REPRESS ALERT! This vinyl release comes with a download of DJ Stingray's KERN Mix. The single tracks are limited to vinyl only!
To feel the future is to feel the fall into time. Like a kind of transcendental whiplash, the past leans in to furnish the present with a set of concrete forms and withering terms, whilst the halo of possibility on the crown of the moment makes speculation a speed-test for computing what comes next. As a vessel for abstract dynamics, the human organism knows what it is to be dizzy, to feel vertigo as a matter of being contained by our experience of space and time.
For the fourth instalment in Tresor's 'Kern' mix series, DJ Stingray presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush.
With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps our vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialised cross-section of Detroit's own dance-floor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic.
Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems.
Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Volume 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time.
Accompanying the mix is a set of two records. The leading manoeuvre comes from the collaborative efforts of DJ Stingray and Heinrich Mueller under the name NRSB-11. Seven more pieces of the covert assault make up the release - now repressed for the first time since its original release.
credits
To feel the future is to feel the fall into time. Like a kind of transcendental whiplash, the past leans in to furnish the present with a set of concrete forms and withering terms, whilst the halo of possibility on the crown of the moment makes speculation a speed-test for computing what comes next. As a vessel for abstract dynamics, the human organism knows what it is to be dizzy, to feel vertigo as a matter of being contained by our experience of space and time.
For the fourth instalment in Tresor's 'Kern' mix series, DJ Stingray presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush.
With a far-reaching selection that has been worked into his own unique form, DJ Stingray wraps our vertigo around a gritty pneumatic bump with high-velocity swing. His mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. Wading through a specialised cross-section of Detroit's own dance-floor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic.
Raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. Never giving away the cryptographic keys, DJ Stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems.
Discovery, or uncovering, has to do with what already exists actually or virtually; it is therefore certain to happen sooner or later with enough sweat in the club. And as Kern Volume 4 attests to, DJ Stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time.
Accompanying the mix is a set of two records. The leading manoeuvre comes from the collaborative efforts of DJ Stingray and Heinrich Mueller under the name NRSB-11. Seven more pieces of the covert assault make up the release - now repressed for the first time since its original release.
credits
Sunday,Monday,Tuesday,Wednesday,Thursday,Friday,Saturday
January,February,March,April,May,June,July,August,September,October,November,December
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