 7953465082115 Various Artists – 10 Years of Loving Notes | ATN10YEARS Hugging the bend and blowing kisses since 2012, Antinote has been a vessel of choice for lovers of left-of-centre dance music and retro-laced boogie. Covering a supremely wide range of styles, the Parisian outlet has carved out a musical lane truly its own by putting on a nonstop celebration of electronics’ inexhaustible power of enthralment. A pledge of quality-driven curation and never-ending search for the next thrill that’s proven untiringly relevant throughout the years and opens onto its second decade of existence with equal panache.Toasting to its ten years splashing the game with continuously reasserted outsider bravura, label captain Zaltan has bottled some of the finest expressions out Antinote’s versatile vaults of sound to form the present “X” compilation, “ten years of loving notes and foolin around 2012-2022". From totem animal IUEKE’s oddball musique concrète (“fiano-church") to the the candid synth-pop of Latvian outfit Domenique Dumont (“La Dolce Vita”), via Feminielli’s outré mix of ghetto-house and ominous croon (“Nobody’s Boy”) and Tel-Aviv vibist Alek Lee’s signature synth-splattered 80s wave (“Different Plans”), it’s a smorgasbord of colours and vibrations that prepares to avalanche across your sound system.Take the esoteric shoegaze of Epsilove, Shelter and Thomas Riguelle (“From The Spaceship in My Room”) and prepare to move upstream a river of saturated guitars and all-engulfing reverbs; let Low Jack’s jagged floor aggressor drill a hole in your head (“Feel 2020”) or opt for further ankle-breaking UK-bass-influenced riddim traction from DK & Geena (“BelleTech One”). A further cosmic-friendly epic, Chimère FM (I:Cube!) embarks us on a ride near Saturn’s belt (“La Genèse du Monstre à Suze") whereas former Antinote apprentice River Yarra snipes a hail of Italo-informed arpeggios and giallo-esque bass murk to compelling effect (“Blooms”) and L.I.E.S. head honcho Ron Morelli goes all in with a formidable, old-school dusty house chugger (“Tribute”).There’s obviously more to "Antinote X" than the sum of its parts, and Jean Luc’s post-Plantasia jazz hybrid (“La Truite”), Arabica’s decadent, anti-colonial spoken number (“Multo Storia") or fellow Antinote in-house visual designer Nico Motte’s vintage disco churner (“All The Money In The World”) are there to attest. Not to forget Panoptique, up with a lashing, dissonant treat for the senses (“Un Licenciement”), Leo Martelli under guise as Sammy Patanegra with a tribal jacking weapon (“Maria”), Pont Levis floating into emotional hyperspace (“L’Espace et le Coeur de L'Âme”), Trigger Moral in with a marvel of a hip-hop gem emerged from some retro-futuristic wormhole (“soul assssn”) and Laporte rounding it off downtempo, modular ambient style for good measure (“Sleepers”). Ten years on, Antinote still leading the pack. https://rubadub.co.uk/products/10-years-of-loving-notes https://rubadub.co.uk/cdn/shop/products/a3539017550_16_1024x1024.jpg?v=1669805667 27.00 GBP in stock new Antinote ATN10YEARS 53626553631093 14833253548405 Various Artists – 10 Years of Rhythm Section International Box Set | RS0XLP Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years. Funny thing is, it feels like it could have been almost double that. It’s hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever. With this special anniversary release, the label takes stock at this milestone to present a compilation in 3 parts: PAST, RE-IMAGINED AND FUTURE: honouring the labels tradition of always paying homage to what has come before while setting sights firmly forwards. With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it’s been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham. From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of Dj’s, musicians and listeners - at home and abroad. Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output - highlighting some forgotten classics from the archives over the first 2 discs. For discs 3 & 4, the label invited it’s stable of artists to pick a track from the back catalogue to re-imagine in their own style. This process resulted in some incredibly playful contributions from the likes of Ruf Dug, Session Victim and Private Joy - whose playful reinterpretations add new depth to old material. Finally, the last 2 discs are entirely new material for 2024, carrying the torch of the previous SHOUTS compilations - whose sole aim is to shine light on new music from emerging artists   6LP DELUXE BOXSETUV SPOT PRINT LOGOLIMITED TO 500 COPIESNUMBERED COPIESCOLOURED INNER SLEEVES Past:1. Prequel - Nothing Better2. Silentjay X Jace XL - Just Waking Up3. Dan Kye - Change4. Mallard - Surface5. Duke Hugh - Zoë6. Ruf Dug - Down 2 It7. Vels Trio - The Wad8. Paula Tape - Astroturismo9. Nicola Cruz - Surface Tension10. Special Feelings - Down Goose Re-Imagined:11. Retiree - Pumice Stone (Boulderhead Remix)12. Local Artist - Feelings  (Joey G ii x Klein Zage Mapped Remix)13. Jerome Thomas - Secret  (SAUL Remix)14. MMYYKK - Science (Session Victim Remix)15. The Colours That Rise - Deep Space  (Private Joy’s Funk Joint)16. CATO - 1 MAN  (TONE Remix)17. Hiatt Db - Every Daybreak  (FYI Chris Remix)18. Klein Zage - Prince  (Gallegos Park Street Tube Mix)19. 30/70 - Misrepresented  (30/70 Jungle Flip)20. Wallace - Whirl  (Ruf Dug Remix) Future:21. Retromigration & Monty DJ - Tornado22. Bamao Yendé & Low Jack - Collina 4am23. RONI - Angel24. Gayance, Magi Merlin & funkywhat - collect$$$save25. Pinty & Tomos - Want U To26. DJ Pitch & MLE - Hit From The Right27. douniah & Dhanya - A Fever Dream28. Nitai Hershkovits & Rejoicer - Oye Igal29. Frank Liin - 60 Chemical (Dub)30. Cousin Kula - Pixie Prog https://rubadub.co.uk/products/10-years-of-rhythm-section-international-box-set https://rubadub.co.uk/cdn/shop/files/unnamed-4_d2194297-c96d-425b-ab27-e2487b51442c_1024x1024.png?v=1731678292 https://rubadub.co.uk/cdn/shop/files/boxset_mockup_copy_1024x1024.jpg?v=1728399211 70.00 GBP out of stock new Rhythm Section International RS0XLP 55123295928693 14958021869941 Various Artists – 10 Years Of Rhythms Of The Pacific Sampler | ROTP010-PR Pacific Rhythm’s “Rhythms Of The Pacific” series returns with a 12” sampler of material that will be included as part of a larger 10-year anniversary compilation later this year. Tunes from LNRDCROY, Khotin (under his Waterpark alias), Active Surplus, and Kennedy are on deck to set the tone. Limited and downright essential for enthusiasts of the sound Pacific Rhythm has cultivated since 2013. https://rubadub.co.uk/products/10-years-of-rhythms-of-the-pacific-sampler https://rubadub.co.uk/cdn/shop/files/unnamed_2_2420cc29-9c80-4887-ac00-2d91e8d6c712_1024x1024.jpg?v=1738874831 14.00 GBP in stock new Pacific Rhythm ROTP010-PR 43572182253827 7952695755011 Galcher Lustwerk – 100% Galcher | GI410LP 100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every ​​electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: "My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying." As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space, throwing parties in small basements, office buildings, and off-beat karaoke bars in Manhattan, influenced by series such as Mr. Sunday Night in Gowanus and The Bunker at Public Assembly. The lifestyle started to bleed into Lustwerk's musical vision. He remembers the night it clicked in Providence, partying and listening to tunes with Morgan Louis and Alvin Aronson. He went back to New York and pieced together his bedroom setup: a Dave Smith Tempest drum machine, a Waldorf Blofeld synthesizer, and a TEAC cassette recorder. The first sessions were loose. “I wanted to feel like you were tripping, maybe having a bit of heatstroke, or dehydration. Your body feels detached, your jaw clenched. People become furniture. Light becomes the main character, surfaces show their age in real-time. Wabi-sabi shit.”Early snippets went straight to SoundCloud, where Lustwerk tested the crowd. "I was able to generate moods quickly now, a pad crying like a dozen detuned french horns. Frequency dithering towards red. An 808 comes to the forefront." Comments and messages offered instant feedback. One DM proved to be the greenlight: from Matthew Kent, an invitation to his burgeoning mix series Blowing Up The Workshop. "In his straightforwardness + my willingness at the time to take the opportunity for what it's worth, I decided to go for broke and finish a lil mix, sort of like a rap mixtape you'd find off Datpiff.com."100% GALCHER traveled fast and far. A phenomenon he could only enjoy for a short period before discovering that nearly all the masters of the tracks got wiped by water damage to his computer. "The only copies were now on the 192kbs mp3 mix I sent Matt." Until now, after Lustwerk revived the lost tracks and handed them to Josh Bonati for remastering. "The original mix was never mastered so I hope older fans can find something new here." Hearing the enhanced set for the first time delineated by tracklist reveals this was a proper album all along. Sly synth interludes (all titled "Stem") clear the air for raspy house anthems like “Fifty” and "Parlay," the set's original breakout. Themes present across Lustwerk's catalog first materialize in this iconic run — the link between the meditative state of Midwest driving and the solitary comedowns of nightlife. Lustwerk, the narrator, is an elusive character, a secret agent of the club, embodied by the hooks: "One minute I'm on / next minute I'm gone," he reminds us on cult-favorite "Put On." These narcotic, one-line refrains stick with you; look no further than the original YouTube upload of "Kaint" to know that fans can’t let these phrases go. While recorded alone, 100% GALCHER was a collective moment. A decade later, Lustwerk sees the legacy as shared: "Making music can be an alienating experience, especially for DJs who travel a lot, it's all super isolating. It's easy to express loneliness in the music itself, but when it comes down to getting things done, putting music out, you def should go on that journey w other people, friends, or maybe just a group of people online, build things with your friends then they can build to help you." credits https://rubadub.co.uk/products/100-galcher https://rubadub.co.uk/cdn/shop/products/a1434671183_16_1024x1024.jpg?v=1669726685 17.33 GBP 17.33 GBP out of stock new Ghostly International GI410LP 43572182286595 7952695755011 Galcher Lustwerk – 100% Galcher | GI410LPC2 100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every ​​electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: "My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying." As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space, throwing parties in small basements, office buildings, and off-beat karaoke bars in Manhattan, influenced by series such as Mr. Sunday Night in Gowanus and The Bunker at Public Assembly. The lifestyle started to bleed into Lustwerk's musical vision. He remembers the night it clicked in Providence, partying and listening to tunes with Morgan Louis and Alvin Aronson. He went back to New York and pieced together his bedroom setup: a Dave Smith Tempest drum machine, a Waldorf Blofeld synthesizer, and a TEAC cassette recorder. The first sessions were loose. “I wanted to feel like you were tripping, maybe having a bit of heatstroke, or dehydration. Your body feels detached, your jaw clenched. People become furniture. Light becomes the main character, surfaces show their age in real-time. Wabi-sabi shit.”Early snippets went straight to SoundCloud, where Lustwerk tested the crowd. "I was able to generate moods quickly now, a pad crying like a dozen detuned french horns. Frequency dithering towards red. An 808 comes to the forefront." Comments and messages offered instant feedback. One DM proved to be the greenlight: from Matthew Kent, an invitation to his burgeoning mix series Blowing Up The Workshop. "In his straightforwardness + my willingness at the time to take the opportunity for what it's worth, I decided to go for broke and finish a lil mix, sort of like a rap mixtape you'd find off Datpiff.com."100% GALCHER traveled fast and far. A phenomenon he could only enjoy for a short period before discovering that nearly all the masters of the tracks got wiped by water damage to his computer. "The only copies were now on the 192kbs mp3 mix I sent Matt." Until now, after Lustwerk revived the lost tracks and handed them to Josh Bonati for remastering. "The original mix was never mastered so I hope older fans can find something new here." Hearing the enhanced set for the first time delineated by tracklist reveals this was a proper album all along. Sly synth interludes (all titled "Stem") clear the air for raspy house anthems like “Fifty” and "Parlay," the set's original breakout. Themes present across Lustwerk's catalog first materialize in this iconic run — the link between the meditative state of Midwest driving and the solitary comedowns of nightlife. Lustwerk, the narrator, is an elusive character, a secret agent of the club, embodied by the hooks: "One minute I'm on / next minute I'm gone," he reminds us on cult-favorite "Put On." These narcotic, one-line refrains stick with you; look no further than the original YouTube upload of "Kaint" to know that fans can’t let these phrases go. While recorded alone, 100% GALCHER was a collective moment. A decade later, Lustwerk sees the legacy as shared: "Making music can be an alienating experience, especially for DJs who travel a lot, it's all super isolating. It's easy to express loneliness in the music itself, but when it comes down to getting things done, putting music out, you def should go on that journey w other people, friends, or maybe just a group of people online, build things with your friends then they can build to help you." credits https://rubadub.co.uk/products/100-galcher https://rubadub.co.uk/cdn/shop/products/a1434671183_16_1024x1024.jpg?v=1669726685 18.00 GBP 18.00 GBP out of stock new Ghostly International GI410LPC2 37641086304438 6115106226358 Inner Touch – 100% Gone | CR-005 “Inner Touch is the embodiment of Nicolas Field within the electronic music art form. With a storied history informing their most recent work, Inner Touch is a concise vision of transformation and relinquishment. The music is both simple and deceptively deep, best suited to those seeking moments of transcendence on the dancefloor. Throughout the last decade, Nicolas has toured extensively around the world, mostly with punk bands, galvanizing a thirst for moving and connecting people through music. Along with dozens of musical collaborations and releases, Field has published Farewell Manly Strength: Masculinity and the Politics of Emotion (Furrawn Press 2018), their take on the contemporary state of masculinity and gender identity. There is a wisdom and thoughtfulness that guide Nicolas' art, a calm and focused resolve that renders a delicate intensity. 