FKA Happy Meals, Free Love and their music are a conscious study in duality: thumping live tracks and meditational mantras, pop songs and esoteric experiments, acoustic and electronic instrumentation, lyrics in French and English, the Masculine and the Feminine, all side-by-side. Paragons of the cross-pollinating Glasgow DIY scene, their rapturous psychedelic odysseys have been emanating from the city since 2013 via esteemed labels including Night School and Optimo Music.
Written and recorded at the band’s Glasgow home studio during and after the lockdowns of 2020-2021, and completed just before the birth of Lewis and Suzi’s son Echo in the summer of 2022, its 10 tracks of house-quaking acid pop, celestial drones and yogic devotionals are a by-turns banging and blissed-out meditation on life and death, community and seclusion, worlds both outwith and within. A song about “coming back to the centre after spiralling too far and recognising you’re not the only person wondering what’s going on”, ‘Open The Door’ reaches for the fresh silicon sound of Yellow Magic Orchestra. ‘Stop’ and ‘Golden Goose’ channel the space age pop dreams of Broadcast, while ‘Le Mirage’ and ‘Dans Le Noir’ take influence from 1970s electronic dance music pioneer Patrick Cowley – the former his gay porn movie soundtracks, the latter Cowley’s game-changing hi-NRG productions such as ‘Menergy’ and ‘Megatron Man’. Transportational seven-minute album closer ‘I Become’ sees Free Love borrow lyrics from the first track Lewis and Suzi ever recorded together, ‘Crystal Salutation’. “In doing, we become.”
Written and recorded at the band’s Glasgow home studio during and after the lockdowns of 2020-2021, and completed just before the birth of Lewis and Suzi’s son Echo in the summer of 2022, its 10 tracks of house-quaking acid pop, celestial drones and yogic devotionals are a by-turns banging and blissed-out meditation on life and death, community and seclusion, worlds both outwith and within. A song about “coming back to the centre after spiralling too far and recognising you’re not the only person wondering what’s going on”, ‘Open The Door’ reaches for the fresh silicon sound of Yellow Magic Orchestra. ‘Stop’ and ‘Golden Goose’ channel the space age pop dreams of Broadcast, while ‘Le Mirage’ and ‘Dans Le Noir’ take influence from 1970s electronic dance music pioneer Patrick Cowley – the former his gay porn movie soundtracks, the latter Cowley’s game-changing hi-NRG productions such as ‘Menergy’ and ‘Megatron Man’. Transportational seven-minute album closer ‘I Become’ sees Free Love borrow lyrics from the first track Lewis and Suzi ever recorded together, ‘Crystal Salutation’. “In doing, we become.”