Lewitt LCT 640 TS - FET studio microphone.
The Lewitt LCT 640 TS is a super flexible mic that uses a “Twin System” design, letting you control the polar pattern independently — or just use it like a regular single-output mic if you want. In dual-output mode, it captures sound from both the front and back of the diaphragm on separate channels, giving you tons of freedom to shape your sound. You can tweak the pickup pattern while recording or later in post, and even flip the direction a full 180 degrees to take advantage of everything from omni to figure-8 patterns, depending on your setup or sound source.
- 1" multi-pattern studio condenser microphone
- Full, crisp, and well-balanced sound
- Revolutionary Dual Output Mode
- POLARIZER plugin to create any pattern after the fact
- Stereo capabilities
Your ultimate FET studio condenser microphone.
Whether you're recording studio vocals or stereo drum overheads, the LCT 640 TS is up to the task.
Its forward-thinking feature set has been officially certified by the Music and Technology Alliance (MET), consisting of top award-winning audio engineers/producers, including Elliot Scheiner, George Massenburg, and Sylvia Massy, just to name a few.
Watch the video and learn why the LCT 640 TS should be part of every microphone locker.
Premium capsule. Record every detail.
For when you need beautifully bright and clear recordings, the professional-grade FET circuitry of the LCT 640 TS will let you hear every nuance of the performance.
You'll get perfect clarity, and small details will shine through, making it the best choice for vocals, stringed instruments, piano, or even ASMR recordings.
One mic, two channels with Dual Output Mode.
Stereo recording can be time-consuming and challenging. With the LCT 640 TS, you can record perfect, in-phase stereo with a single microphone.
The signals from the front and back of the LCT 640 capsule can be output on two separate channels, making it adaptable to both solo vocals and wide open rooms and even choirs.
More freedom and flexibility.
The LCT 640 TS gives you all the control you'll ever need from a microphone.
- Five different polar patterns help you adapt your microphone to any source.
- A switchable pad can attenuate up to -18dB for even the loudest performances.
- A generous four-step roll off filter can attenuate up to 150 Hz to reduce low-end rumble and room noise.
- The included POLARIZER plugin lets you get creative by adjusting polar patterns in your DAW.
Perfect match technology. The same sensitivity in every microphone.
Every single LCT 640 TS undergoes a series of measurements followed by an adjustment of polarization voltage to achieve the same sensitivity in every microphone. It is what we call our Perfect match technology.
If you add more LCT 640 TS to your collection, you can use any two of them as a stereo pair.
Included: Shock mount, Magnetic pop filter, Foam windscreen, TS adapter cable, Transport bag , Transport case
- Type: Condenser, externally polarized
- Acoustical operating principle: Pressure gradient transducer
- Diaphragm: 3 micron gold sputtered Mylar
- Transducer Ø: 25.4 mm, 1 in
- Polar pattern (Dual Output Mode): Create any polar pattern in post-production
- Polar pattern (Multi-Pattern Mode): omni, wide cardioid, cardioid, supercardioid, figure-8
- Sensitivity:
- 31.4 mV/Pa, -30.1 dBV/Pa (cardioid)
- 30.3 mV/Pa, -30.3 dBV/Pa (omni)
- 34.1 mV/Pa, -29.4 dBV/Pa (figure-8)
- Equivalent noise level: 10.5 dB (A), cardioid
- Max. SPL for 0.5 % THD: 133.8 dBSPL, 0 dB pre-attenuation
- Signal / noise ratio: 83.5 dB (A)
- Dynamic range: 123.3 dB (A)
- Pre-attenuation pad:
- 0 dB
- -6 dB
- -12 dB
- -18 dB
- Low-cut filter:
- linear
- 40 Hz (12 dB/oct)
- 80 Hz (12 dB/oct)
- 160 Hz (6 dB/oct)
- Internal impedance: 110 Ω
- Rated load impedance: 1,000 Ω
- Supply voltage: 48 V +/- 4 V
- Current consumption: 5.1 mA
- Mic enclosure: Zinc die cast
- Connector: Gold plated 3-pin XLR + Mini 3-pin XLR
- Microphone dimensions: 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in
- Microphone net weight: 425 g, 14.9 oz
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