100% Gone is the debut EP from Inner Touch. A five track exploration of synthetic textures, pulsing beats and polyrhythm that would happily bop in any night club. Yet these tracks hold the listener effortlessly to a place of fulfilled solitude and with a wonder for the natural world. This juxtaposition of solitude and community, nature and synthesis is what makes Inner Touch so special and a joy to listen to.” https://rubadub.co.uk/products/100-gone https://rubadub.co.uk/cdn/shop/products/unnamed-139_2_1024x1024.jpg?v=1606751936 13.00 GBP out of stock new Cosmic Resonance CR-005 32139377901638 4715580751942 Big Strick – 100% Hustler | BIGFXHE https://rubadub.co.uk/products/100-hustler https://rubadub.co.uk/cdn/shop/products/cs384415-01b-big_1024x1024.jpg?v=1601929528 11.00 GBP in stock new FXHE BIGFXHE 56945856545141 15816808464757 Fabrizio Lapiana – 1002B | ATTIC030 Long-awaited repress of Fabrizio Lapiana's 1002B and 1003B. Originally released in 2014 on the legendary M_Rec LTD 10" series, these two timeless cuts have become cult favorites over the years. Now brought together on a single 12", the reissue also features a brand-new edit of 1002B, making it an essential return of a modern classic. https://rubadub.co.uk/products/1002b https://rubadub.co.uk/cdn/shop/files/ATTIC030_front_1024x1024.jpg?v=1774022459 https://rubadub.co.uk/cdn/shop/files/ATTIC030_back_1024x1024.jpg?v=1774022459 14.00 GBP out of stock new Attic Music ATTIC030 32139520507974 4715710218310 Pontiac Streator & Ulla Straus – 11 Items | OUEST094 Dreamy, layered ambient interzones from Huerco S' West Mineral Ltd on the debut album by Pontiac Streator & Ulla Straus; a blissed out and hopeful double album. ’11 Items’ is the textured first album by Pontiac Streator and Ulla Straus for Huerco S and his pals at West Mineral Ltd. The album sees the duo expand upon the hazy mindset of last year’s debut EP across a flux of ambient interzones where they transmute fleeting, everyday feels into a bouquet of ephemeral and organically unresolved scenes. In an ambiguous style that has become key to West Mineral Ltd.’s aesthetic, the music is neither gloomy nor ecstatic but full of transitory sensations somewhere in between those poles. Each part feels pulled in multiple directions at once, resulting in a sublime schism between jazzy hustle and heavy-lidded electronics in ‘Item 1’, and a subtle underlying tension between layered dimensions of humid, dusky acoustics and congealed electronics on ‘Item 3’, while ‘Item 5’ dices with urges to dance/lean back, and ‘Item 10’ crystallises this idea of alchemic multivalency with an unmissable mix of fine grained mentasms firing like synaptic surges in iridescent grey matter. The expanded double album format also allows a greater variegation of their overgrown, verdant electronics and free rhythms in a gently perplexing style of ambient inception. Each of the ’11 Items’ feels like an exploration of dreams within dreams in a way that beautifully parses the poetic from the prosaic and cannily reflects a certain hyperaware yet hypnagogic state of modern ambient music. It evokes that feeling of friends in a room communicating non-verbally, or that babbling, forgot-what-I-was-talking-about flow between relaxed but frayed and buzzing minds. https://rubadub.co.uk/products/11-items https://rubadub.co.uk/cdn/shop/products/ouestbution_preview_1024x1024.jpg?v=1601935051 24.00 GBP out of stock new West Mineral OUEST094 45528158667011 8613793202435 Rahaan – 11 Minutes/Africano/Disco Walkin/I.T.T | TYPE03 Cold blooded disco cuts from the ever reliable Rahaan. https://rubadub.co.uk/products/11-minutes-africano-disco-walkin-i-t-t https://rubadub.co.uk/cdn/shop/files/Screenshot2024-03-29at20.30.59_1024x1024.jpg?v=1714475030 30.00 GBP out of stock new Typewriter Record Pool TYPE03 56436951220597 15658166681973 Duke Strange – 12 Inch | LIES-221 A special 15 year anniversary record celebrating L.I.E.S. Records! L.I.E.S. and Nation join forces on this huge release. New collaborative project out of Chicago from "DuKe" and The Stranger! Two sided-12 inch housed in a full picture sleeve, once again we hear and see the scope of the broad range of what is, and can be "dance music" through the adventurous production of DuKe & The Stranger. Two eight minute versions alternating in time space and rhythm..this is the future, past and present wrapped into one from the visionaries. https://rubadub.co.uk/products/12-inch https://rubadub.co.uk/cdn/shop/files/213078-duke-strange-12-inch_1024x1024.jpg?v=1764878953 26.00 GBP in stock new L.I.E.S LIES-221 45241732923651 8486204244227 Donato Dozzy – 124 | TRESOR332 The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect. "messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs. 124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others. https://rubadub.co.uk/products/124 https://rubadub.co.uk/cdn/shop/files/a0625869686_16_1024x1024.jpg?v=1713865610 11.00 GBP out of stock new Tresor TRESOR332 54973229007221 14895242805621 Satoshi Tomiie – 12B Dub Part 2 | PHONOGRAMME055 Satoshi Tomiie Is Back on Phonogramme With  "12b-Dub Pt. 2," the Second Volume of the Acclaimed Ep Series by Legendary Producer Satoshi Tomiie. This 4-Track Ep Continues to Explore Tomiie's Deep and Innovative Soundscapes, Making It an Essential Addition to Any Electronic Music Collection. Available on a Limited Edition Marbled 12'' Vinyl, "12b-Dub Pt. 2" Promises to Deliver a Unique Auditory Experience With Its Rich Textures and Masterful Production. Don't Miss Out on This Exclusive Release From Phonogramme, Showcasing Satoshi Tomiie's Enduring Influence in the World of Electronic Music.... https://rubadub.co.uk/products/12b-dub-part-2 https://rubadub.co.uk/cdn/shop/files/unnamed-9_fd50858a-9aa8-45f1-90fe-89eadd751c77_1024x1024.jpg?v=1738678150 16.00 GBP out of stock new Phonogramme PHONOGRAMME055 57099797102965 15858994774389 Satoshi Tomiie – 12B Dub Part.3 | PHONOGRAMME74 Future-proof Satoshi Tomiie weapon for the floor – PHONOGRAMME brings smoked-out dub science, razor-cut drums and low-end pressure built for deep heads and long, locked-in sessions. https://rubadub.co.uk/products/12b-dub-part-3 https://rubadub.co.uk/cdn/shop/files/unnamed_f7602aa6-72c6-4cbd-b94f-f807a682348b_1024x1024.jpg?v=1777029626 16.00 GBP in stock new Phonogramme PHONOGRAMME74 45930065625347 8749939654915 Satoshi Tomiie – 12b-dub pt.1 | PHONOGRAMM47 Satoshi Tomiie Unveils His Latest Ep, '12b Dub', Exclusively on Phonogramme Records Tokyo &Ndash; Renowned Dj and Producer Satoshi Tomiie Is Back With a Captivating New Ep, '12b Dub', Set to Make Waves in the Electronic Music Scene. This Four-Track Release Marks a Slight Shift Towards a More House-Oriented Sound, Showcasing Tomiie's Versatility and Innovative Approach to Music Production. Having Garnered Acclaim for His Previous Releases and Collaborations, Tomiie Continues to Push Boundaries With '12b-Dub', Solidifying His Reputation as a Trailblazer in the Electronic Music Industry. This Latest Offering on Phonogramme Records Is Sure to Be a Staple in Dj Sets and Playlists Worldwide.... https://rubadub.co.uk/products/12b-dub-pt-1 https://rubadub.co.uk/cdn/shop/files/unnamed-2_f1d41e94-ac08-4c40-8f34-47db3e7df436_1024x1024.jpg?v=1726151911 15.00 GBP out of stock new Phonogramme PHONOGRAMM47 32139484201030 4715678924870 DJ Nigga Fox – 15 Barras | P018 DJ Nigga Fox pushes Príncipe to new conceptual limits with the remarkable 15 Barras - a four-part movement of virulent acid, screeing strings and crowd noise unfolding over a seamless 20 minute arrangement. It’s just mad on so many levels, right up there with the Afro-cubist abstractions of Jamal Moss and Nolan Reusse at their best. Originally conceived as the soundtrack to an installation but ultimately arriving on this one-sided piece of wax, 15 Barras trades in Nigga Fox’s usual dancefloor intensity and immediacy for something more slow burning and experimental in structure and duration. An elasticated 303, or 303 emulation, is the glue that holds the piece together, coming in sticky waves of jabbing, writhing rhythm, accreting diced chants and swells of clamouring crowd noise that eventually hinge around a splintered claps and trills of hollow, wooden blocks of percussion at ruggedest angles. Drop this at the right point in the dance and you’ve got at least enough time for a really leisurely slash, and maybe even roll a zoot before returning to the dance and finding everyone melted in some kind of Cronenbergian amorphorgy. https://rubadub.co.uk/products/15-barras https://rubadub.co.uk/cdn/shop/products/niggafox_1024x1024.jpg?v=1601933712 12.00 GBP out of stock new Principe P018 44490395484419 8243829178627 Pleasure Dome – 15 Minutes In The Mix | SEX-01 POWER MUSIC RE-ISSUES SEX MANIA 01 BY PLEASURE DOME AKA DJ DUKE FROM 1993 https://rubadub.co.uk/products/15-minutes-in-the-mix https://rubadub.co.uk/cdn/shop/files/unnamed-2_8bd7ea74-c568-4353-bdc4-25ab10b5fd3d_1024x1024.jpg?v=1702406884 12.00 GBP out of stock new Sex Mania SEX-01 42565771002115 7622113886467 Brent Lewis – 1739 | OYSTERTRIBE3 All (label, artist and distribution) proceeds of this next record will go to UNHCR, The UN Refugee Agencys' emergency interventions in Ukraine.Third and closing chapter of the Oyster Tribe series, the revised single edition of Brent Lewis ‘1739’ oozes a mix of breezy outback dreamtime, red earth funk and sun-baked drum virtuosity. Originally issued in 2004 as part of his self-released ‘Drumsex’ album, Lewis’ mystique-imbued tune sculpts a tripped-out hybrid jam out of spoon percs and folk-infused broken beat; and who better than OZ home-boys FIO and Fantastic Man to add their masters' spin to that totemic chugger.Whilst FIO cranks the BPMs a notch further and beefs up the bass to turn the OG mix into a serious contender for countryside banger of the year, Fantastic Man plays havoc with the whole of Lewis track’s DNA sequence, slicing, dicing and re-hashing its bits and bobs over and over again to form a Southerner variant of the Frankenstein creature, all sight set on busting dancefloors by the dozen. https://rubadub.co.uk/products/1739 https://rubadub.co.uk/cdn/shop/products/ANeGFp2_1024x1024.jpg?v=1647003363 12.00 GBP out of stock new Kalahari Oyster Cult OYSTERTRIBE3 40193563164854 6890398974134 Turinn – 18 1/2 Minute Gaps | LOVE104 Outta the shadows and into the strobe-light, Turinn's Modern Love debut is almost 5 years old at this point, a highly rinsable set of sawn-off brukbeats and anxious, nerve-riding productions that triggered a rush of energy into the Manchester undergrowth, sprouting inventive, off-grid, highly original productions form the likes of Michael J Blood, Rat Heart and FUMU in its wake.Crooked and rugged AF, but tempered by an acute emotive sensitivity, 18 1/2 Minute Gaps renders a bleedin’ cross-section of effortlessly all-over-the-place workouts in a breathless, deceptively freehand fashion that comes riddled with an electric blue energy all of its own. Committing ten trax of fractious, mutant funk and sore vibes, it was originally intended as a compilation of Turinn’s formative productions before his phase II works could see the light of day, but is so far the only material he’s released - bar a few bits for the YOUTH label. Like a lead lid on a nuclear rave implosion; the set here traps original ‘ardcore ‘nuum, hyper booty and dank