Mackie 1202-VLZ4 12 Channel Compact Analogue Mixer
A true legend of a compact mixer! Incredibly well-specced for its size and built to last, the 1202 has always been a go to for live use and those who are tight for space in the studio, but want some of the essential features of bigger consoles not usually featured on compact units. We at RAD have been using this mixer in its various incarnations for years now, and back it HARD!
Now featuring Mackie’s flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and “Built-Like-A-Tank” construction that created an industry more than 25 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
Features:
12-channel mixer featuring Mackie signature high-headroom/low-noise design
4 boutique-quality Onyx mic preamps
Ultra-wide 60dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20Hz – 50kHz)
Improved RF rejection perfect for broadcast applications
Phantom power for condenser mics
12 high-headroom line inputs
4 balanced inserts perfect for integrating outboard gear
3-band EQ (80Hz, 2.5kHz, 12kHz)
18 dB/oct 75Hz low-cut filter on mic input channels
2 aux sends, level, pan and PFL solo on each channel
2 stereo returns for connecting FX processor or other stereo source
ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix
High-resolution 12-segment stereo meters
Sealed rotary controls resist dust and grime
“Built-Like-A-Tank” rugged steel chassis with powder-coat finish
High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
Rack-mountable design using optional rack ear kit
12-channel mixer featuring Mackie signature high-headroom/low-noise design
4 boutique-quality Onyx mic preamps
Ultra-wide 60dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20Hz – 50kHz)
Improved RF rejection perfect for broadcast applications
Phantom power for condenser mics
12 high-headroom line inputs
4 balanced inserts perfect for integrating outboard gear
3-band EQ (80Hz, 2.5kHz, 12kHz)
18 dB/oct 75Hz low-cut filter on mic input channels
2 aux sends, level, pan and PFL solo on each channel
2 stereo returns for connecting FX processor or other stereo source
ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix
High-resolution 12-segment stereo meters
Sealed rotary controls resist dust and grime
“Built-Like-A-Tank” rugged steel chassis with powder-coat finish
High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
Rack-mountable design using optional rack ear kit
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