Resounding with a discrete, sublime sense of closeness, ‘Un Hiver En Plein Ete’ (‘A Winter in the Middle of Summer’) renders the results of Atkinson and Cantu-Ledesma’s studio sessions in August, 2019. To our ears, the six parts offer a whirling, transient sense of joy in the act. Everything feels in a perpetual motion, with instrumental gestures enlivened by a subtle but key use of electro-acoustic rendering that leaves space to the imagination, from the tip-of-tongue unfurling of Félicia’s ASMR-like vox and Jefre’s oily bass strokes in ‘And All The Spirals of the World’ to the aleatoric enigma of the field recording textures that precipitate glistening wind-played chimes and the sonorous, floating pads of ‘The Hidden’, enriching the stereo-swirled spiritual jazz intimation of ‘Septembers’, and with an absorbing mix of rawness and oneiric surreality on the album’s nine minute centrepiece ‘Not Knowing’ that reminds us of the strange state of stasis offset by the gnawing knowledge of a world in psychic distress.
While their performance - Atkinson on piano and voice, and Cantu-Ledesma harnessing space dilating electronics - is distinct, the music itself offers an emotionally unified sense of purpose; it's a musing on friendship that transcends artistic influences and guiding narrative lines. The duo still make connections to the past, but on "Un Hiver En Plein Ete" they sing a song of closeness, and gesture at the sublime jumble of thoughts and desires that dissolve and weather with time. Isolated by borders, restrictions, sickness and circumstance, it feels as if friendship is more insurgent than ever.