post-punk elements in a perpetual flux of in-the-pocket grooves which ravenously attempt to split at the seams, alternately pushing into Muslimgauze-like buffer zones of distortion or resoundingly wide ambient dimensions, and often both at once.On the first plate, there’s a rare surge of quick/slow torque in Ovum, and then in his nod to the Italian new wave with Elba, which seems to find the square root between Lorenzo Senni and a classic Claude Young grind, whereas the bittersweet soul of 1625 finds compatible links with his longtime mate Willow and Japan’s Shinichi Atobe, while Parratactico swaggers into quantum, slowed down and syrupy dancehall meters.The second disc is no less delirious: the title track runs at a furious Detroit tempo like DJ Stingray flipping Carl Craig’s Kaotic Harmonies, before ESO cuts in like a super cranky El-B wearing itchy Primark underwear, and the bone-rattling hardcore jungle of Spawn soon enough gives way to the sweaty couplet of Petrichor and Ondine, where his elusive, distressed touch shines thru.If u like it loose and deadly, give it a whirl 🏴‍☠️ https://rubadub.co.uk/products/18-1-2-minute-gaps https://rubadub.co.uk/cdn/shop/products/Cover_44fba03e-1eb3-40ea-95f1-3965bf65b840_1024x1024.jpg?v=1626868280 24.00 GBP in stock new Modern Love LOVE104 42235336622339 7511405068547 Niagara – 1807: Músicas Retiradas Dos CDRs | CREP86 In what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown. Deeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum machines '1807' paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of 'Esc8' through the glowing tones and fragmented melodies of 'Egyptiu' and into the malfunctioning swirl of the stark 'Esc 10' or the polluted 4/4 thump and funky guitar line of 'Mapas'. Equally disruptive and inviting. https://rubadub.co.uk/products/1807-musicas-retiradas-dos-cdrs https://rubadub.co.uk/cdn/shop/products/a2338866564_16_1024x1024.jpg?v=1640095986 19.00 GBP out of stock new Discrepant CREP86 42445906116867 7589389238531 Gesloten Cirkel – 185 | SOM54 Powerful EP from Gesloten Cirkel. Comes with banging The Exaltics remix. https://rubadub.co.uk/products/185 https://rubadub.co.uk/cdn/shop/products/185_1024x1024.jpg?v=1644416148 12.00 GBP out of stock new Solar One Music SOM54 32139493769286 4715685806150 Sias – 1932-05-01 00:00:00 +0100 | JT7X12 Rough, rugged and raw Techno two tracker from Dublin producer Sias on his return to Jheri Tracks. Kicking off with 'May 1932' - a screeching, relentless funk driven jam backed with the offbeat electronics of 'Of Cotton' - a trippy skittish techno headnodder. https://rubadub.co.uk/products/1932-05-01-00-00-00-0100 8.00 GBP in stock new Jheri Tracks JT7X12 32139550752838 4715735973958 Tobias – 1972 | O-TON125 On 1972, veteran producer and live musician Tobias Freund offers up four tracks of layered and meticulously-crafted techno using his extensive archives of tape recordings collected since childhood. Referencing a mix of profound political events in German history and esoteric meditation guides, the Berghain resident's warm, detailed sound edges beyond the floor toward brain-tingling home listening and wanderlust autobahn escapism. The EP begins with the titles track’s buzzing synths panning rhythmically across the stereo field like a hypnotist’s pocket watch, while a somber, sampled string melody pushes further into cosmic territory before concluding with a bi-lingual eulogy. “Schism” soars with a never-ending snare roll and sparse kicks – an entire track floating on a break that never lands. On “The Wisdom Of No Escape”, Freund combines soft, polyrhythmic bleeps with esoteric vocal samples on an inward path of hallucinogenic internal discovery. EP closer “Electric Storm” makes a turn for the ultrastoned, with hats and writhing vocals disintegrating and reforming over a soft, round steady pulse. Overall, 1972 features a sound that Tobias. has honed for over 30 years, having initially made a name for himself mixing various pop hits in the 80s and 90s while simultaneously producing experimental electronics under various pseudonyms including Metazone, Phobia, Pink Elln, and Zoon. On his own Non Standard Productions imprint he has regularly collaborated with the likes of Max Loderbauer and Ricardo Villalobos and most recently with visual artist Valentina Berthelon as Recent Arts. His releases and lengthy live techno sets with Atom™ continue to set the bar high for improvised electronics. https://rubadub.co.uk/products/1972 https://rubadub.co.uk/cdn/shop/products/r-14805125-1581943209-5854_jpeg_1024x1024.jpg?v=1601936693 10.00 GBP out of stock new Ostgut Ton O-TON125 40100417700022 6850851471542 The People In Fog – 1977 | SOV018 Tokyo’s DJ Sodeyama returns as The People In Fog, delivering his new album under the alias, ‘1977’, first time in eight years via Sound Of Vast.Yoshifumi Sodeyama better known to most as DJ Sodeyama has been a driving force in the Japanese underground electronic music scene for many years now, over the past decade and a half he’s been releasing his techno material via the likes of Nina Kraviz's трип, Dynamic Reflection, his own Arpa Records and more. Here though Sodeyama shifts focus to his The People In Fog guise with his new album, the alias was started in 2013 and is a project based on house grooves and unique beats. After the debut album ‘A Ray of Light’ was released eight years ago, he delivered three EPs for Sound Of Vast established in Amsterdam, among which, the ‘Higher’ EP turned out to be a big hit.Across the ‘1977’ LP, named after the year Chicago’s highly influential Warehouse was born, Sodeyama presents a range of styles in the field of House, from percussive-led, hypnotic offerings like opener ‘South Jefferson’ and ‘Less Is More’, the jazz-tinged aesthetic of ‘No Boundaries’ and more groove driven compositions like ‘Come To Me feat. Monkey Timers’ and ‘Mr. Dub’ which lay focus on swinging drums, snaking bass grooves and chanting vocals.The final three tracks from the project also shine a light on some acid house influences with a recurring theme of squelchy 303 lines amidst ethereal pad textures, dynamic drums and infectious vocal hooks.‘1977’ presents the accumulative knowledge and experience of a DJ career which reaches beyond 30 years and further showcases Sodeyama’s passion towards music, all compiled into one long player. https://rubadub.co.uk/products/1977 https://rubadub.co.uk/cdn/shop/products/sov018_front_1024x1024.jpg?v=1625666482 24.00 GBP out of stock new Sound Of Vast SOV018 43847745274115 8038578946307 µ-Ziq – 1977 | BALMAT05 When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same. https://rubadub.co.uk/products/1977-1 https://rubadub.co.uk/cdn/shop/products/unnamed-2_5eb6faa1-81ca-4184-abaf-478fe98a3ddb_1024x1024.jpg?v=1680258309 20.00 GBP out of stock new Balmat BALMAT05 56491361436021 15669095727477 µ-Ziq – 1979 | BALMAT19 Two years after he first appeared on Balmat with 1977, Mike Paradinas returns with 1979. The sense of continuity between the two records is clear, and not just from their titles. Both capture the Planet Mu head venturing into the wilderness, seeking something—half-formed memories, thoughts caught in midair—in some of the most abstract, searching music he has released. Just like 1977, 1979 surveys a synth-heavy array of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues. Like its predecessor, the new album’s atmospheric cast sets it apart from much of the work Paradinas has released as μ-Ziq on Planet Mu. It’s not strictly an ambient record, but it’s close, as close as this famously mutable artist ever comes to inhabiting a particular genre. Paradinas’ inspiration for the record began on visits to the Spanish cities of Ávila and Majadahona, where his family hails from. That might account for the sense that there are spirits flitting through this music, presences you can intuit if not quite grasp. But 1979 is also a record to meet on your own terms, and to find your own meanings in. It’s a stunning record, every track a world unto itself: the mysterious contours of “Majadahonda at Dawn”; the playful melodic fillips of “Clari”; the airy melancholy of “Galletas”; the full-scale breakbeat abandon (yes, you read that right) of “Houzz 14,” the rarest of dancefloor detours for Balmat. There are echoes of classic braindance and isolationist ambient and golden-age IDM; there are easter eggs and recurring themes and hidden symmetries. Every time we listen, we discover something new. Despite what the title might suggest, it’s less a trip back in time than a portal to another universe, a destination for(to?) which only Mike Paradinas knows the exact coordinates. – Philip Sherburne, Balmat https://rubadub.co.uk/products/1979 https://rubadub.co.uk/cdn/shop/files/unnamed_d8b881e9-74a7-46d2-a35d-d843e41f8764_1024x1024.jpg?v=1766064006 29.00 GBP in stock new Balmat BALMAT19 44790951543043 8319344214275 Ike Yard – 1982 | DE-312 Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer. https://rubadub.co.uk/products/1982-1 https://rubadub.co.uk/cdn/shop/files/unnamed_22_5d9c3f5f-3f30-4777-9f6b-c70cf9baab29_1024x1024.jpg?v=1709634528 20.00 GBP in stock new Dark Entries DE-312 32139502747718 4715693899846 Novostj / DsorDNE – 1983-1988 | ACC002 Mouldering, mind-altering minimal electronics, mingled with lavishly baroque songs of thwarted romance/escape, suffused with high Catholic drama and fatalism and dread… we’ll have some of that! The original Italian DIY/industrial scene has been heavily plundered in recent years, but the work of Marco Milano and Roberta Ongaro, first as Novostj and then as DsorDNE (any tips on how to pronounce EITHER would be appreciated, ta), has proved elusive until now and this important vinyl reincarnation of an eight-track, 1988 cassette compilation on Hax. Icy, economical, vaguely Dome-ish pop jewels are embedded in more expansive textural explorations, noise harrowings and long, looping drum-spells, gradually adding up to an exacting and exhilarating torture-garden psychedelia…think Minimal Man, the S.Y.P.H. of ‘Nachbar’ (sort of), the Robert Turman of The Way Down, Chrome at their most way-out. There’s an adolescent fearlessness and innocence and honesty to it too, a sense that this music is EVERYTHING to the people who made it – see especially the blasted-heath (do they have heaths in Italy?) howl of 'Nel Vuoto' - not the soundtrack to their lives, but the stuff of life itself. But it's also frighteningly accomplished, and effortlessly, almost shruggingly, avant-garde…a deeply personal vision that nonetheless feels pointedly experimental and outward-looking and strangely prophetic, with passages of ectoplasmic, ego-shredding basement sludge that point the way to Xpressway and Siltbreeze’s 90s zonings, and strong premonitions of techno too in the raging gothic hypnobeat/bad-NRG of 'Disordine' and 'Voce di Edefici Vuoti'. Yeah...it's proper good this one. https://rubadub.co.uk/products/1983-1988 https://rubadub.co.uk/cdn/shop/products/a4013145648_16_grande_641b4ffa-5c56-482e-9f06-7746d052d27b_1024x1024.jpg?v=1601934348 18.50 GBP out of stock new ACC ACC002 55176146649461 14973686645109 The Egyptian Lover – 1987 | DMSR-8703 Uber-limited new album from The Egyptian Lover https://rubadub.co.uk/products/1987 https://rubadub.co.uk/cdn/shop/files/unnamed-6_9fb8ae2e-8229-4885-b0ce-3e7ef051491b_1024x1024.jpg?v=1742387026 42.00 GBP out of stock new Egyptian Empire Records DMSR-8703 42683397177603 7653321408771 Knxwledge – 1988 | STH2409-7LP The 22-track album feat. NxWorries (Anderson .Paak & Knx), Durand Bernarr, and Rose Gold. Grape Vinyl https://rubadub.co.uk/products/1988 https://rubadub.co.uk/cdn/shop/products/STH2409-5LP_1024x1024.jpg?v=1649676236 28.00 GBP in stock new Stones Throw STH2409-7LP 44599227744515 8269941080323 Gherkin Jerks – 1990 EP | ML2305 2024 RepressRecorded in 1989, this is one of the rare and sought after recordings by Larry Heard. A departure from his more familiar style that he released as Mr Fingers, Fingers Inc. and The It. Gherkin has been an outlet for his more experimental and techno-orientated productions. 