Clara! flashes her club grillz at the behest of Editions Gravats with a properly adroit mixtape diffracting the reggaeton spectrum, from cut-up DJ tools to sexy perreo, rap and raving madness, crammed with blends, edits and loads of her own productions. It’s a properly fluid Hype session - Tipped!
The ‘XXX Tape’ follows two volumes of Clara!’s ‘Reggaetoneras’ mixtapes with a set that speaks more directly to her club DJ tekkerz. The 40 minute session reflects her evolution as a solo artist and preps the way for an upcoming LP collab with Sky H1, produced by Low Jack. While rooted in Clara!’s formative love of reggaeton, stemming from teenage years spent on the beach in her native Spain, the mix shows she isn’t beholden to stylistic dogma, as she proceeds to dice with its DNA and parallels in wild style, running into swung breakcore, dancehall, cumbia, R&B and rap with inch-tight transitions and party-primed swagger.
Clara! reclaims a sense of play from more studious examples of dancehall/reggaeton fetishism, but the selection is also with one eye on the female-voiced and produced productions on the scene, putting her thoughts on “Woman as a subject of desire and not only as an object” into rude action.
The ‘XXX Tape’ follows two volumes of Clara!’s ‘Reggaetoneras’ mixtapes with a set that speaks more directly to her club DJ tekkerz. The 40 minute session reflects her evolution as a solo artist and preps the way for an upcoming LP collab with Sky H1, produced by Low Jack. While rooted in Clara!’s formative love of reggaeton, stemming from teenage years spent on the beach in her native Spain, the mix shows she isn’t beholden to stylistic dogma, as she proceeds to dice with its DNA and parallels in wild style, running into swung breakcore, dancehall, cumbia, R&B and rap with inch-tight transitions and party-primed swagger.
Clara! reclaims a sense of play from more studious examples of dancehall/reggaeton fetishism, but the selection is also with one eye on the female-voiced and produced productions on the scene, putting her thoughts on “Woman as a subject of desire and not only as an object” into rude action.