The title track jacks out from the onset, just the way we like it! Hood's distinctive rhythmic grooves are intoxicating as ever. With the staccato vocal cut and Detroit-meets-Chicago feeling, we're back in 'Baby Baby' territory.
'Confess' shows the other side to Hood's Floorplan with an opening gospel style piano riff that's gradually overlaid with Latin percussion and that special Hood kick, to take the church to the party.
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