6 tracks on this record, and everyone seems to have their own favorite... but worth mentioning are the dramatic opener ''Meltdown'', the cosmic ''Saturn V'' and the incredible extra terrestial ''Strange Creatures''. Tracks that are the foundation of the house we live in! - essential! https://rubadub.co.uk/products/1990-ep-1 https://rubadub.co.uk/cdn/shop/files/R-4470369-1367603378-9919_jpeg_8c801930-f94e-414f-995d-de11aa2cf749_1024x1024.jpg?v=1705602407 13.00 GBP out of stock new Alleviated Records ‎ ML2305 42388335198467 7569141235971 Boom Generation – 1991-1995 | PROXY01 PROXY Records’ first transmission is a 2 x 12” compilation by Boom Generation, containing 8 sought-after tracks produced between 1991 and 1995. These cuts aged particularly well, embodying the groove of the 90s by connecting raw and euphoric vibes. Remastered from the original DAT tapes, these recordings are configured to last another 30 years. https://rubadub.co.uk/products/1991-1995 https://rubadub.co.uk/cdn/shop/products/a3856830248_16_1024x1024.jpg?v=1643109863 14.67 GBP 14.67 GBP out of stock new Proxy Records PROXY01 32139496652870 4715687673926 Omar S – 1992 | AOS-1992 New Omar-S https://rubadub.co.uk/products/1992 https://rubadub.co.uk/cdn/shop/products/unnamed-30_1024x1024.jpg?v=1601934115 13.00 GBP out of stock new FXHE AOS-1992 42505689956611 7605957918979 DJ Spinna – 1998 Beat Tape | CTRLP-001 Following the previous 1996 and 1997 beat tapes released in 2017 and 2019, DJ Spinna is back with another collection of all unreleased beats from 1998 created during his final days of using the SP-1200 and Akai Combination before moving on to the MPC 3000. Still fresh after 20 + years! https://rubadub.co.uk/products/1998-beat-tape https://rubadub.co.uk/cdn/shop/products/unnamed-11_43aeed69-2b6f-46ba-90de-98441f515f58_1024x1024.jpg?v=1645645323 25.00 GBP in stock new Correct Technique CTRLP-001 55155892158837 14967510827381 Respite – 1st Respite | 1STRESPITE Killer Aarhus Techno*Please note all labels are hand painted and will differ slightly from one another.Listen here:https://soundcloud.com/safe-distribution/1st-respite-1st-respite https://rubadub.co.uk/products/1st-respite https://rubadub.co.uk/cdn/shop/files/1st-Respite_A-1_1024x1024.jpg?v=1741784245 10.00 GBP out of stock new Respite 1STRESPITE 45118892343555 8427355570435 Various Artists – 1st Unit: Underpass Records EP | RH-STOREJPN12 Reissue of early Japanese house outing by Junichi Soma, Shuji Wada and Katsuya Sano. Comes with insert with liner notes.All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sano.Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed. https://rubadub.co.uk/products/1st-unit-underpass-records-ep-1 https://rubadub.co.uk/cdn/shop/files/rh-store_jpn_12_label_a_b618bcb8-d797-4580-9aac-7248fb7bfba8_1024x1024.jpg?v=1713005021 https://rubadub.co.uk/cdn/shop/files/rh-store_jpn_12_label_b_868cea0d-4510-4662-bfba-ea2b7e3c728b_1024x1024.jpg?v=1713005021 https://rubadub.co.uk/cdn/shop/files/rh_store_jpn_12_insert_b_0_1024x1024.jpg?v=1713005020 14.00 GBP in stock new Rush Hour RH-STOREJPN12 32139512938566 4715703828550 Dome – 2 | DOME2 With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: DOME (July 1980), DOME 2 (October 1980) and DOME 3 (October 1981). A final fourth album, WILL YOU SPEAK THIS WORD: DOME IV was released on the Norwegian Uniton label in May 1983. These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene. https://rubadub.co.uk/products/2-12033 https://rubadub.co.uk/cdn/shop/products/dome2-350x350_1024x1024.jpg?v=1601934784 14.00 GBP 14.00 GBP out of stock new Editions Mego DOME2 43417665077507 7902136959235 R-Zac – 2 (Spiral Tribe) | SM23-03 Spiral Tribe founding members Sebastian Vaughn and Simon Carter empty their pockets yet again in the second step of this R-ZAC trilogy from the pioneering original Spiral Tribe times. A side coming on strong at a good solid 180 BPM, with almost 10 minutes of a tripped out excursion in metallic transient melodies over spiraling bass lines and drastic changes of tempo throughout. Moving on to another charging wall of bass and kick on the B side generously setting the groundwork for vocal sample playfulness to unfold. Last but not least, last track on this iconic powerful layering of rhythmic patterns that move throughout a 160 BPM grid in motions reminiscent of celestial bodies orbiting each other in parabolic trajectories. Originally released in 96 and brought back to the needles of your record players in remastered vinyl format. https://rubadub.co.uk/products/2-spiral-tribe https://rubadub.co.uk/cdn/shop/products/img-8tRZlJPb8u_1024x1024.jpg?v=1665750834 10.00 GBP 10.00 GBP out of stock new Sound Metaphors 23 SM23-03 42683996766467 7653565694211 2 Bit Crew – 2 Bit Crew 03 (Repress) | 2BC003R Repressed 3rd EP from the Danish duo containing three solid house tracks. https://rubadub.co.uk/products/2-bit-crew-03-repress https://rubadub.co.uk/cdn/shop/products/2BC003R_1024x1024.webp?v=1649681241 12.00 GBP out of stock new 2 Bit Crew Recordings 2BC003R 32139525390406 4715713855558 Basic Rhythm – 2 Da Core | ZIQ414 Basic Rhythm follows up his album 'On The Threshold' with an EP that lays out the explicit connections between hardcore and footwork. A connection made even clearer by the inclusion of a rare remix by Chicago footwork originator RP Boo. 2 Da Core's punchy rolling drums are levelled up against rough samples and a vocal hook pitched up and down in classic hardcore style. Get Up runs a tubby bass under hazy vocal samples and weird sound effects. RP Boo's remix of 2 Da Core disassembles the track into pieces, building a stalking helicopter-like rhythm which plays hide and seek with the samples, while the closing track Nuh Ramp rounds off the EP with tumbling micro-edited rhythms and a melody built from small colourful sounds that draw on the Caribbean roots of this music. https://rubadub.co.uk/products/2-da-core https://rubadub.co.uk/cdn/shop/products/0016747609_10_1024x1024.jpg?v=1601935211 12.00 GBP in stock new Ninja Tune ZIQ414 43533008699651 7942565986563 Roy of The Ravers – 2 Late 4 Love [2023 Edition] | ACIWAX90 Back by popular demand!! A re-jigged, loud-cut 2023 reissue of Roy of The Ravers’ long sold out Acid Waxa classic ‘2 Late 4 Love’ (ft. Emotinium) with bonus Easter egg tracks, presented in all its original hand-stamped glory. Don’t sleep on this one if you missed it the first time around! https://rubadub.co.uk/products/2-late-4-love-2023-edition https://rubadub.co.uk/cdn/shop/products/unnamed_f3a1e4e7-5acd-4b98-9d92-43150ef3284a_1024x1024.png?v=1668766069 20.00 GBP out of stock new Acid Waxa ACIWAX90 44406339305731 8216917934339 Teatre – 2 Song | FLR04 Ferry Lane Records welcomes Teatre AKA Viktoras Urbaitis for its fourth release.Having garnered a cult following through celebrated EPs on Lux and his self-released Metropolis, 2 Songs presents the Lithuanian producer at his most introspective.On the A-side, 'Alone' offers a languid, bittersweet melody evoking the golden era of synth-pop. The B-side, 'Low' intensifies the mood while still embracing melancholy. Mastered by Alden Tyrell. Numbered and limited to 100 copies. https://rubadub.co.uk/products/2-song https://rubadub.co.uk/cdn/shop/files/unnamed-4_cce2a588-cd39-4ba8-a28b-b31326e2faf9_1024x1024.jpg?v=1700055136 12.00 GBP out of stock new Ferry Lane Records FLR04 42768540401923 7676131180803 Terekke – 2 The World / Fandn | DIGI001 Evidence of desublimation. The vapor turns back to solid, but maybe just for a minute. Terekke touching the machines and popping out a plate. Plant Age Digital Sound.Described as: "soft-techno meets balearic-dubstep" https://rubadub.co.uk/products/2-the-world-fandn https://rubadub.co.uk/cdn/shop/products/DIGI001_1024x1024.jpg?v=1651503164 10.00 GBP out of stock new Planet Age Digital Sound DIGI001 44475357036803 8240245997827 Pugilist , Tamen – 2 Tone | TempoCore0.5 Tempo Records sublabel TempoCore presents Pugilist & Tamen; with four True To The Core Jungle & Drum and Bass tracks. A diverse quality production with amens, drumfunk and heavy bass ingredients. This beautiful crafted LIMITED EDITION crystal clear vinyl 12? comes in a new designed Tempo Records "Logo" high quality "Kraft" outer sleeve + a white innersleeve. All tracks mastered by Stuart Hawkes of Metropolis Mastering, London. https://rubadub.co.uk/products/2-tone https://rubadub.co.uk/cdn/shop/files/PugilistTamen_ClearAA_TempoCore0.5_1024x1024.jpg?v=1702042827 15.00 GBP out of stock new Tempo Records TempoCore0.5 44102702334211 8118918742275 Various Artists – 200% Dynamite! Ska, Soul, Rocksteady, Funk & Dub in Jamaica | SJRLP517C Soul Jazz Records’ 200% Dynamite! set the benchmark for reggae meets funk compilations that has never been bettered. Out of print for over 15 years this new 2023 edition is expanded with new tracks and is being released in a one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code.Jam-packed with reggae tunes that crossed-over to become dancefloor hits such as Tenor Saw’s sound boy anthem ‘Ring the Alarm,’ K.C.White’s classic cut of the seminal ‘No, No, No’ and Augustus Pablo’s ‘Rockers Rock’, 200% Dynamite explores the links between reggae, jazz, funk and soul.Carrying on perfectly from 100% Dynamite, this second compilation continues to trace the history of Jamaican reggae and the influence of American styles such as funk and jazz had on this music.Featured here are serious funk and rocksteady tunes from the likes of The Skatalites and Johnny Osbourne through to Jamaican jazz from masters such as Tommy McCook and Byron Lee as well as some serious dub from the likes of Augustus Pablo, King Tubby and Jackie Mittoo.New bonus tracks on this new 2023 edition include seminal dancehall party cuts Sister Nancy’s ‘One Two’ and Chaka Demus and Pliers’ ‘Murder She Wrote’, alongside classic soul to reggae covers including cuts of Marlena Shaw’s ‘Women of the Ghetto and Odyssey’s ‘Don’t Tell Me Tell Her’. https://rubadub.co.uk/products/200-dynamite-ska-soul-rocksteady-funk-dub-in-jamaica https://rubadub.co.uk/cdn/shop/files/200-dynamite-lp-sleeve-2022_1024x1024.jpg?v=1690364505 https://rubadub.co.uk/cdn/shop/files/sjr-lp517c-200-dynamite-lp-packshot-copy_1024x1024.jpg?v=1690364624 33.00 GBP out of stock new Soul Jazz Records SJRLP517C 32139549737030 4715735089222 Dr. Dre – 2001 | 4904861 Smoke weed every day https://rubadub.co.uk/products/2001 https://rubadub.co.uk/cdn/shop/products/r-3201905-1320262172_gif_1024x1024.jpg?v=1601936619 24.00 GBP out of stock new Death Row 4904861 39785582362806 6733732282550 SVN – 2011 - 2014 | ACIDO033 This is part two of SVN’s house production past from 2006 - 2014, a continuation of acido 028.Extraneous material archived some years back when his studio equipment wasn’t as abundant as today. A compilation of bubbled house funk and analogue filtered bleep. Illustrated again with various svn-esque personalities from his daily sketchbooks.3 raw-fi house jams and a spontaneous echo outblast.Don’t go returning this ep saying it is low-fi, scratched or poorly mastered! All trax are exactly the way they should be! https://rubadub.co.uk/products/2011-2014 https://rubadub.co.uk/cdn/shop/products/unnamed-2_0e033da8-1b13-4085-932a-f3f3d444299d_1024x1024.jpg?v=1623170366 12.00 GBP out of stock new Acido ACIDO033 56395285954933 15647999099253 Skee Mask – 2012 | ISS001 2025 Repress https://rubadub.co.uk/products/2012 https://rubadub.co.uk/cdn/shop/files/f7036841a415a7e3654776f2d62333fb_1024x1024.jpg?v=1764071102 14.00 GBP in stock new Ilian Skee Series ISS001 43929099698435 8060078784771 Material Things – 2015-2020 | ISLE-015 Under the production moniker of Material Things, 12th Isle co-founder Stewart Brown unveils a part debut album part compendium of musical collaborations spanning from 2015-2020. Some recordings began as long, one-take improvisations (How's Life, Peckham) spliced together and revisited years later. Others were based upon chance opportunities to record with musicians operating a long way from the parameters of 12th Isle. Cult private-press loner folk guitarist Bob Theil, whose 1982 album So Far counts as one of the Scottish greats of the era, is at the heart of 'Westway'. Synth and guitar fragments recorded by the pair in Stewart's family home one summer form a low-key conclusion to the collection, whilst London based percussionist Pike Ogilvy brings an array of drum sounds and natural percussion to 'No Direction'. Regular 12th Isle affiliate Vague Imaginaires also features heavily, contributing synth work on Grenoble and his own extended digi bonus remix of 'How's Life'. As a collection, the 8 tracks show a studious, concise vision and combine influences from minimalism, concrete and avant-garde jazz and techno yet also embrace friendship, experimentation and curiosity whilst capturing 5 years of the artists own personal life. Some of the tracks have been circulating in various versions for a number of years now, with DJ support from Bake, Ivan Smagghe, Optimo, Lena Willikens, Huntley & Palmers, Orpheu The Wizard and, of course, 12th Isle. https://rubadub.co.uk/products/2015-2020 https://rubadub.co.uk/cdn/shop/files/unnamed-13_ef1f571c-8ed2-4d91-b3a8-01e9a4963b89_1024x1024.jpg?v=1683802811 19.00 GBP out of stock new 12th Isle ISLE-015 32139555799110 4715740430406 Mars89 – 2020 | NATURAL042 Mars89 titles his first release Natural Sciences after a year already defined by bacterial outbreaks, drone assassinations and the rise of the right. Across four tracks which range from industrial quom to leftfield electronics, Mars89 supplies the goods to live the nightmare. White label limited to 300 copies worldwide. https://rubadub.co.uk/products/2020 https://rubadub.co.uk/cdn/shop/products/68783943-5fd8-4cdd-9438-a6b8079f36c3_1024x1024.jpg?v=1601936961 10.00 GBP in stock new Natural Sciences NATURAL042 32139585683526 4715767431238 Loto Retina – 2022 | PRMSSS009 Promesses returns with first vinyl release from producer Loto Retina. Soundscape’s master focused on a more club-oriented EP, bringing 6 hybrid tracks between footwork, jungle and ambient. Handmade silkscreened cover with an artwork made by Vica Pacheco. https://rubadub.co.uk/products/2022 https://rubadub.co.uk/cdn/shop/products/unnamed-16_1_1024x1024.png?v=1601938856 10.00 GBP out of stock new Promesses PRMSSS009 43592345452803 7965526294787 Floating Points – 2022 | ZEN12633 Sam Shepherd aka Floating Points releases a new 12" via Ninja Tune. It features 'Someone Close' alongside the three other new tracks he's shared this year: 'Grammar', 'Vocoder' and 'Problems'. All four are available on limited vinyl for the first time.'Grammar', 'Vocoder' and 'Problems' were met with widespread praise including a Best New Track from Pitchfork and a glowing review from Resident Advisor describing Shepherd as "one of electronic music's undisputed MVPs". 