from Ukrainian artist, Dmytrij Wulffius, who’s perhaps best recognised for his visual artwork for Martial Canterel and Kedr Livansky over the past decade
‘Sorang’ is Wulffius’ 2nd solo release after a 2016 batch for Ukraine’s Wicked Bass, and explores what he terms a “B-sides” sound, as in “something too strange to be danceable, with “complex ease” and rhythmical variety.” The results for pivotal label Gost Zvuk are playful and never po-faced, perhaps best primed for the after-hours session with a lightness of touch that percolates from his Plaid-like jiggles in ‘Monotone in G Minor’ to the acknowledgement of his effervescent closer ‘I Am Weird’, weaving his way thru variations of Thomas Brinkmann like techno in ‘My Cosmic Synthesiser’ and the muffled ‘Piano Song’ to the wandering melodies of ‘Heels at Pebble Beach’ and a damn classy deep house joint, ‘Typ Sounds Deep.’
‘Sorang’ is Wulffius’ 2nd solo release after a 2016 batch for Ukraine’s Wicked Bass, and explores what he terms a “B-sides” sound, as in “something too strange to be danceable, with “complex ease” and rhythmical variety.” The results for pivotal label Gost Zvuk are playful and never po-faced, perhaps best primed for the after-hours session with a lightness of touch that percolates from his Plaid-like jiggles in ‘Monotone in G Minor’ to the acknowledgement of his effervescent closer ‘I Am Weird’, weaving his way thru variations of Thomas Brinkmann like techno in ‘My Cosmic Synthesiser’ and the muffled ‘Piano Song’ to the wandering melodies of ‘Heels at Pebble Beach’ and a damn classy deep house joint, ‘Typ Sounds Deep.’
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