'Someone Close' changes track completely, something Shepherd has done effortlessly across his career, capping off a run of releases that have showcased the many strings to his bow yet still holds together seamlessly. https://rubadub.co.uk/products/2022-1 https://rubadub.co.uk/cdn/shop/products/ZENDNLS633_PACKSHOT_3000_6d43fb4a_1024x1024.webp?v=1671033300 17.00 GBP out of stock new Ninja Tune ZEN12633 32139547246662 4715732172870 Shinoby – 2022020.0 | ITWLP003 Produced in the beginning of 2019 in Huehuetenango(Guatemala) and final mix down and additional production in spring 2019 in Verona(Italy), the 2x12" LP draws on the project's roots in order to locate itself in the modern day. string of club bangers combined with convulsive breaks and bleepy motifs dive into electro-acid-wave. The 10 tracks includes a collaboration with 80s italian new wave band Victola. Victrola is the duo of Antonio "Eze" Cuscinà and Carlo Smeriglio from Messina, Italy. The band formed in 1979 but shortly thereafter relocated to Florence take part in a rich musical scene alongside Neon, Pankow, Alexander Robotnick, and Diaframma. Since the launch of his imprint Istheway in 2015, Verona-based producer Omar Contri aka Shinoby has laid the foundations to a fruitful body of work that defies categories and easy classification. https://rubadub.co.uk/products/2022020 15.00 GBP out of stock new Istheway ITWLP003 54871810769269 14869035975029 Wladimir M. – 2024 | DSR/EEVO01 Eevo Lute originator Wladimir M. shares another chapter of his precious techno poetry. "When I was nine years old, I heard 'Funkytown' on the radio of the pool attendant over and over again. I still go to that pool. In the mid-eighties, everyone at my high school knew 'Don't Go'. And I turned sixteen, or seventeen. And was blown away by the bass line of Los 'Ninos Del Parque'. I heard it for the first time in the dark, one of the first times in that discotheque. The bass line was so atypical that I kept losing it, there in that stuffy classroom where a teacher was telling us about 'economics'. And where Peter, who was sitting next to me, was talking about 'Computer World'. And further away there was Chicago House, little did we know. I was born for it." Wladimir M. (1968), 2024 https://rubadub.co.uk/products/2024 https://rubadub.co.uk/cdn/shop/files/DSREEVO011_ART_2K_1024x1024.jpg?v=1733941863 16.00 GBP in stock new Delsin DSR/EEVO01 55991801839989 15507291996533 Chris Liebing & Speedy J – 2025 EP
 | 12NOMU200 Techno pioneers Chris Liebing and Speedy J (aka Jochem Paap) reunite as Collabs 3000 for their 2025 EP, a brand new four-track release and their first new studio material together in nearly two decades. Channeling the raw, improvisational energy of their recently revived Collabs 3000 live sets, these tracks build on the legacy of their acclaimed collaboration with a fresh, future-facing edge. The EP precedes the full remastered reissue of the electronic techno masterpiece, Metalism, out 14th November 2025, and celebrates a partnership that helped to define the sound of early '00s Techno. Pressed on a strictly limited vinyl run of 500 copies worldwide and released via NovaMute. https://rubadub.co.uk/products/2025-ep https://rubadub.co.uk/cdn/shop/files/162048-12NOMU200-FRONTCOVER_1024x1024.jpg?v=1758575472 22.00 GBP out of stock new Novamute 12NOMU200 42851744416003 7697618731267 Parallel Manifesto – 2044 | ITX024 https://rubadub.co.uk/products/2044 https://rubadub.co.uk/cdn/shop/products/ITX024_1024x1024.jpg?v=1653324547 13.00 GBP in stock new Ilian Tape ITX024 8523.80.90 56604467036533 15693207142773 Barrington Levy – 21 Girls Salute | JL-042 Barrington Levy's 3rd LP for Jah Life, another killer selection from the fruitful works of the Wright/Lawes/Levy axis. From the golden era of the Radics at Channel 1, mixed by Scientist at Tubby's, 10 tracks, great all the way thru. Finally available again, this was only repressed once before in the late 1990's, other than its original release in the early '80s. Featuring iconic cover art by the late NYC legend Jamaal Pete and pressed from the original mothers, identical to the original press.A1. River JordanA2. Mary Long TongueA3. 21 Girls SaluteA4. FulfilmentA5. In Dis TimeB1. Lets Do RightB2. The Day Had Just BegunB3. Lets Clean It UpB4. John TomB5. MercySoundcloud Listen https://rubadub.co.uk/products/21-girls-salute https://rubadub.co.uk/cdn/shop/files/unnamed_18fce31e-f0e9-4ccc-b194-269dfb5e3f92_1024x1024.png?v=1768398391 22.00 GBP out of stock new Jah Life JL-042 32139463852102 4715661787206 DJ Residue – 211 Circles Of Rushing Water | TTT067 Recorded over the course of “five days in summer in an apartment with no AC in New York with random instruments found inside the apartment (a moog radioshack synth & two zildjian cymbals).”, the results are a testament to Wendel’s ingenuity and economy in making the most of what he’s got to hand. The results resemble Powell oddities as much as the worn-down grooves of Shamos or the stoic minimalism of Thomas Brinkmann, except more lo-fi. On the A-side he roves from blank-eyed and muggy drones in ‘Blackline’ to the off-centre pump and patter of ‘Hand-Crafted Among The Stars’, and a sort of salty, needling electro-acid on ‘Triple-Arched Gateway’. On the B-side, he tramples from the discordant triage of ‘Meditation Fee’ to the pulsing slug of the title track and a sort of free jazz blatz to finish with Shallow Bowl. https://rubadub.co.uk/products/211-circles-of-rushing-water https://rubadub.co.uk/cdn/shop/products/r-12213231-1530632989-7170.jpeg-min_1024x1024.jpg?v=1601932957 12.50 GBP in stock new TTT TTT067 43894187557123 8051594920195 Brollachan – 23 | FD012 Full Dose is back! Once again exporting their distinctive brand of mutated dub directly from Glasgow's Southside. The label's 13th release is the work of a new name: Brollachan - "a shapeless darkness that craves bodily form".As the name would suggest, the music itself evokes a certain eeriness. Brollachan fuses this with the metallic textures and airy rhythms commonly heard on Full Dose records. Tracks like "Hall" could well be written by a smoked-out mythical being, with deep subs and spring reverb-laden tones throughout. Quality stuff.This juxtaposition of influences continues throughout the release. "Graze" has a particular aquatic feel. Sonar-esque synths punch through the haze and sustained synth sounds keeps the track in midwest territory.Despite the obvious variety on show here, Brollachan of course keeps fans of the Full Dose sound on-side. "Mad Dawg" is a grimey take on this. General MIDI style sounds appear throughout the intro. This is complimented by intricate drum programming and a growling bassline, to give us a track straight from the 22nd century.13 releases in and the tight-knit crew behind Full Dose continue to promote a sound that is both unique and reliable - Brollachan is no exception! https://rubadub.co.uk/products/23 https://rubadub.co.uk/cdn/shop/files/unnamed_7_1024x1024.jpg?v=1682435551 15.00 GBP out of stock new Full Dose FD012 40027986952374 6824468840630 Neotantrik – 241014 | VHSX015 Synth legend Suzanne Ciani, Demdike Stare's Sean Canty & Finders Keepers' Andy Votel come together on this killer hour-long 2014 synapse popper of a collaboration pooling the occasional group’s esoteric collage-based approach into a remarkably foreboding session pregnant with a dread that’s never quite resolved. Think Vladimir Ussachevsky, Todd Dockstader, Spectre and Company Flow melted thru the Deutsch-Italo industrial DIY tape era and funneled thru an almost impenetrable fog of Ann Arbor basement noizze. Hustling some of Neotantrik’s most amorphous gestures, ’241014’ is a four-segment movement of reduced Buchla treatments, destroyed vinyl loops and scraping foley suspense; like a cosmic dream diary layered into a collage of drones and clatters. Little in Ciani's extensive catalogue has hinted at what's on display here; the joyful lullaby-pop of "Seven Waves" or metallic alien soundscraping of "Flowers of Evil" are only hinted at. She instead paints new sonic vistas, allowing space for her collaborators to make themselves known; Votel's chiming toy autoharp and Bubul Tarang (a Punjab string instrument) add a distinctive flavor, while Canty's grimy drones and noise-soaked textures drizzle pitch-black molasses into the cracks and crevices. Together, the effect is a bit like hearing Philip Jeck improvising over Popol Vuh's peerless Moog-led debut "Affenstunde" or Demdike Stare knocking out impromptu reworks of Tangerine Dream's abstrakt early run.Perhaps unusually, the trio have still never set foot in a studio together, exclusively maintaining their practice in-the-moment and on stage when schedules intersect. So it’s all the more remarkable that their improvisations naturally find a democracy of role and such a heightened level of intuition, beautifully converging their thoughts to mutual, open-ended conclusions that leaves billowing room for interpretation. In a most classic sense, it's like the sensation of sleep paralysis or dream/nightmare ambiguity, with a level of suggestiveness that’s disorienting from end to end.For the first time the recordings are now available in high fidelity (there was a tape version a couple of years back) - now remastered by Rashad Becker to better represent the otherworldly scope of their actions on stage, from the NWW-like queues and drone of ‘Scanned Accents’ and keening silhouette of ‘Second Action,’ to new sections of subaquatic Porter Ricks-like murk in ‘Anti-Contraction’ and the levitating webs of synth and tactile, sampled textures in ‘Last Canción.’ Tape music and synth music have long shared a passionate embrace, and here turntablism coolly slides in on the action. Canty and Votel's background in beat tape assembly and crate digging pays off: they're keenly experimental creators but bring an unfussy sense of rhythm and performance that's miles beyond any facile repetition of a nostalgia for vintage glory. Combined with Ciani's delicate Buchla work - it’s a unique proposition. https://rubadub.co.uk/products/241014 https://rubadub.co.uk/cdn/shop/products/Cover_835666bb-768c-483a-8850-b3e8fa21e0ec_1024x1024.jpg?v=1625055551 29.00 GBP in stock new Pre-Cert Home Entertainment VHSX015 44300770935043 8172010307843 Larry Heard – 25 Years From Alpha | ML2226 Remastered for 2016! Another classic by highpriest Larry Heard. Three tracks that prove again the mans genius and unparalleled talent in squeezing true emotions and funk out of his machines and lift you into a state of euphoria. The a-side holds a long, midtempo 80s electrofunk groove with beautiful richly textures synth melodies. Flip over for a slightly rawer Fingers style workout with highly emotive strings and a perfect end of the night tune with a gorgeous piano solo showing heard's strong roots in jazz. Music from a different stratosphere - a record to treasure! https://rubadub.co.uk/products/25-years-from-alpha https://rubadub.co.uk/cdn/shop/files/unnamed-17_e1755621-ac9b-4d58-87f5-3892f5b2b5a2_1024x1024.jpg?v=1697721349 15.00 GBP out of stock new Alleviated Records ‎ ML2226 56395720655221 15648085934453 Tujiko Noriko + AOKI takamasa – 28 | KeplarRev22 AOKI takamasa and Tujiko Noriko’s 2005 album »28« has become a cornerstone in the artists’ respective discographies. 20 years after its initial release, Keplar issues it on vinyl for the very first time. Three years in the making, »28« saw the sound artist and the avant-pop singer-songwriter combine their distinct aesthetics for an album that defied categorisation. Their combination of advanced electronic experimentation and pop appeal paved the way for a new generation of artists and turned »28« into an enduring fan favourite. Remastered by Stephan Mathieu, the reissue comes with a brand-new artwork by Joji Koyama and a changed track listing—authorised by Takamasa and Tujiko—for the vinyl version to fit it on a single LP, while the digital version remains identical to the original release. Tujiko and Takamasa first shared the stage together after the turn of the millennium. Both were emerging solo artists, with Takamasa a mainstay on the Progressive Form label and Tujiko forging a connection with Mego in Vienna, Austria. »I simply liked Noriko’s voice and music, and since we often performed at the same events, it felt like a natural progression for us to start working together,« remembers Takamasa. They first collaborated in 2002 for two shows at the Fondation Cartier in Paris and at SonarLab in Barcelona, respectively. The first joint piece was a rework of Tujiko’s »Fly« from »Hard Ni Sasete (Make Me Hard)« by Takamasa, appearing as the album opener »Fly2« on »28.« After that, the Paris-based Tujiko and Takamasa, still based in Osaka, worked sporadically and remotely on new material. For the first two years of their collaboration, the two met in the context of live events or Takamasa’s visits to the French capital to discuss their process and exchange hard drives while also occasionally sending each other CDrs in the mail. »Aoki made beats and sounds that complemented my music perfectly, building the foundation on which my voice could float,« Tujiko says today. Takamasa used hardware such as the Nord Modular, the Korg Z1, and the Korg ER-1, while also working with different kinds of software and plug-ins as well as Logic. Tujiko was using Cubase, her preferred piece of gear at the time being an AKAI MPC. After Takamasa moved to Paris in 2004, this enabled the duo to finish the album together in person. Starting with its subtle use of glitches to the almost-anarchic way in which it deals with the structures of a song, »28« came to be an incomparably intricate album. 20 years on, it remains timeless because of its flawless synthesis of the cutting-edge avant-garde ideas of early 2000s electronica with an idiosyncratic but accessible pop sentiment. Both artists look back fondly—though not uncritically, with Takamasa noting a certain »youthfulness« in his contributions—to the album that was titled after their respective age at that time. »Maybe we should make ›51‹ now?,« quips Tujiko. See you in three years, perhaps. https://rubadub.co.uk/products/28 https://rubadub.co.uk/cdn/shop/files/unnamed_c2660f69-ee23-4e27-b519-ce658a1fe8d7_1024x1024.jpg?v=1764080782 25.00 GBP in stock new Keplar KeplarRev22 43180034097411 7819994988803 Convextion – 2845 | ARTLESSVEXTLP1 A classic science fiction sound track album - outstanding & masterfully executed by Convextion aka ERP/Gerard Hanson.Limited repress of this Convextion classic. Coloured vinyl, full sleeve. Artwork by David A. Hardy. Including download.Coloured Vinyl Reissue https://rubadub.co.uk/products/2845 https://rubadub.co.uk/cdn/shop/products/unnamed-2_65991f9f-2660-4dc1-9fa6-ea986ce6e5cf_1024x1024.jpg?v=1660911266 29.00 GBP out of stock new Artless ARTLESSVEXTLP1 45789461643523 8702091198723 Various Artists – 29 Speedway: UltraBody | 29SC03 29 Speedway is a record label and performance series based in Brooklyn, NY featuring forward-thinking improvisational music and live multimedia. Founded in 2020 by Ben Shirken a.k.a. Ex Wiish (‘Shards Of Axel’, Incienso 2023), 29S serves as a platform for artists exploring the fringes of interdisciplinary art and music. Hosting D.I.Y-guerrilla style sound and performance art concerts at Pioneer Works (NYC), Public Records, and in Europe in partnership with Index Records, they have worked with artists such as James Hoff, J. Albert, Yolabmi, Robert Aiki Aubrey Lowe, AceMo, Flora Yin Wong, Nexcyia, Young Boy Dancing Group, UMFANG, Color Plus, Poncili Creación, Special Guest DJ, Arushi Jain, Drumloop, Isabella Koen, Ben Bondy, Kamran Sadeghi, Yawning Portal, James K., Syndey Spann, Debit, Pent and many others.  Resident Advisor called their most recent compilation record ‘Channel Plus’ “one of the most stunning documents of the ‘modern ambient-techno movement pioneered by labels such as Motion Ward and West Mineral’, with a focus on New York as well as a global outreach that encompasses chilled-out trap, electro, downtempo and even early '00s electroacoustic music”. Their debut solo artist release from J. Albert and Will August Park, entitled “Flat Earth” (2023), was based on free improvisation and ambient jazz, receiving praise from Philip Sherburne, Shawn Reynaldo, and was included in RYMs top EPs of the year. 29S has been written about on ID, Bandcamp Daily: Best Ambient, Boomkat, Paper Mag, Artnet, Dazed, Clot Mag, Nina Protocol, and Document Journal. The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & Mu Tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, Muein and Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label. The record was born out of a desire to investiage how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw from his piece on David Cronenberg’s Videodrome, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.  This in-between state of dominion is explored in 29 Speedway: UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.  On UltraBody, sound has no separate existence from space.  https://rubadub.co.uk/products/29-speedway-ultrabody https://rubadub.co.uk/cdn/shop/files/unnamed-2_2f0b660b-5852-43f6-876a-97aefca587b1_1024x1024.jpg?v=1722084848 24.00 GBP out of stock new 29 Speedway 29SC03 55155898384757 14967511908725 Respite – 2nd Respite | 2NDRESPITE Killer Aarhus Techno*Please note all labels are hand painted and will differ slightly from one another.Listen here:https://soundcloud.com/safe-distribution/2nd-respite-2nd-respite https://rubadub.co.uk/products/2nd-respite https://rubadub.co.uk/cdn/shop/files/2nd-Respite_A-1-1536x1536_1024x1024.jpg?v=1741784255 10.00 GBP out of stock new Respite 2NDRESPITE 54857995878773 14865659232629 Head High – 2nd-Hand Bassline | PH14014 Flawless, raw boosting to satisfying & warm Power House actions   https://rubadub.co.uk/products/2nd-hand-bassline https://rubadub.co.uk/cdn/shop/files/unnamed-21_1024x1024.jpg?v=1732793293 13.00 GBP out of stock new Power House PH14014 55479437427061 15042093220213 Cosey Fanni Tutti – 2t2 | CTI2T2LP2025 Composed, performed and produced by Cosey Fanni Tutti, the 9-track album moves between propulsive beat constructions and expansive electronic explorations, continuing themes from 2019’s acclaimed album TUTTI. It is a personal reflection; a sonic realisation of her life, drawing on her powerful inner resolve and expressing it through music. The album finds Cosey making sense of some very tough years, dealing with personal bereavements alongside swingeing world events that have impacted us all. Centring on her own strength and self will, the album’s two distinct sides – one rhythmic, one more meditative – are connected by an overwhelmingly positive mood. She explains, “My overtone chanting on the track ‘Stound’ was part of that, tapping into the inner self, to the core of your being, emotionally, physically, allowing the sounds to permeate and soothe as well as create a sense of power, resistance and resilience to what we face.” Even in the more melancholic moments, there’s a lightness that she explains is an “acknowledgement that it’s alright to be sad, that’s part of life, but there is so much joy too in our memories of people we lose and in the moments we share with each other. Joy is our resistance.” There are also threads from her most recent projects running through 2t2. Her latest book RE-SISTERS and the score she wrote for Caroline Catz’s film Delia Derbyshire: The Myths and Legendary Tapes are acknowledged, most directly on ‘Threnody’ which is dedicated to Delia Derbyshire and Andy Christian, an artist friend of Delia’s. He sent Cosey an abstract drawing of the same name, created one night from an improvised evening where he drew while Derbyshire intoned and sang softly as she looked at the drawings, as if reading a score expressing how they made her feel. Cosey’s process and the different strands that make up her work form a totality of vision. She goes on to say, “Once you get creating and listening, weaving, collaging sound it’s a wonderfully fulfilling feeling that takes you both out of yourself at the same time as essentially deep within.”The artwork reflects this idea that the album is a “sound cameo”, reflecting the light within the music, and the buzz of life that exists within all of Cosey’s work. Musician, artist and author Cosey Fanni Tutti has continually challenged boundaries and conventions through her work. As a founding member of the hugely influential avant-garde band Throbbing Gristle, one half of electronic pioneers Chris and Cosey, and as an artist channelling her experience in pornographic modelling and striptease, her work on the margins has reshaped the mainstream. Her first solo album, Time To Tell (1983) was followed by 2019’s Tutti and 2022’s Delia Derbyshire: The Myths and the Legendary Tapes. Her debut book, the Penderyn Music Book Prize shortlisted Art Sex Music, was published in 2017, followed by RE-SISTERS in 2022 (both Faber), which will soon get a Spanish edition.White Vinyl https://rubadub.co.uk/products/2t2 https://rubadub.co.uk/cdn/shop/files/A10341T000009JMPBD_T115381870310054_1024x1024.jpg?v=1749560524 26.00 GBP out of stock new Conspiracy International CTI2T2LP2025 56395764236661 15648105922933 Lifted – 3 | PEAK24 ‘3' saw the core Lifted duo of Max D & Matt Papich unravel their visions of excess into their most divergent and wide-eyed collection to date. Presented here by Peak Oil in a vinyl edition featuring the painting of Jordan Kasey (yes, related to Martin Kasey, saxophonist on 2019’s LP 2) and packaged for a seamless listen. First scene ‘Chefs’ places us squarely off-center, landing in a cinematic environment that feels a bit like steadycam Luis Bunuel , wine bottle whoo-ing and horn fanfare. Its music without a hard surface, defined more by its fluidity and characters, found sounds and performed dialogue. “Cymbecko” shifts gears into blissful ambient dub, and paves the way for a Luke Stewart led excursion into the uncanny that is ‘Trip Tongue’. Stewart’s upright bass never stops seeking, while Jordan GCZs Rhodes barely touches down before lifting back up into and out of Jacob Long’s (Earthen Sea, Esau) liquid tone sheets. An outside world of percussion accompanies. The mood morphs and the scene cuts in hard with “Born in the Roof”, slacker techno that grows shimmering parts, Perlon for potheads. Voiceover slacks right with it, a half-convo caught in the billowing chorus of fx. “Macarena” snaps things into focus, working almost like an open window to airing out the heady fog. Simplicity in the vignette. After “Mecha Perfume & Variety”, “Snow Dancing” reignites the drama, with burning guitar by Jonny Nash taking a plucky and sliding lead over wildly fused drums by Max D, we get a test of new depths for Lifted with the somber and exuberant “Whipped Cream”. Crackling like a radio but with modern propulsion in the form of richly evocative pads courtesy of Motion Graphics, it sounds like a dinner, a space trip, a storyboard, a scene, threaded together in bouncing, oblique ways. "Bobby V" drops refreshingly, timed like a credit roll and leaving an afterglow that feels more tuned-in than ever. Players on this album include: Luke Stewart (Irreversible Entanglements, Blacks Myths), Jeremy Hyman, Jonny Nash (Melody As Truth), Jordan GCZ, Matt Papich, Josh Levi, Mezey, Hirama, Dawit Eklund (1432 R), Motion Graphics, Max D, Jacob Long (Earthen Sea, Esau) Cover painting, "Double Moon" by Jordan Kasey  https://rubadub.co.uk/products/3 https://rubadub.co.uk/cdn/shop/files/unnamed_2e0115d2-3d67-496b-9fa2-5ea301c8fce0_1024x1024.jpg?v=1764081494 22.00 GBP in stock new Peak Oil PEAK24 43527034667267 7940397105411 R-Zac – 3 (Spiral Tribe) | SM23-05 The last step in the Spiral Tribe trilogy from the R-Zac output (aka a collaboration between Sebastian Vaughan and Simon Carter) featuring three tracks in the pioneering style of early Spiral Tribe from 1994, clearly establishing the inspirational groundwork for dancefloor genres and mind sets to come. Driving layers of bass, transients and dubbed out melodic loops transforming into percussive elements and vice versa throughout extended excursions in fast paced machine powered exercises. Viciously remastered for maximum effect on large sound systems. https://rubadub.co.uk/products/3-spiral-tribe https://rubadub.co.uk/cdn/shop/products/img-qmQaKqF7Z4_1024x1024.jpg?v=1668612583 10.00 GBP 10.00 GBP out of stock new Sound Metaphors 23 SM23-05 55720103149941 15238097142133 3 Chairs – 3 Chairs | 3CH03 Written, Produced and Arranged byKenny Dixon jr, Theo Parrish, Marcellus Pittman and Rick Wilhite2025 Repress. 3x12" LP https://rubadub.co.uk/products/3-chairs https://rubadub.co.uk/cdn/shop/files/CS151720-01A-BIG_1024x1024.jpg?v=1754130389 65.00 GBP out of stock new Sound Signature 3CH03 43785972973827 8020382580995 De La Soul – 3 Feet High & Rising | RMM0461 2023 Repress3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". https://rubadub.co.uk/products/3-feet-high-rising https://rubadub.co.uk/cdn/shop/products/image005_1024x1024.png?v=1677790649 34.00 GBP out of stock new Chrysalis RMM0461 44227094774019 8146836816131 Fear-E , Head Front Panel – 3 Hours Up The M6 | PEM04 Glasgow and Liverpool collide for the 5th release on Posh End Music. Label boss Fear-E is joined by one of Liverpool’s finest in John Heckle under his Head Front Panel guise. The result is 4 slightly contrasting, but energetic techno tracks. https://rubadub.co.uk/products/3-hours-up-the-m6 https://rubadub.co.uk/cdn/shop/files/1-fear-e-head-front-panel-3-hours-up-the-m6_08533fd6-6b12-4468-97df-e6ee7db8507d_1024x1024.webp?v=1694771071 17.00 GBP out of stock new Posh End Music PEM04 32139473616966 4715671683142 Black Meteoric Star – 3 Love Songs | BMS-001 "The 3 Love Songs EP comes out of a live show I did at a house party earlier this year. I had grown up and come of age playing shows in people's houses but haven't done it in a while. My good friends L'Amour Bleu, a New York based band I'm a big fan of asked me to play with them at their record release party. It would have been impossible to bring my normal equipment and perform my normal Black Meteoric Star set so I decided to create something stripped down and simple that would require a minimal amount of gear. Black Meteoric Star live shows often include vocal elements that don't appear on the record, but some of those elements began to creep into more recent recordings such as "No Map" on the Xecond Xoming record and the two poems I read on the NMWP Soundtrack. This stripped down and more "punk" incarnation gave me an opportunity to formalize and expand on these vocal elements. I was just beginning to truly awaken to and accept my trans feminine identity and grasped onto the idea of a love song that, defying convention, spoke about my relationship with my inner world and the elemental forces around me rather than a cherished "other", imagined or real. After performing at the event I felt the "songs' were strong enough to record and the result was this EP. As with all Black Meteoric Star music these are live takes to cassette tape with no multitracking or editing." https://rubadub.co.uk/products/3-love-songs https://rubadub.co.uk/cdn/shop/products/bms-001_1024x1024.jpg?v=1601933393 9.00 GBP out of stock new No Label BMS-001 32139496751174 4715687772230 Dresvn – 3 Trax | ACIDO029 The crew at its best: raw, pure House rhythm jams recorded live to tape while touring out there in 2018 https://rubadub.co.uk/products/3-trax https://rubadub.co.uk/cdn/shop/products/r-13200409-1550596142-4707_jpeg_1024x1024.jpg?v=1601934114 9.50 GBP out of stock new Acido ACIDO029 45854053400835 8725335048451 Various Artists – 30 Years Fuse Box | 30YRSFUSE 7x12" Boxset / Embossed Slipcase / Printed Sleeves30 years of Fuse means 30 years of road paving. An ode to the past and a hint to the future, Fuse shares this milestone with its original guests from 1994 all the way to its fresh party goers of the past years as a promise to keep its dance floor focused on quality music and timeless moments. In over a quarter century, the Brussels club has stood the test of time by rooting itself in ageless music and employing pioneering artists - large or small, international or local - to command the decks of Belgium's longest running dance floor. A celebration of this legacy and the renewed imprint is in order, coming in the form of a 30 track compilation of techno's best and brightest from around the world. One track for one year, this collection of recordings highlights the status quo of enduring club music, beginning with a nod to the past: a re-release of Jeff Mills iconic 'Step to Enchantment' from 1993. This glance to the past quickly shoots us forward into the current state of techno with legendary artists like Planetary Assault Systems, DVS1, Steffi, Rodhad, Donato Dozzy, DJ Nobu and many others who headlined the club in recent years. Cementing itself as a respected escapist institution, Fuse also calls on its growing local scene to prove why Brussels continues to remain a reference in the scene even outside of its own borders.Full Tracklist: A1. Jeff Mills- Step To EnchantmentA2. The Advent- Quadrant One One TwoB1. James Ruskin- Alfa LiftB2. Ben Sims- Light The Fuse (Firecracker Mix)C1. Planetary Assault Systems- Catch 23C2. Setaoc Mass- Fire In SandD1. Steffi- Heavy KnockD2. Rødhad- Fever FME1. Rebecca Delle Pianne- Sharp TaintE2. Phara- Sorry, I OversleptF1. Adriana Lopez- BrokenF2. Oscar Mulero- RB208G1. DJ Nobu- SG 108G2. Donato Dozzy- PurificazioneH1. DVS1- EscapeH2. Nihad Tule- Self SupplyI1. Altinbas- Unit 2I2. GiGi FM- U8I3. Border One- Resonant ShapeJ1. Deniro- EsufJ2. Kr!z- Step Into TomorrowK1. Kerrie- Cyclone101K2. Downside- Cosmos In MotionK3. Matrixxman- Boss Loop V69L1. Yanamaste- SwingL2. Initial Code- Orange SofaM1. Stephanie Sykes- Tic Tac HoeM2. JakoJako- DiazedN1. Voiski- Look In, Look OutN2. Arthur Robert- Lightspeed https://rubadub.co.uk/products/30-years-fuse-box https://rubadub.co.uk/cdn/shop/files/unnamed-12_144f2793-60f8-4604-b06c-c48868421316_1024x1024.jpg?v=1723923669 https://rubadub.co.uk/cdn/shop/files/unnamed-13_bb6ff8c6-bcca-4ef9-837b-01e2aa99d3cf_1024x1024.jpg?v=1723923670 https://rubadub.co.uk/cdn/shop/files/0036253630_10_1024x1024.jpg?v=1723923906 99.00 GBP out of stock new Fuse Imprint 30YRSFUSE 32139585978438 4715767758918 Bielefeld Murder Boys – 30,000 WATTS | NSH003 Eastwestphalia’s Finest are knocking on your door with their long-awaited, first 12” EP on none/such! Steadily challenging any preconceptions you might have about dance music, the Murder Boy’s “All-Killer-No-Filler” approach prevails victorious once again. Five high voltage cuts loaded with enough Watts to light up your whole city’s power grid. Do we really have to say more? https://rubadub.co.uk/products/30-000-watts https://rubadub.co.uk/cdn/shop/products/92f21ed5-dae8-4f3e-a1c3-4342d0bfbca9-2_1024x1024.png?v=1601938901 10.00 GBP out of stock new none/such NSH003 43843817341187 8037152489731 Laurent Garnier – 33 Tours Et Puis S'en Vont (3x12") | Cod3QR33TEPSVLP https://rubadub.co.uk/products/33-tours-et-puis-sen-vont-3x12 https://rubadub.co.uk/cdn/shop/products/a9f9f250-8fd6-cf30-34fd-031dd1569773_1024x1024.jpg?v=1680084606 31.00 GBP out of stock new COD3 QR Cod3QR33TEPSVLP 43843823206659 8037156389123 Laurent Garnier – 33 Tours Et Puis S'en Vont (Box Set) | Cod3QR33TEPSVBox On ‘33 Tours Et Puis S’en Vont’, Laurent Garnier’s first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.Vocal-led tracks tastefully borrow from a range of genre influences; from the Hip Hop inflected ‘In Your Phase’ with 22Carbone, an incendiary number that will be firmly burnt into the memory of any attendee of Garnier’s recent DJ sets, to the Punk of ‘Saturn Drive Triplex’, which features vocals from the late Alan Vega, of influential duo Suicide notoriety. Elsewhere, sprinklings of broken rhythms appear in the leftfield downtempo cut ‘…et puis s’en Va!’ and Drum & Bass experiment ‘Sado Miso’, offering listeners a further view into his wide-ranging taste. 3x12" Tracklisting A1. Tales from the real world (version instrumentale) A2. Liebe gruse aus Cucuron B1. Reviens la nuit (DJ Edit) B2. On the REcorD (part 3) C1. Saturn drive duplex [Feat. Alan Vega] C2. Closer to you [Feat. Scan X] D1. Sake stars fever D2. Cinq o clock in le matin E1. In your phase [Feat. 22Carbone] E2. Give me some sulfites F1. Au clair de ta lune F2. Granulator Bordelum  7" TracklistingA. In your phase (Feat. 22Carbone) 22Carbone RemixB. Saturn drive triplex (Feat. Alan Vega) Liminanas RemixTapeC90 Mixtape (Includes How d’ya like your beef, Crispy Bacon remix) CD 01. Tales from the real world [Feat. Alan Watts] (vocal version) 02. Liebe gruse aus Cucuron 03. In your phase [Feat. 22Carbone] 04. Reviens la nuit (original mix) 05. Saturn Drive Triplex [Feat. Alan Vega] 06. Sado miso 07. Au clair de ta lune 08. Sake stars fever 09. Multiple tributes (to multiple people, for multiple reasons) 10. et puis s'en va https://rubadub.co.uk/products/33-tours-et-puis-sen-vont-box-set https://rubadub.co.uk/cdn/shop/products/a9f9f250-8fd6-cf30-34fd-031dd1569773_b231696b-f1ae-457d-b191-09a5601da8a9_1024x1024.jpg?v=1680085265 https://rubadub.co.uk/cdn/shop/products/5027788a-26ae-1d8b-18e9-77b3cb462254_1024x1024.jpg?v=1680085265 https://rubadub.co.uk/cdn/shop/products/24a536ed-6bf5-d6be-6ba9-3c1340e5430a_1024x1024.jpg?v=1680085265 https://rubadub.co.uk/cdn/shop/products/11e9eda5-b0be-2c91-aa0b-e13010886fcd_1024x1024.jpg?v=1680085265 https://rubadub.co.uk/cdn/shop/products/fb0c6a18-29b8-ff9c-9d6e-13ccbc460c61_1024x1024.jpg?v=1680085264 100.00 GBP out of stock new COD3 QR Cod3QR33TEPSVBox 43843859841283 8037167726851 Laurent Garnier – 33 Tours Et Puis S'en Vont (CD) | Cod3QR33TEPSVCD On ‘33 Tours Et Puis S’en Vont’, Laurent Garnier’s first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.Vocal-led tracks tastefully borrow from a range of genre influences; from the Hip Hop inflected ‘In Your Phase’ with 22Carbone, an incendiary number that will be firmly burnt into the memory of any attendee of Garnier’s recent DJ sets, to the Punk of ‘Saturn Drive Triplex’, which features vocals from the late Alan Vega, of influential duo Suicide notoriety. Elsewhere, sprinklings of broken rhythms appear in the leftfield downtempo cut ‘…et puis s’en Va!’ and Drum & Bass experiment ‘Sado Miso’, offering listeners a further view into his wide-ranging taste.   https://rubadub.co.uk/products/33-tours-et-puis-sen-vont-cd https://rubadub.co.uk/cdn/shop/products/a9f9f250-8fd6-cf30-34fd-031dd1569773_5774a2de-e996-416b-a288-9593337a8675_1024x1024.jpg?v=1680086323 https://rubadub.co.uk/cdn/shop/products/fb0c6a18-29b8-ff9c-9d6e-13ccbc460c61_a81efbb9-e0ef-43d7-a86c-ad251ab0fdc7_1024x1024.jpg?v=1680086323 12.00 GBP out of stock new COD3 QR Cod3QR33TEPSVCD 43969507197187 8084897857795 Prince Jazzbo – 333 | 333007 Originally released on his seminal Ujama label in 1988, Prince Jazzbo's 333 (aka Mango Tree) features the foundation deejay riding an absolutely killer update on the famous MPLA riddim.  https://rubadub.co.uk/products/333 https://rubadub.co.uk/cdn/shop/files/a2346445689_10_1024x1024.jpg?v=1685105975 17.00 GBP out of stock new 333 333007 32139549278278 4715734335558 DJ FLP – 3345 | 33451 Hailing from Ann Arbor MI DJ FLP makes his vinyl debut on new Vanity Press offshoot 3345 records. A 5 track vinyl that's suitable for play at either speed https://rubadub.co.uk/products/3345 https://rubadub.co.uk/cdn/shop/products/unnamed-188_1024x1024.jpg?v=1601936579 10.00 GBP out of stock new 3345 33451 55949249446261 15441822482805 Daringer – 348 Vol.2 Instrumentals | D3482GREY/ORANGE VINYL (GREY / ORANGE SPLATTER) LIMITED TO 300  The second edition of Daringer's 348 instrumental series featuring beats from the catalog. Griselda recs / Westside Gunn / Conway / Benny The Butcher and many more. https://rubadub.co.uk/products/348-vol-2-instrumentals https://rubadub.co.uk/cdn/shop/files/img_5046_0_1024x1024.jpg?v=1757944417 https://rubadub.co.uk/cdn/shop/files/img_5042_1024x1024.jpg?v=1757944417 39.00 GBP out of stock new Daringer D3482GREY/ORANGE 53579003887989 14679690543477 Headley Bennett – 35 Years From Alpha | ONULP14 Long awaited reissue of the 1982 solo LP from the late, great “Deadly” Headley Bennett, a key sideman from the golden age of Jamaican music who played on hundreds of records in a long and storied career. Designed as a showcase record for his unique talents, producer Adrian Sherwood assembled a crack team of his singers and players at the time for this set, including Style Scott, Bim Sherman, George Oban, Lizard Logan, Crucial Tony and Bonjo Iyabinghi Noah. Also making an appearance on two tracks is fellow Alpha alumni Rico Rodriguez. Vinyl re-cut by Frank Merritt at The Carvery, includes a printed inner sleeve with liner notes and rare photos. The CD includes 2 previously unreleased bonus tracks. https://rubadub.co.uk/products/35-years-from-alpha https://rubadub.co.uk/cdn/shop/files/unnamed-5_fbe3471f-356f-4cd8-b573-4e037875c01c_1024x1024.jpg?v=1728420247 https://rubadub.co.uk/cdn/shop/files/unnamed-6_c4bfbd36-bf5a-47ec-a291-6465ce1df9a2_1024x1024.jpg?v=1728420247 28.00 GBP out of stock new On U Sound ONULP14 42574617706755 7624654684419 DA' ENNA C – 365° | HR-017-LP Da' Enna C is known for being the first group to release a Dilla production - the song was "Now" and was included on the You Can't Use My Pen EP(1994) released on the UpTop Entertainment Record Label. In 1999 the group went into hiatus, focusing more on production for other artist and producing a string of beat records for Hipnotech which included three Enna C songs on the Beats & Rhyme 12 inch Series and another previously unreleased song recorded in 1994 - True to Rap produced by J Dilla and DJ Dez. https://rubadub.co.uk/products/365 https://rubadub.co.uk/cdn/shop/products/HR-017-LP_1024x1024.jpg?v=1647272051 30.00 GBP 30.00 GBP out of stock new Hipnotech HR-017-LP 40199140573366 6892156977334 J. Albert – 369.004 | 369.004 LQQK Studio's 369 Records imprint that spans NYC freestyle-esque electro, dubbed out garage and tougher techno https://rubadub.co.uk/products/369-004 https://rubadub.co.uk/cdn/shop/products/unnamed-3_79435a63-12fd-4b63-8aa5-f775fabf37f2_1024x1024.jpg?v=1626951450 12.00 GBP out of stock new 369 369.004 32139540791366 4715728601158 Russell Haswell – 37 Minute Workout Vol. 2 | DIAG055LP + Diagonal welcome back multi-disciplinary artist, producer and curator Russell Haswell + Obtuse, dance-pop second volume that reaffirms Paul Morley’s observation on the ideal length for an LP + New take on Guy Featherstone’s iconic original artwork—recently featured in the ‘The Senses: Design Beyond Vision’ exhibition at the Cooper Hewitt, Smithsonian Design Museum in New York https://rubadub.co.uk/products/37-minute-workout-vol-2 https://rubadub.co.uk/cdn/shop/products/a0127079150_16_1024x1024.jpg?v=1601936159 17.50 GBP out of stock new Diagonal DIAG055LP 42875703886083 7705614123267 Various Artists – 3AM Spares | ES009 Following on from forerunner compilation Midnite Spares, this double LP draws from local 12" releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.  https://rubadub.co.uk/products/3am-spares https://rubadub.co.uk/cdn/shop/products/ES009_1024x1024.jpg?v=1653926734 25.00 GBP out of stock new Efficient Space ES009 43051087331587 7768169578755 Various Artists – 3K2018 (Karizma & DJ Kemit mixes) | 3K2018 2022 Repress https://rubadub.co.uk/products/3k2018-karizma-dj-kemit-mixes https://rubadub.co.uk/cdn/shop/products/CS718435-01A-BIG_1024x1024.jpg?v=1658143458 16.00 GBP out of stock new Not On Label 3K2018 39894496936118 6770757632182 3MB Feat. Magic Juan Atkins – 3MB feat. Magic Juan Atkins | TRESOR009LP Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of latter duo’s 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music. The impact this album holds is evident in how it elevates beyond a singular or separable representation of its origins. Instead, it resonates through a collaborative nature that reflects its inherent melting pot. Where hints of each member’s sound - Atkins’ mangled and bouncing funk, von Oswald’s purist echoes and foundation rumblings, and Fehlmann’s ambient meshes - may be heard coalescing in a slipstream, and at other times tussling in fervent unfoldings. It may be almost 30 years old, but it remains deeply innovative at its core - folding and warping, unrelenting from its vision.Densely packed is a propulsive drive of discordant bubbling and jazz-induced textures. Featuring much-beloved tracks such as Jazz Is The Teacher and Die Kosmischen Kuriere, Atkins, von Oswald and Fehlmann forming an emission bound together as a mould of metropolis navigation. Be it amid destructed realities harbouring the bleakest of nights, or long-lensed sci-fi visions, joining dots between the position of the feet and the head. The flanging pads and chirruping percussion of Jazz Is The Teacher lead in a moment in dance music that is as legendary as iconic, shifting into terrains far-out, receiving astral missives then rendering them to groove. Laid back, soulful and affective, it equals ultra-funky, interstellar techno that, once heard, leaves us never quite the same. https://rubadub.co.uk/products/3mb-feat-magic-juan-atkins https://rubadub.co.uk/cdn/shop/products/R-19034002-1622958683-2329_jpeg_1024x1024.jpg?v=1623165874 24.00 GBP out of stock new Tresor TRESOR009LP 32139535482950 4715723358278 Pretty Sneaky – 4 | PRSN004 Twisted, sub heavy, dubbed out groove adventure bridging minimalist Tech House & UK Bass vibes https://rubadub.co.uk/products/4 https://rubadub.co.uk/cdn/shop/products/prsn004_1024x1024.jpg?v=1601935731 9.00 GBP in stock new Pretty Sneaky PRSN004 45112774983939 8424404418819 YOKEL – 4 A.M | AM017 Bristol royalty YOKEL lands on AM with four unique sketches that have serious attitude!Accidental Meetings continue their stellar year with YOKEL debuting on the label with a slice of wax, an artist who has quietly been putting out fantastic record after fantastic record over the last few years. This EP follows his stand out releases on Avon Terror Corps, Bokeh Versions & the Noods Radio's imprint.4 A.M sees four headsy skits, teetering between the dance floor and home listening abyss. It's a diverse selection of tracks that all stand out in their own right with YOKEL's trademark G style at the forefront throughout.7” vinyl with custom stamp created by Ciaran Birch https://rubadub.co.uk/products/4-a-m-1 https://rubadub.co.uk/cdn/shop/files/unnamed_19_1f8fb88d-a36b-48e0-939d-49a0cb8f88cf_1024x1024.jpg?v=1712921889 10.00 GBP out of stock new Accidental Meetings AM017 32139486232646 4715680071750 JBS – 4 Colours | FD003 Jan Bertil Svensson: co-founder of the legendary Börft Records, member of arch techno-primitivists Frak, the man responsible for Villa Abo and all-round underground don active in the field of machine music since 1987! Whilst Jan’s output will always conjure comparisons to Techno with a capital T, he has (and continues to) plough a singular and peculiar path in the realm of electronic music. For the Glasgow-based Full Dose, he presents his first ever solo 12” under the name of J.B.S: a four tracker of sluggish, minimal funk that bears the hallmarks of his most classic work as Villa Abo, and adds dashes of the brutal grit that his Studio SS project is infamous for. If there’s any sort of recurring theme in Svensson’s work, it’s playfulness and humour, a particular Scandinavian form of sonic banter that cuts right through the po-faced, black-clad heteronomy of much of today’s electronic landscape. The music on this record, with it’s odd blend of stripped-back synth pop and brutish dungeon funk evokes exactly that: a body of work that doesn’t even seem capable of taking itself too seriously, yet evades anything resembling a recognisable piss take. After all, nobody said that humour and credibility in music had to be mutually exclusive, and J.B.S is a master at weaving the two together at will. In a world where dance music is often subjected to ludicrous conceptual analysis, sometimes the combined effect of hot circuitry, sincerity, vivaciousness and an anomalous attitude are the only thing for it. But then again, this is not just dance music either… https://rubadub.co.uk/products/4-colours https://rubadub.co.uk/cdn/shop/products/unnamed-14_1024x1024.jpg?v=1601933761 9.00 GBP out of stock new Full Dose FD003 43784489140483 8020074299651 Beau Wanzer , Hieroglyphic Being – 4 Dysfunctional Psychotic Release & Sonic Reprogramming Purposes Only | NATURAL060 Natural Sciences Recs marks its 60th release with a split 12" from Beau Wanzer and Hieroglyphic Being: two cult names from Chicago's underground releasing on record for the first time, with Wanzer's hybrid industrial rap alongside Jamal's wired space ritual.4 Dysfunctional Psychotic Release & Sonic Reprogramming Purposes Only !! 250 copies only. https://rubadub.co.uk/products/4-dysfunctional-psychotic-release-sonic-reprogramming-purposes-only https://rubadub.co.uk/cdn/shop/products/unnamed_d18cb97d-6a6f-4958-8cae-b4f815c26460_1024x1024.jpg?v=1677755685 13.00 GBP out of stock new Natural Sciences NATURAL060 40740184588470 7103029575862 SND – 4,5,6 | SND456 "Utterly unmissable first ever reissue of SND’s god-tier triple pack, cruelly out of print since 2008, now finally available to discerning dancers/DJs - packing a pinnacle of avant-dance beat science certain to connect with fans of garage, UKF, footwork and experimental techno. If yr into owt from Beatrice Dillon to Timbaland, Ryoji Ikeda to El-B, Autechre to The Neptunes - this is a must have... and an education.A peerless masterclass in nanoscopic funk editing, ‘4,5,6’ has never been bettered in our books. It originally arrived as a limited pressing of 300 x 3LPs in 2008 but has been sorely notable by its lack of availability ever since, often leading us to offer wild handed descriptions to bewildered mates, who, even if they looked for 2nd hand copies, would still be stumped as nobody in their right mind is selling a set. However that is all corrected with this new edition, representing one of the most crucial reissues of the decade and an unmissable opportunity to revel in some of Mark Fell and Mat Steel’s finest work, bar none. When it landed in 2008, a decade after SND’s seminal early trio of self-releases, ‘4,5,6’ frankly took our heads off. It marked a leap in form from their self explanatory ‘Tender Love’ LP of 2002 with a return to their early EPs’ avant club focus, but drawing on processes and tekkers they had sharply refined over the interim. Aspects of the deep house, garage and computer music that originally inspired them are rendered inside out, revealing and recalibrating their mechanics in something like an iridescent Haynes manual one could dance to, or simply marvel at if the legs weren’t willing. It stood out a mile from the rote minimal techno and dubstep of the time, which had started moving in the “future garage” direction by 2008, and effectively gave the sharpest side-eye to that sound, innovating-not-imitating in order to update and galvanise the original ‘90s forms with visionary mix of pointillist and mercurial flex. But, no mistake, for all its radical restructuring of garage and related styles, the results aren’t intended for chin stroking: they’re a direct, physically urgent extension of Mark and Mat’s deeeep love of dance and electronic music, itself rooted in original synth-pop/industrial and the first wave of US deep house/garage/techno that took their generation, and cities such as Sheffield, by the balls.In 2021, the ten tracks of ‘4,5,6’ are effectively (give or take) equidistant from the original wave and now, and uncannily stand futureproofed by their vacuum-sealed reductionism and metallic lustre. However in many cases they’re still too much for DJs who all too often patronise their crowds with predictable pap. But if you’re a rare one, the likes of ‘C1’ are utterly primed to get fader chopped with early Roska riddims, and ‘E1’ is waiting to be threaded with Autechre and El-B’s most advanced funk, while the rest offers myriad options for interpretation at the craftiest hands. Basically, if you don’t already know this stuff; no excuses. " https://rubadub.co.uk/products/456 https://rubadub.co.uk/cdn/shop/products/SND456_distribution_preview_1024x1024.jpg?v=1634128105 35.00 GBP out of stock new SND SND456 42606014857475 7634377146627 Civilistjävel – 4-5 | CIVILISTJAVEL-4 Second edition of 300. Stamped white labels in plain disco sleevesVolumes 4 and 5 of previously unreleased late 90s / early 2000s archival material from Civilistjävel!, presented together as as 2xLP set.Ten tracks with a total runtime of around 78 minutes showcasing the full spectrum of the cult Swedish production cell's arctic isolationism, from dubwise industrial abstraction to sweeping, sublimely melancholic (and melodic) techno architectures.  https://rubadub.co.uk/products/4-5 https://rubadub.co.uk/cdn/shop/products/Screenshot_2022-01-31_at_17.20.06_1024x1024.png?v=1647949995 28.00 GBP out of stock new Civilistjavel CIVILISTJAVEL-4 43615765070083 7972391977219 scopeotaku – 4040 CD | SCP02 Following the tape-only excursion 'Scars Of Babylon', this new package from Glasgow based dub alchemist scopeotaku now contains a CD, burned straight from the studio. 4040 dishes out excursions of versions of ruff & tuff dubwise abstraction, in fine DIY style. https://rubadub.co.uk/products/4040-cd https://rubadub.co.uk/cdn/shop/products/scope4040_1024x1024.png?v=1671641057 https://rubadub.co.uk/cdn/shop/products/4040_1_1024x1024.png?v=1671641057 10.00 GBP out of stock new scopeotaku SCP02 55111503675765 14952983953781 Morris – 43 EP | FH001 It took 43 years to be able to delight us with the first vinyl produced by Dj Morris, one of the legends of the city of Medellín. An EP that through sampling and patterns, and two dope remixes from Dj Vandel and DSUM manages to capture the essence of Medellín Tech House. https://rubadub.co.uk/products/43-ep https://rubadub.co.uk/cdn/shop/files/unnamed-19_f2337a06-fb66-43e7-be64-06d32feb804a_1024x1024.jpg?v=1740492701 14.00 GBP out of stock new Family House Music FH001 55182213415285 14975047532917 Yetsuby – 4EVA | PNK001 Seoul-based producer and DJ Yetsuby conjures immersive, layered soundscapes that glide between breakbeat, jungle, and leftfield bass. As one half of the duo Salamanda and co-founder of Computer Music Club, she has released music on labels like Wisdom Teeth, all my thoughts, Human Pitch, and Métron. And her boundary pushing sets on Seoul Community Radio, Boiler Room, and NTS Radio have brought her experimental Seoul roots to a global audience. Her new album, 4EVA, invites listeners to wander through strange musical landscapes. Blending digital, analog, and acoustic sounds, Yetsuby explores the magnetic pull between people and music—an experience that feels both cosmic and deeply personal. Effortlessly weaving through genres such as bass, breakbeat, ambient, footwork, contemporary club, and IDM, she creates maximalist compositions that remain cohesive and refined. The inspiration behind 4EVA is equally surreal. A childhood doodle from her sister, calling her a “brain-ful human,” sparked reflections on loneliness, togetherness, and the joy of navigating both. The album channels these themes of connection, introspection, and the transformative power of music, delivering catchy melodies and restless harmonies that invite listeners to lose themselves in its nuanced rhythms. Out on Pink Oyster Records in LP and digital formats, 4EVA marks a bold new chapter for Yetsuby. With this release, she emerges as one of electronic music’s most original and exciting voices, defining the sound of Seoul’s underground—and beyond. Pink Oyster is a new label from Jess Goodchild and Jack Hardwicke (Métron Records) https://rubadub.co.uk/products/4eva https://rubadub.co.uk/cdn/shop/files/unnamed_f71bb9fb-3f0d-4a95-afcb-a6f03d8b69c5_1024x1024.jpg?v=1742556491 20.00 GBP out of stock new Pink Oyster PNK001